snoeck david renggli work live Classement 2024

Trouver conseils, opinions et fonctionnalités sur snoeck david renggli work live il est vendu 55.9 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Snoeck et est vendu par Orellfuessli.ch

Bunt, laut, einprägsam und subtil WORK, LIVE, BALANCE, die hier vorliegende Monografie zum Werk von David Renggli nimmt seine künstlerischen Arbeiten von 2006 bis heute in den Blick – ohne Anspruch auf die Voll­ständigkeit eines Werkverzeichnisses, wohl aber mit Respekt vor der markanten Heterogenität des Werks dieses Schweizer Künstlers und Musikers. Das Buch bietet eine breite Übersicht zum Werk und liefert aufschlussreiche Eindrücke von verschmitzt dandyhaften Auftritten des Künstlers. Sind diese nur als Oden an den Hedonismus zu verstehen? Mitnichten! David Renggli küsst mit seinem Werk unterschiedlichste Sehnsuchtsklischees und Idylle­vorstellungen wach, um sie mit Finesse mit ihren Brechungen zu konfrontieren. Er ironisiert mit einem heftigen Augenzwinkern Schönheitsideale und Schönheitskult, wobei er nicht vor den Hürden der Selbstoptimierung und egozentrischer Selbstverliebtheit zurückschreckt. Als Neodadaist ist David Renggli dabei immer ganz dem freien Spiel der Kunst – und auch der Musik – verpflichtet: »My favorite instrument? Snare drum.« Ausstellung: Villa Merkel Galerie der Stadt Esslingen, 8/3 – 12/7/2020

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EAN: 9783864423222

Découvrir conseils, opinions et fonctionnalités sur snoeck works so far vendu 62.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Snoeck et est vendu par Orellfuessli.ch

Spiegel-'Bilder' Wer lange genug in das weissglühende Zentrum dieses gelben Bildes geschaut hat, der verschmort durch die Latten des Liegestuhls. Dieser kleine Bildwitz der ersten wirklich umfassenden monografischen Publikation, die das bisherige Werk von Nils Nova darstellt, wirkt wie ein Appetizer und vermag es, die Betrachter noch tiefer in dessen Werk hineinzuziehen. So wie Nils Nova 2009, wo er als Teilnehmer auf die Biennale von Venedig eingeladen war, zunächst den leerstehenden Ausstellungsraum in den Artiglieri dell’ Arsenale in seiner Längsrichtung im Gegenschuss fotografiert und die gegenüberliegenden, frontal erfassten Stirnseiten als Fotoinstallation wiederum in den zuvor fotografierten Raum gesetzt hat. Es sind nicht nur die imposanten Dimensionen, schreibt Max Wechsler in seinem hervorragenden wie erhellenden Essay, welche die Vorstellung aushebeln, wenn durch die Montage der fotografischen 'Spiegelbilder' der reale Raum in seiner extremen Entgrenzung den eigenen Stand- und Gesichtspunkt ins Schwanken bringt, vielmehr setzt sich die Entgrenzung, eine schwankende Erfahrung von Schein und Sein noch weiter fort, wenn auf der weissen Wand innerhalb des fotografierten Raumes auf einmal ein reales Bild hängt, das auf dem fotografischen Hintergrund wie frei im Raum zu schweben scheint. Zudem wirkt das auf Chromstahl gemalte Bild in seinem polierten Zentrum wie ein realer Spiegel. Die Betrachter sehen sich mit ihrer Umgebung selbst ins Bild projiziert und werden so unwillkürlich Bestandteil der eigenen Wahrnehmung, die schon durch die schwebenden Ebenen beinahe im Begriff steht zu verzweifeln. Nils Nova ist ein Künstler, der mit Malerei, Fotografie, Video und Found-Footage die in der Natur seines vielfältigen Materials liegenden Tendenzen der Verzauberung und Mystifikation intelligent in Szene setzt. So nimmt es nicht weiter Wunder, dass Simulakren und Parallelwelten ins Spiel kommen und man nicht unbedingt dem Schatten Peter Schlemihls oder anderen verkauften Seelen nachsinnen muss, um von leichtem Schwindel befallen zu werden. Mirror 'Images' Whoever stares into the centre of this glowing white painting the longest will end up scorching their way right through the wooden slats of the reclining chair. This small, pictorial joke from the first really comprehensive, monographic publication to date illustrating the entirety of Nils Nova’s work has the effect of an appetizer and effectively draws the viewer more deeply into the work. As was the case in 2009 when invited to take part in Venice Biennale, Nils Nova first photographed the length of the empty exhibition space in the Artiglieri dell’ Arsenale in a reverse shot and placed the opposite, frontally photographed far end as a photographic installation in the same photographed space. In his outstanding and insightful essay, Max Wechsler comments that it is not just the imposing dimensions that disarm one’s imagination when the real space, in its extreme boundlessness, begins to throw one’s...

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EAN: 9783940953872

Découvrir conseils, opinions et fonctionnalités sur snoeck stefanie unruh works vendu 44.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Snoeck et est vendu par Orellfuessli.ch

Wie aus einem Trambahnhäuschen ein Ballsaal wird In ihrem neuen Buch zieht Stefanie Unruh eine Art Zwischenbilanz ihres Schaffens in der Zeit von 2000 bis heute. Den Kern des Werks der Münchner Künstlerin hat Carla Schulz-Hoffmann folgendermassen beschrieben: »In grossen, thematisch zusammenhängenden Werkkomplexen beschäftigt sie sich mit einer klassischen Frage der künstlerischen Existenz, ihrer Stellung innerhalb ihrer jeweiligen Geschichte.« Unruh verhandelt demnach Fragen zur Identität, beschäftigt sich mit Spuren und Erinnerungen, mit alltäglichen Handlungen und Situationen, wobei sie aber die Wirklichkeit ins surreale Licht stellt. Ihre Auseinandersetzung mit den Mythen des Alltagslebens wird von ihrem Interesse an ­medialen Phänomenen nachhaltig mitbestimmt. So hat Stefanie Unruh 2005/2006 eine subtile Serie floraler schwarz-weiss gemusterter Tapeten so geschickt um gezeichnete Porträts ergänzt, dass einem erst bei genauerer Betrachtung die foto­grafischen Vorlagen wieder in den Sinn kommen: ­Mohammed Atta und seine Komplizen und das berühmte Bild des Turban tragenden Ramzi Binal­shibh, der derzeit in Guantanamo auf den für 2021 angekündigten Beginn seines Prozesses wegen Beteiligung an den Anschlägen von 9/11 wartet, tauchen aus einer Blumenranke auf. 2010 greift Stefanie Unruh die Verbindung des Floralen mit auf den Islamismus verweisenden Motiven in ebenso einfachen wie wirkungsvollen Tuschzeichnungen noch einmal auf: Aus dem lieblich Ornamen­talen, das mit dem islamischen Bilderverbot korres­- pondiert, taucht die »Uniform« Burka wie ein Fremd-körper auf, eine der Frauen hält zudem eine Pistole in der Hand. Die Zeichnung als wiederkehrender Ausgangspunkt des Schaffens von Stefanie Unruh markiert aber nur eine ihrer medialen Fähigkeiten – ebenso virtuos arbeitet sie mit Objekten und Videoinstallationen, mit denen sie ihren oftmals abgefragten Beitrag zu aktuellen Debatten um die Besetzungen öffentlicher Räume leistet. Dabei ver­­kehrt sie nicht selten deren formale Konnotationen: Aus einem repräsentativen Foyer wird eine dunkle Höhle, ein ehemaliges Trambahnhäuschen mutiert zum Ballsaal.

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EAN: 9783864423291

Trouver conseils, opinions et fonctionnalités sur snoeck david czupryn he she il est vendu 36.9 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Snoeck et est vendu par Orellfuessli.ch

Wo sich Calder, Dalí und Herold eine App teilen! David Czupryn (*1983) hat bei Georg Herold, Lucy McKenzie und Tomma Abts in Düsseldorf ­studiert. Er ist ein Meister des Trompe-l’Œil-Effektes; jener jahrhundertealten Kunst der Augentäuschung, die bei ihm ein unerwartetes Comeback feiert. Mit Pinsel und Farbe bildet er mimetisch Oberflächen nach, Handschrift und Gestus werden so geradezu provokativ negiert. Die Bilder – David Czupryn arbeitet mit starken harmonischen Kontrasten und trägt die Farbe transluzid auf – wirken wie aus einem Guss, sie sind nicht fotorealistisch, sondern illusionistisch dreidimensional. Den ruhigen Gründen, Standflächen und Bewegungsmotiven werden Pfeile und andere grafische Elemente beigesellt. Neben ausgreifenden Gliedmassen ziehen gebrochene ­Symmetrien, Fallendes, Schwebendes, Verbundenes, Verschränktes, Geöffnetes und Durchsichtiges die Aufmerksamkeit auf sich – gleichsam Bilder im Bild, aber auch einander umspielende Versatzstücke. Kein Wunder, dass der Maler die Surrealisten schätzt, aber auch eine gewisse Vorliebe für Alfred Kubin bekundet. Die Verrätselung, die er betreibt, steht aber nicht in der Tradition der Schwarzen ­Romantik, sondern erinnert an Alexander Calder und Naum Gabo, aber natürlich auch an das spitz­bübische Werk von Georg Herold. So lassen sich David Czupryns Bilder denn auch ohne Umschweife als gemalte Installationen begreifen, in denen Konstruktivismus, Kinetik und Surrealismus ironische Urständ feiern. Oder auf Neudeutsch: Hier teilen sich Calder, Dalí und Herold die App. Ausstellung: Kunsthalle Darmstadt, 27/10/2018–6/1/2019

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EAN: 9783864422638

Trouver informations, conseils et prix pour grin thatcherism und die campus il est vendu 30.4 € , présent dans la catégorie Bücher & Zeitschriften, ce produit est fabriqué par Grin et est vendu par Orellfuessli.ch

Studienarbeit aus dem Jahr 2004 im Fachbereich Amerikanistik - Literatur, Note: 1,0, Universität Hamburg (Institut für Anglistik), Veranstaltung: Thatcherism: British Politics and Culture in the 1980s, Sprache: Deutsch, Abstract: In der vorliegenden Hausarbeit wird aufgezeigt, in welcher Form die in den 80er Jahren vorliegenden Differenzen zwischen Regierung, Universitäten und Industrie in der campus novel "Nice Work" von David Lodge dargestellt werden. Die drei zentralen Erkenntnisinteressen der nachstehenden Ausführungen lassen sich folgendermassen umreissen: Erstens sollen die Absichten der Regierung Margaret Thatchers¿ hinsichtlich ihrer Bildungspolitik kurz umrissen werden. Zweitens wird aufgezeigt, wie das Universitätswesen auf diese Absichten reagiert hat. Drittens wird untersucht, wie diese Zielrichtungen sowie ihre Umsetzungen und Konsequenzen in Nice Work literarisch umgesetzt worden sind. Im ersten Hauptteil meiner Arbeit gebe ich einen kurz gehaltenen Überblick über die Werte und Konzepte des Thatcherism und beziehe mich dann explizit auf die Probleme in der universitären Welt sowie auf den englischen Universitätsroman der 80er Jahre. Hierbei werden weder die Anfänge noch die Entwicklung des englischen Universitätsromans erwähnt, sondern er wird nur im Zeitrahmen des Thatcherism betrachtet. Weitergehend analysiere ich im zweiten Hauptteil meiner Arbeit die Repräsentation des Thatcherism in Nice Work. Hierbei wird explizit auf die Universität Rummidge als Ebenbild des Niederganges der Universitäten in den 80ern eingegangen, den Themenkomplex Industrie und Universität sowie Emanzipation in Nice Work. Im Zuge dessen wird auch Changing Places von David Lodge erwähnt. Als Grundlagen besonders wichtig für diese Arbeit waren die Dissertation Campus Clowns and the Canon ¿ David Lodge¿s Campus Fiction von Eva Lambertsson Björk sowie Two Cultures, Universities and Intellectuals ¿ Der englische Universitätsroman der 70er und 80er Jahre im Kontext des Hochschuldiskurses von Thomas Kühn.

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EAN: 9783638913614

Découvrir conseils, opinions et fonctionnalités sur snoeck andreas gursky vendu 89.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Snoeck et est vendu par Orellfuessli.ch

Transitory Procedures Andreas Gursky’s pictorial world has exerted a strong fascination ever since his works became better known to a wider audience at the beginning of the 90s, making both him and his style famous. This fascination is thanks in the main to the amazingly simple procedure of viewing the individual elements in close-up and the classical change of viewing perspective, which, in the sum of the parts, adds up to a truly powerful compositional visual impression. Other characteristics can be singled out, too, for example the pictorial nature of transitory procedures that reveals in particular, an essence akin to a sign of the times in Gursky’s works. No other artist working in the field of photography has been able to present – even in his early works – such a bold interplay of different optical and semantic worlds. Whether is be Nike trainers arranged like a sculpture on shelves for example, whose presentation en masse and in strict geometrical order is a minimalist act in its own right, or such apparently inconspicuous subjects such as the Rhine near Düsseldorf, in which absence itself is represented. In his recent works and by means his very own pictorial language, he shows the cosmos of a familiar and yet unlived exoticism, of the supposedly globally accessible sign. For the first time since 1998 there is a comprehensive presentation in Germany of Andreas Gursky’s work; the catalogue, complete with a series of images selected and compiled by the artist himself, is the first publication since Gursky’s major solo exhibition in the Museum of Modern Art in New York. Exhibitions: Haus der Kunst, München, 17/02–13/05/07 Sharjah Art Museum, Sharjah, United Arab Emirates, 28/11/2007–27/01/2008 National Gallery of Victoria, Australien, 20/11/08–­22/02/09

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EAN: 9783936859508

Découvrir informations, conseils et prix pour snoeck andreas karl schulze b vendu 32.4 € , est placé dans la catégorie Bücher & Zeitschriften; ce produit est fabriqué par Snoeck et est vendu par Orellfuessli.ch

A given arrangement results in movement! Andreas Karl Schulze is a painter, but his works are not paintings in the traditional sense. They do, however, quite imperceptibly draw part of their essence from painting. Clear colors appear in the form of small squares of identical size, which are fixed to the walls of the exhibition space. Their pattern is irregular, composed intuitively and based on specific observations within an extended creative process. A given arrangement results in movement, and the emptiness and vastness of space becomes the base for a new creation. In terms of perception and reduction, Andreas Karl Schulze appears to be an ideal conversational partner for Josef Albers and his homage to the square. The wall paintings are flanked by sculptural works – color modules mounted on freestanding plywood panels. The catalog documents the exhibition and features an interview by Heinz Liesbrock with Andreas Karl Schulze that guides us to the heart of the work.Exhibition:Josef Albers Museum Quadrat Bottrop, 21/2–8/5/2016

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EAN: 9783864421761

Trouver conseils, opinions et fonctionnalités sur snoeck siegfried anzinger bilder 2011 il est vendu 62.9 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Snoeck et est vendu par Orellfuessli.ch

Works 2011 The formation in Anzinger’s works, shrouded in diffuse, dilute paint, is always so unreal, it sways and it hovers. It is as if one were actually dreaming the painting. Anzinger has carefully painted around the casually-sketched motif – very sensitively so that one can see how the painter has been ­guided by the wavering and wobbling of the brush as though it were a dousing rod. And that is precisely what we experience in his paintings: they allow us to dream. I look beyond their ­thematic beginnings; the paintings themselves invite one to do so!«, Rudi Fuchs concludes his text, which accompanies this book.Exhibition:Künstlerhaus Palais Thurn und Taxis, Bregenz; 26/11–30/12/2011Kunstverein Heilbronn, 7/9–21/10/2012

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EAN: 9783864420047

Découvrir informations, conseils et prix pour snoeck jak soul blindness fall vendu 35.9 € , est placé dans la catégorie Bücher & Zeitschriften; ce produit est fabriqué par Snoeck et est vendu par Orellfuessli.ch

JAK and the Agnosia There is an old tree trunk in the foyer of Villa Merkel, a sculpture of about seven meters in height, supported by a slanting, reflective, bright green piece of epoxy resin; a landscape in flowing mist; floating porcelain objects – these are settings from a film script. The work is by JAK. But who is JAK? Did JAK, as we read these lines, already manage to get inside our heads? JAK has been working on the film SOUL BLINDNESS since 2013, yet the development process is unlike that of a »normal« film project. From one exhibition to the next, JAK continues to write the story of the screenplay using various media such as drawing, text, video, sound, sculpture, painting, photo and installation. Continually shot, this film describes how the main character is dealing with agnosia, a psychological anomaly where objects can no longer be unambiguously identified or attributed, and which is therefore also known as »soul blindness«. Interestingly, JAK, as author and artist in one, and the agnosia as a »disturbed« relationship with the world, can’t be clearly separated, so that the participants and the layers combine with one another, and render each other unrecognizable: JAK remains anonymous, and the agnosia remains in the realm of the illusory, which corresponds rather well to its status as an illness. Meanwhile, everyday actions from the screenplay for SOUL BLINDNESS are transformed and take shape as stage sets. In the run-up to this complex JAK project, there were three solo exhibitions in Stuttgart, Taipei and Leonberg. In March 2017, the exhibition at Villa Merkel had its overture at the Representation of the State of Baden-Württemberg in Brussels. The book gives an extensive insight into JAK’s work, but there is absolutely no information about who JAK actually is! Exhibition: Villa Merkel, Galerien der Stadt Esslingen, 18/6 – 27/8/2017

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EAN: 9783864422225

Découvrir informations, conseils et prix pour snoeck georg herold da wo vendu 62.9 € , est placé dans la catégorie Bücher & Zeitschriften; ce produit est fabriqué par Snoeck et est vendu par Orellfuessli.ch

Sculptural Independence If you follow an artist’s work for quite a number of years, you will grow fond of it – yes, and you will rejoice in its success. Georg Herold has truly experienced many moments of success and brilliance, distinctions and presentations. That is why now, after he turns 70 in July 2017, he can look back on an impressive career, and calmly prepare a retrospective at Kunstmuseum Bonn. He is now regarded as one of the most prominent international art personalities of the past 30 years, not least because his work embodies an exuberant joy of experimentation. The fact that he uses simple materials, as critics have so frequently and thoroughly perused, or that his work is full of moments of irony, and that he always challenges traditional forms of pictorial representation, in particular of sculpture as such, is true, but it should not distract from the extraordinary work development that took a major leap from postmodern semantics to a modernist work freed from all convention and led, subsequently, to absolute sculptural independence! Exhibition: Kunstmuseum Bonn, 21/9/2017–7/1/2018

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EAN: 9783864422249

Trouver conseils, opinions et fonctionnalités sur snoeck mathieu mercier everything but il est vendu 52.9 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Snoeck et est vendu par Orellfuessli.ch

Objects on a higher level Lamps, furniture, bicycles, typography, museum pedestals – the work of Mathieu Mercier, winner of the Prix Marcel Duchamp (2003), born 1970 in Conflans-Saint-Honorine and now living in Paris, moves con­fidently between art and everyday culture. He keeps ­referring back to the work of his heroes Marcel Duchamp and Piet Mondrian. Yet, Mathieu Mercier does not want to make inaccessible art, but works that are »instantly descriptive and attractive«. The banal everyday objects he presents are indeed at first simply beautiful. Mercier speaks in this regard of »sublimation«, of a finishing ­process that guides the objects to a higher level. The targeted change of position, the permanent exchange between high and low, raises the question as to the ­status of things between functionality and artistic pur­poselessness. Mathieu Mercier skillfully reflects the ­concepts of Western culture of the 20th century in the field of tension between modern architecture, design and visual arts.

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EAN: 9783864421204

Découvrir conseils, opinions et fonctionnalités sur snoeck christa dichgans kein stillleben vendu 41.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Snoeck et est vendu par Orellfuessli.ch

Christa Dichgans – Female German Pop Plastic toys piled up in a kid’s room, an inflatable animal as a swim ring, Batman and mountains of sausage – these are motifs that define paintings by Christa Dichgans (born 1940 in Berlin). The artist, known in particular for her early work of the 1960s, has recently received much attention in relation to her participation in various national and international group exhibitions. She is without doubt among the most important players in Pop Art. For over five decades she has been examining the relationship between man and object, always against the background of mass consumerism, which has changed considerably over time: instead of quality and quantity, the emphasis now is on increasingly intangible attributions that are apparent in the symbolic content of goods and, correlatively, consumers' brand awareness. Accordingly, Christa Dichgans’ motifs are also reminiscent of ‘vanitas’ still lifes that refer to an ever-shortening half-life of the world of things of an accelerated culture. Exhibition: Kestnergesellschaft Hanover, 26/1–8/5/2018

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EAN: 9783864422355

Découvrir informations, conseils et prix pour snoeck dieter roth arnulf rainer vendu 62.9 € , est placé dans la catégorie Bücher & Zeitschriften; ce produit est fabriqué par Snoeck et est vendu par Orellfuessli.ch

Provocations – Collaborations The collaboration on almost 500 works by these two exceptional artists started in 1974 and is shrouded in wild anecdotes. For the most part, they are not directly connected to individual works by Dieter Roth or Arnulf Rainer. Rather, both artists were keen to let their individual ideas collide freely, in order to create works of comedic performativity as well as humorous pictorial wit. Often, the smaller and more slender Arnulf Rainer approached the larger and more corpulent Dieter Roth as a provocative whisperer, prompting Roth to occasionally react with deliberate aggression toward Rainer’s ideas and inspirations. These occasions are photographically documented. Rainer then edited these photos and passed them on to Roth who subsequently finished the work. Besides several »Fuzzle Pieces«, this volume also presents mainly large-format drawings and the most beautiful examples of their collaborative graphic works labeled »Misch- u. Trennkunst« (a German pun on the balancing or specific combining of food), which from the 1980s, included Björn Roth in the collaboration.

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EAN: 9783864420849

Trouver informations, conseils et prix pour snoeck shaan syed catalogue il est vendu 41.9 € , présent dans la catégorie Bücher & Zeitschriften, ce produit est fabriqué par Snoeck et est vendu par Orellfuessli.ch

Stagediving At the beginning of Oliver Kielmayer’s introductory text about the artistic career of Canadian/British artist Shaan Syed is a funny yet insightful story that seems to stand over this tableau-like book on Shaan Syed’s work since graduating from Goldsmith College in 2006. Sometime in the 1990s, the artist attended a concert by Sinéad O'Connor and, after admission, he positioned himself immediately in front of the stage. Unfortunately, he almost never got to see Sinéad O'Connor because she hardly ever went to the front edge of the stage; neither could he go any further back himself because of the throng of people behind him. However, this experience yielded a pictorial idea that related directly to the inadvertent view of the »empty« stage, and that, according to Kielmayer, represents Shaan Syed’s general approach. You can hardly equate »aesthetic experience. with a concert, an LSD trip or religious enlightenment; and yet all these experiences have in common that contact with a realm beyond that escapes a purely cognitive or linguistic grasp, and which, at the same time, has emotional repercussions in this world. It is no coincidence that Syed’s formal compositions sometimes resemble abstract versions of Indian Tantric painting. In this centuries-old tradition, the image serves neither as instruction nor as decoration but as a stimulus for a move into a spiritual sphere. Leaving aside the important meditative purpose of Tantra, this concept corresponds very precisely to the ideas of the artistic modernity at the beginning of the 19th century, eventually comprised under the keyword of autonomy: The rejection of the representational purpose, coupled with an emphasis on the intrinsic value of an image. This autonomy of art means, above all, that it can basically assume any form and any content; however, at the same time it also implies that a work of art, in all its freedom of choice with respect to content and form, at least should facilitate some kind of aesthetic experience.«Exhibition:Kunsthalle Winterthur, 27/9–22/11/2015

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EAN: 9783864421440

Trouver informations, conseils et prix pour snoeck hamish fulton walking transformation il est vendu 41.9 € , présent dans la catégorie Bücher & Zeitschriften, ce produit est fabriqué par Snoeck et est vendu par Orellfuessli.ch

No Walk, no Art Hamish Fulton, born in London in 1946, is working on an entirely independent body of work that is rather poetic and borne by a distinguished, authentic and open-minded attitude. For over 40 years, he has been conveying and acknowledging »walking« as an art form: Walks. Fulton makes Walks in all corners of the world, such as a walk »From Coast to Coast« in the UK, for instance. They result in wall drawings and images, photos and objects capturing in a variety of ways the defining phenomena of the Walks. At the same time, according to the motto »No Walk, No Art«, they can also be read as a passive protest against the excesses of urbanization that Fulton formulates in a sympathetic, yet uncompromising way. In 1994, Hamish Fulton, for the first time, directly involved other people in his work with a Group Walk. This volume documents the nucleus of the exhibition at Villa Merkel in Esslingen (9/3–8/6/2014); the Walks recorded by the artist in recent years in Tibet and India.

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EAN: 9783864420924

Découvrir conseils, opinions et fonctionnalités sur snoeck darren almond nocturne vendu 103 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Snoeck et est vendu par Orellfuessli.ch

An outstand artist with a fabulous work Darren Almond, born in 1971, is without doubt one of the outstand­ing English contemporary artists; it all started 1997 with his parti­cipation in the legendary show Sensation, the inception of the Young British Artists, and led to the Pavilion at the Venice ­Biennale in 2003 and a Turner Prize nomination two years later. And anyone who caught the empathetic and concentrated retrospective at the Villa Merkel in Esslingen in the summer of 2011 can count his or her blessings. The title of the book and exhibition is derived from the large-format ­Nocturnes (2004–2010) featuring photographs of moonlit landscapes using long exposure times which evoke Romantic landscapes in their European variants and classical Japanese and Chinese landscape painting in their Asiatic motifs. The absence of shadows in these photographs is visible testimony to a seemingly frozen time and whose light doesn’t actually ­illuminate the scenes as such, but instead hangs upon the open sur­faces rather like an emanation from the landscape, a fleeting substance. Thus these photographs can be situated in the place where painting and photography, perception and imagination intersect. At the point where the photographs allow time to become the yardstick of their own perfect genesis, the artist duly formulates the experience of time as an endless ­repetition of abrasive and lengthy spiritual retreats in his powerful video piece Sometimes Still (2010). Darren Almond, running at a pace with his camera, was allowed ­accompany a Buddhist Ten-dai novitiate monk on a thirty kilo­metre nocturnal cross-country run through forests alongside the holy mountain Hiei – an ascetic and ­simultaneously physical and spiritual exercise of the utmost rigour, which the novitiate had to perform 1,000 times over a period of seven years. In the course of this he had to stop at appointed places and utter prayers, which he then ­rounded off with two handclaps. The special nature of this publi­cation in cassette form relates to the specific execution of individ­ual works, sometimes as a concertina folder or a simple booklet. Thus all of the photographs in the exhibition are adequately covered and the film receives a form of ­publication which can been ­viewed in particular as a mirror of the artist’s experiences. Exhibition: Villa Merkel, Städtische Galerien der Stadt Esslingen, 29/5–21/8/2011

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Trouver conseils, opinions et fonctionnalités sur snoeck about trees il est vendu 44.9 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Snoeck et est vendu par Orellfuessli.ch

Thinking About Trees Peter Fischer and his team have gathered about 100 works for the exhibition and the volume ABOUT TREES. Be it the huge rags stumps by Berlinde De Bruyckere, shimmering waxen and wrapped in giant rags, or the oil painting of a sparse forest with fragments of a Corbusier building in the background by Peter Doig; the mighty, upside-down black-and-white photograph of an oak tree by Rodney Graham or the picture of a detonated fruit tree by Michael Sailstorfer: these works of art always depict the tree as a diversely interpretable motif. In particular, it is about how the subject tree in a symbolic way »may raise fundamental questions of existence«. Art, in contrast to natural sciences and religion, has an advantage as it only has to raise questions, not give answers. Thus, it can reveal the tree as »a symbol, mirror and object of projection«, demonstrate how it represents life and/or death. Trees, however, are also suitable as a theme for »clashes and inspirations«, since it is lends itself to trace the story of human relationship with nature in an exemplary way, while, at the same time, pointing out that the dichotomy between nature and culture need not necessarily lead to destruction. According to Robert Macfarlane in his contribution »Buchenhain«, from a branch or the crown of a tree, man views the world not only in a liberated way, but he can even feel safe in it, as a kind of hybrid of »tree and man«. Accordingly, as the editor of the volume Peter Fischer points out, the tree is also ideally suited as a »symbol of imaginary worlds and embodiment of actual worlds«, for instance when it begins to speak like in fairy tales, formulating its own laws; and "long-lasting and durable, trees also have the ability to grant a specific identity to their location and environment. As a striking object, the tree contributes to the individual image of a place. It bears witness to the history of its location. The law is administered and implemented under a tree, there are celebrations and feasts.«Artists: Carlos Amorales, Ursula Biemann & Paulo Tavares, Merijn Bolink, Louise Bourgeois, Berlinde De Bruyckere, Mark Dion, Peter Doig, Valérie Favre, Anya Gallaccio, Rodney Graham, Katie Holten, John Isaacs, Naoko Ito, Wiliam Kentridge, Anselm Kiefer, Paul Klee, Rosemary Laing, Žilvinas Landzbergas, Ndary Lo, Paul McCarthy, Ana Mendieta, Agnes Meyer-Brandis, Paul Morrison, Shirin Neshat, Jill Orr, Renzo Piano, Pipilotti Rist, Ugo Rondinone, Julian Rosefeldt, Michael Sailstorfer, George Steinmann, Wolfgang Tillmans, Su-Mei Tse, Shinji Turner-YamamotoExhibition:Zentrum Paul Klee Bern, 17/10/2015–24/1/2016

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Trouver conseils, opinions et fonctionnalités sur snoeck giovanna sarti the essence il est vendu 16.4 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Snoeck et est vendu par Orellfuessli.ch

Painting with RustGiovanna Sarti (born 1967 in Cervia, Italy, lives in Berlin) studied under Per Kirkeby at the Städelschule in Frankfurt. In 2013, she took part in the exhibition »Painting Forever« at Deutsche Bank Kunsthalle in Berlin. Giovanna Sarti is a nonfigurative painter. For her, painting is first of all an intensive examination of the possibilities of the material; besides pigment, ink, varnishes and coal she uses metal powders, and has recently began working in layers using rust. She initially applies it onto the canvas and then has it fixed before working the canvases at her studio using acrylic paints, ink and/or varnish. Occasionally the various paint mediums react chemically with one another. Such processes cannot entirely be controlled, and the artist is deliber­ately using the inherent dynamics of the ­material, because she places great importance to pre­cisely this processual way of working. Thus, the layered structure of her work is to be seen less in reference to external conditions but, rather, as an ­analogy to existential psychological processes, since the paint layers are ­superimposed, like memories. »The daily slow layering of images, thoughts and feelings allows me to ex­perience my work as real, and not as an abstraction«, says Giovanna Sarti. And as nature, ­memory, and life, ­Giovanna Sarti’s work combines beauty with roughness. Even when the images shimmer with metal dust, or even when the colour pink comes into play, as soon as rust rages across the rough linen of the canvas in a great big dance, they maintain the tension.Exhibition:Kunstverein Heilbronn, 24/9–20/11/2016

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Trouver informations, conseils et prix pour theatre works brother karamazov the il est vendu 71.9 € , présent dans la catégorie Bücher & Zeitschriften, ce produit est fabriqué par LA Theatre Works et est vendu par Orellfuessli.ch

David Fishelson has transformed Dostoyevskys The Brothers Karamazov and The Idiot into spellbinding drama that illuminates both titanic novels. The passionate Karamazov brothers spring to life, led by their roue of a father, who entertains himself by drinking, womanizing, and pitting his three sons against each other. The men have plenty to fight over, including the alluring Grushenka. In The Idiot, meet the kindly, childlike Prince Myshkin, as he returns to the decadent social whirl of 1860s St. Petersberg. The two most beautiful, sought-after women in the town compete for his affections, in a duel that grows increasingly dangerous.

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Trouver informations, conseils et prix pour johns hopkins university press faculty il est vendu 58.9 € , présent dans la catégorie Bücher & Zeitschriften, ce produit est fabriqué par Johns Hopkins University Press et est vendu par Orellfuessli.ch

"Draws together empirical evidence on college and university faculty at work; develops and tests a theoretical framework of faculty motivation to engage in different teaching, research, and service activities; and suggests how administrative practices can be improved so that faculty work lives are enriched and institutions become more productive organizations." -- Resources in Education

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EAN: 9780801873072