Trouver informations, conseils et prix pour snoeck stefanie unruh works il est vendu 44.9 € , présent dans la catégorie Bücher & Zeitschriften, ce produit est fabriqué par Snoeck et est vendu par Orellfuessli.ch
Wie aus einem Trambahnhäuschen ein Ballsaal wird In ihrem neuen Buch zieht Stefanie Unruh eine Art Zwischenbilanz ihres Schaffens in der Zeit von 2000 bis heute. Den Kern des Werks der Münchner Künstlerin hat Carla Schulz-Hoffmann folgendermassen beschrieben: »In grossen, thematisch zusammenhängenden Werkkomplexen beschäftigt sie sich mit einer klassischen Frage der künstlerischen Existenz, ihrer Stellung innerhalb ihrer jeweiligen Geschichte.« Unruh verhandelt demnach Fragen zur Identität, beschäftigt sich mit Spuren und Erinnerungen, mit alltäglichen Handlungen und Situationen, wobei sie aber die Wirklichkeit ins surreale Licht stellt. Ihre Auseinandersetzung mit den Mythen des Alltagslebens wird von ihrem Interesse an medialen Phänomenen nachhaltig mitbestimmt. So hat Stefanie Unruh 2005/2006 eine subtile Serie floraler schwarz-weiss gemusterter Tapeten so geschickt um gezeichnete Porträts ergänzt, dass einem erst bei genauerer Betrachtung die fotografischen Vorlagen wieder in den Sinn kommen: Mohammed Atta und seine Komplizen und das berühmte Bild des Turban tragenden Ramzi Binalshibh, der derzeit in Guantanamo auf den für 2021 angekündigten Beginn seines Prozesses wegen Beteiligung an den Anschlägen von 9/11 wartet, tauchen aus einer Blumenranke auf. 2010 greift Stefanie Unruh die Verbindung des Floralen mit auf den Islamismus verweisenden Motiven in ebenso einfachen wie wirkungsvollen Tuschzeichnungen noch einmal auf: Aus dem lieblich Ornamentalen, das mit dem islamischen Bilderverbot korres- pondiert, taucht die »Uniform« Burka wie ein Fremd-körper auf, eine der Frauen hält zudem eine Pistole in der Hand. Die Zeichnung als wiederkehrender Ausgangspunkt des Schaffens von Stefanie Unruh markiert aber nur eine ihrer medialen Fähigkeiten – ebenso virtuos arbeitet sie mit Objekten und Videoinstallationen, mit denen sie ihren oftmals abgefragten Beitrag zu aktuellen Debatten um die Besetzungen öffentlicher Räume leistet. Dabei verkehrt sie nicht selten deren formale Konnotationen: Aus einem repräsentativen Foyer wird eine dunkle Höhle, ein ehemaliges Trambahnhäuschen mutiert zum Ballsaal.
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EAN: 9783864423291
Découvrir conseils, opinions et fonctionnalités sur snoeck fort works vendu 51.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Snoeck et est vendu par Orellfuessli.ch
FORT ist überall Die Künstlerinnen Alberta Niemann (*1982 in Bremen) und Jenny Kropp (1978 in Frankfurt/M.) bilden die Gruppe FORT. In ihrer künstlerischen Praxis spüren Fort gesellschaftlichen, politischen und wirtschaftlichen Ereignissen und Entwicklungen nach. Sie machen dabei nicht halt vor befremdlichen Momenten, indem sie etwa in den Kunstkontext wie bei ihrer Arbeit »Leck« das vollständige Interieur einer abgewickelten, ehemaligen Schlecker-Filiale transferieren. So stehen nun die ausgeweideten, teils schon erheblich ramponierten Regale, zu neuen Gängen arrangiert, in der Kestnergesellschaft und führen nochmals den Niedergang des Schlecker-Konzerns in Deutschland vor Augen – eine der grössten Firmeninsolvenzen in der deutschen Nachkriegsgeschichte. Befremdlich wirken auch die Szenen aus dem Video »The Calling« Schauplatz hier ist ein Callcenter mit Arbeitsplätzen, deren Bild durch Hektik, Reizüberflutung und Leistungsdruck bestimmt ist. Mitten darin sind jedoch Mitarbeiter zu sehen, die an ihren Arbeitsplätzen sitzen und in eine Art Tiefschlaf verfallen scheinen: Schlaf als subversive Handlung, als Widerstand? Ausstellung: Kestnergesellschaft Hannover, 28/3–25/5/2015
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EAN: 9783864421259
Découvrir conseils, opinions et fonctionnalités sur snoeck works so far vendu 62.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Snoeck et est vendu par Orellfuessli.ch
Spiegel-'Bilder' Wer lange genug in das weissglühende Zentrum dieses gelben Bildes geschaut hat, der verschmort durch die Latten des Liegestuhls. Dieser kleine Bildwitz der ersten wirklich umfassenden monografischen Publikation, die das bisherige Werk von Nils Nova darstellt, wirkt wie ein Appetizer und vermag es, die Betrachter noch tiefer in dessen Werk hineinzuziehen. So wie Nils Nova 2009, wo er als Teilnehmer auf die Biennale von Venedig eingeladen war, zunächst den leerstehenden Ausstellungsraum in den Artiglieri dell’ Arsenale in seiner Längsrichtung im Gegenschuss fotografiert und die gegenüberliegenden, frontal erfassten Stirnseiten als Fotoinstallation wiederum in den zuvor fotografierten Raum gesetzt hat. Es sind nicht nur die imposanten Dimensionen, schreibt Max Wechsler in seinem hervorragenden wie erhellenden Essay, welche die Vorstellung aushebeln, wenn durch die Montage der fotografischen 'Spiegelbilder' der reale Raum in seiner extremen Entgrenzung den eigenen Stand- und Gesichtspunkt ins Schwanken bringt, vielmehr setzt sich die Entgrenzung, eine schwankende Erfahrung von Schein und Sein noch weiter fort, wenn auf der weissen Wand innerhalb des fotografierten Raumes auf einmal ein reales Bild hängt, das auf dem fotografischen Hintergrund wie frei im Raum zu schweben scheint. Zudem wirkt das auf Chromstahl gemalte Bild in seinem polierten Zentrum wie ein realer Spiegel. Die Betrachter sehen sich mit ihrer Umgebung selbst ins Bild projiziert und werden so unwillkürlich Bestandteil der eigenen Wahrnehmung, die schon durch die schwebenden Ebenen beinahe im Begriff steht zu verzweifeln. Nils Nova ist ein Künstler, der mit Malerei, Fotografie, Video und Found-Footage die in der Natur seines vielfältigen Materials liegenden Tendenzen der Verzauberung und Mystifikation intelligent in Szene setzt. So nimmt es nicht weiter Wunder, dass Simulakren und Parallelwelten ins Spiel kommen und man nicht unbedingt dem Schatten Peter Schlemihls oder anderen verkauften Seelen nachsinnen muss, um von leichtem Schwindel befallen zu werden. Mirror 'Images' Whoever stares into the centre of this glowing white painting the longest will end up scorching their way right through the wooden slats of the reclining chair. This small, pictorial joke from the first really comprehensive, monographic publication to date illustrating the entirety of Nils Nova’s work has the effect of an appetizer and effectively draws the viewer more deeply into the work. As was the case in 2009 when invited to take part in Venice Biennale, Nils Nova first photographed the length of the empty exhibition space in the Artiglieri dell’ Arsenale in a reverse shot and placed the opposite, frontally photographed far end as a photographic installation in the same photographed space. In his outstanding and insightful essay, Max Wechsler comments that it is not just the imposing dimensions that disarm one’s imagination when the real space, in its extreme boundlessness, begins to throw one’s...
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EAN: 9783940953872
Découvrir informations, conseils et prix pour snoeck borden capalino works 2013 vendu 41.9 € , est placé dans la catégorie Bücher & Zeitschriften; ce produit est fabriqué par Snoeck et est vendu par Orellfuessli.ch
Klar stösst man auf bizarres Zeug! Am Beginn von Borden Capalinos Arbeiten, die auch als eine Art forensischer Surrealismus beschrieben werden könnten, steht ein Sammlungsprozess: Abbildungen von der Internetseite craigslist.com werden von ihm zusammengetragen, sortiert und archiviert. Dann wählt er nach formalen Kriterien Bilder aus, die er verändert, zerschneidet und durch Aufbügeln auf die Leinwand wieder neu zusammenfügt. Zudem appliziert Capalino verschiedenste Materialien, wobei er Läden für Künstlerbedarf bewusst meidet, denn er findet sein Material im Supermarkt, in Haushaltswarenläden, Apotheken und im Kleintierhandel. Ergebnis ist eine irritierende Verbindung von Fotografie und Skulptur: von den Fotos nimmt der Künstler Teile weg, ergänzt sie im Gegenzug aber mit Materialien wie Teer, Kaffee, Jod, vertrocknetem Essen oder Würmern, die er symmetrisch klar anordnet. Letztlich bildet er eine Art dekorativer Archäologie aus als wolle er tote Oberflächen zum Tanzen bringen.
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EAN: 9783864421266
Trouver conseils, opinions et fonctionnalités sur snoeck david renggli work live il est vendu 55.9 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Snoeck et est vendu par Orellfuessli.ch
Bunt, laut, einprägsam und subtil WORK, LIVE, BALANCE, die hier vorliegende Monografie zum Werk von David Renggli nimmt seine künstlerischen Arbeiten von 2006 bis heute in den Blick – ohne Anspruch auf die Vollständigkeit eines Werkverzeichnisses, wohl aber mit Respekt vor der markanten Heterogenität des Werks dieses Schweizer Künstlers und Musikers. Das Buch bietet eine breite Übersicht zum Werk und liefert aufschlussreiche Eindrücke von verschmitzt dandyhaften Auftritten des Künstlers. Sind diese nur als Oden an den Hedonismus zu verstehen? Mitnichten! David Renggli küsst mit seinem Werk unterschiedlichste Sehnsuchtsklischees und Idyllevorstellungen wach, um sie mit Finesse mit ihren Brechungen zu konfrontieren. Er ironisiert mit einem heftigen Augenzwinkern Schönheitsideale und Schönheitskult, wobei er nicht vor den Hürden der Selbstoptimierung und egozentrischer Selbstverliebtheit zurückschreckt. Als Neodadaist ist David Renggli dabei immer ganz dem freien Spiel der Kunst – und auch der Musik – verpflichtet: »My favorite instrument? Snare drum.« Ausstellung: Villa Merkel Galerie der Stadt Esslingen, 8/3 – 12/7/2020
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EAN: 9783864423222
Trouver conseils, opinions et fonctionnalités sur snoeck at work il est vendu 41.9 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Snoeck et est vendu par Orellfuessli.ch
Studio and Production as a Theme of Art Today In the history of art, the studio was always the place where the artwork was produced. After its creation it is then »released into the world«; into galleries, museums and private collections. This »order« of places and their function at the same time corresponded with the unity of author and artwork, which in turn ensured stylistic as well as genre-specific identities. Today these fixed orders and allocations no longer exist – conceptual art does not have a uniform style, nor is production understood as an autonomous piece of workman-ship – but despite this, both playful and associative strategies give rise to diverse frames of reference. Interestingly, it is precisely at this point, where this situation is variously also interpreted as a »crisis«, that the art-historic genre of the studio image is entering artists’ field of vision, becoming an allegorical »motif«. The book, like the exhibition, is conceived as an essay and talks about how reflecting on art, the process of making art and the locations of the art are reflected in the artworks themselves; because it is the »shadows of art« – to borrow a phrase from Roland Barthes – that are now finding their way into the artwork itself. Thus 20 works from the last 15 years are shown, in which the questions of authorship, finding ideas, style, participation and relationships between studios and exhibition spaces are addressed. Participating artists: Pawel Althammer, Tacita Dean, Katharina Grosse, Bruno Jakob, Christian Jankowski, Yuri Leiderman, Rita McBride, Mai-Thu Perret, Hermann Pitz, Sarah Rossiter, Giorgio Sadotti, Karin Sander, Adrian Schiess, Paul Sietsema, Deb Sokolov, Kathrin Sonntag, Annika Ström, Elizabeth Wright, Adrea Zittel, Artur Żmijewski.
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EAN: 9783864420702
Découvrir conseils, opinions et fonctionnalités sur snoeck sebasti n d az vendu 62.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Snoeck et est vendu par Orellfuessli.ch
Diccionario & ficción = Ficcionario Sebastián Díaz Morales was born in 1975 in the Patagonian petroleum city of Comodore Rivadavia. With his book »Ficcionario« – the title is a portmanteau of the words diccionario and ficción – he presents a kind of autopoietic sum of his work in images, texts and reports by participants. Since completing his studies at Rijksakademie van beeldende Kunsten in Amsterdam in 2001, the Argentinian film artist has been invited to exhibit at many eminent European and US institutions, and he has participated worldwide in major film and video festivals, as well as numerous biennials. He deliberately recalls – as the motto of one of the chapters of his book – a quote of the great Argentinian writer Jorge Luis Borges: »The mind was dreaming. The world was its dream.« This particular view of reality, a fusion of poetic and realistic narrative style, represents the Latin American literature of magical realism as well as the docu-fictional style of South American cinema. In Sebastián Díaz Morales, these influences come to bear when, in his film »Pasajes«, he has a man rush from room to room and, in doing so, join the most diverse worlds. His installation »Insight« takes a further decisive step and raises the question: In front or behind the camera, is all this actually just an illusion? This also applies to this book, which can be understood as an intelligent and entertaining journey by anyone picking it up!
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EAN: 9783864420931
Découvrir informations, conseils et prix pour snoeck mathieu mercier everything but vendu 52.9 € , est placé dans la catégorie Bücher & Zeitschriften; ce produit est fabriqué par Snoeck et est vendu par Orellfuessli.ch
Objects on a higher level Lamps, furniture, bicycles, typography, museum pedestals – the work of Mathieu Mercier, winner of the Prix Marcel Duchamp (2003), born 1970 in Conflans-Saint-Honorine and now living in Paris, moves confidently between art and everyday culture. He keeps referring back to the work of his heroes Marcel Duchamp and Piet Mondrian. Yet, Mathieu Mercier does not want to make inaccessible art, but works that are »instantly descriptive and attractive«. The banal everyday objects he presents are indeed at first simply beautiful. Mercier speaks in this regard of »sublimation«, of a finishing process that guides the objects to a higher level. The targeted change of position, the permanent exchange between high and low, raises the question as to the status of things between functionality and artistic purposelessness. Mathieu Mercier skillfully reflects the concepts of Western culture of the 20th century in the field of tension between modern architecture, design and visual arts.
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EAN: 9783864421204
Trouver conseils, opinions et fonctionnalités sur snoeck jak soul blindness fall il est vendu 35.9 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Snoeck et est vendu par Orellfuessli.ch
JAK and the Agnosia There is an old tree trunk in the foyer of Villa Merkel, a sculpture of about seven meters in height, supported by a slanting, reflective, bright green piece of epoxy resin; a landscape in flowing mist; floating porcelain objects – these are settings from a film script. The work is by JAK. But who is JAK? Did JAK, as we read these lines, already manage to get inside our heads? JAK has been working on the film SOUL BLINDNESS since 2013, yet the development process is unlike that of a »normal« film project. From one exhibition to the next, JAK continues to write the story of the screenplay using various media such as drawing, text, video, sound, sculpture, painting, photo and installation. Continually shot, this film describes how the main character is dealing with agnosia, a psychological anomaly where objects can no longer be unambiguously identified or attributed, and which is therefore also known as »soul blindness«. Interestingly, JAK, as author and artist in one, and the agnosia as a »disturbed« relationship with the world, can’t be clearly separated, so that the participants and the layers combine with one another, and render each other unrecognizable: JAK remains anonymous, and the agnosia remains in the realm of the illusory, which corresponds rather well to its status as an illness. Meanwhile, everyday actions from the screenplay for SOUL BLINDNESS are transformed and take shape as stage sets. In the run-up to this complex JAK project, there were three solo exhibitions in Stuttgart, Taipei and Leonberg. In March 2017, the exhibition at Villa Merkel had its overture at the Representation of the State of Baden-Württemberg in Brussels. The book gives an extensive insight into JAK’s work, but there is absolutely no information about who JAK actually is! Exhibition: Villa Merkel, Galerien der Stadt Esslingen, 18/6 – 27/8/2017
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EAN: 9783864422225
Découvrir conseils, opinions et fonctionnalités sur snoeck shaan syed catalogue vendu 41.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Snoeck et est vendu par Orellfuessli.ch
Stagediving At the beginning of Oliver Kielmayer’s introductory text about the artistic career of Canadian/British artist Shaan Syed is a funny yet insightful story that seems to stand over this tableau-like book on Shaan Syed’s work since graduating from Goldsmith College in 2006. Sometime in the 1990s, the artist attended a concert by Sinéad O'Connor and, after admission, he positioned himself immediately in front of the stage. Unfortunately, he almost never got to see Sinéad O'Connor because she hardly ever went to the front edge of the stage; neither could he go any further back himself because of the throng of people behind him. However, this experience yielded a pictorial idea that related directly to the inadvertent view of the »empty« stage, and that, according to Kielmayer, represents Shaan Syed’s general approach. You can hardly equate »aesthetic experience. with a concert, an LSD trip or religious enlightenment; and yet all these experiences have in common that contact with a realm beyond that escapes a purely cognitive or linguistic grasp, and which, at the same time, has emotional repercussions in this world. It is no coincidence that Syed’s formal compositions sometimes resemble abstract versions of Indian Tantric painting. In this centuries-old tradition, the image serves neither as instruction nor as decoration but as a stimulus for a move into a spiritual sphere. Leaving aside the important meditative purpose of Tantra, this concept corresponds very precisely to the ideas of the artistic modernity at the beginning of the 19th century, eventually comprised under the keyword of autonomy: The rejection of the representational purpose, coupled with an emphasis on the intrinsic value of an image. This autonomy of art means, above all, that it can basically assume any form and any content; however, at the same time it also implies that a work of art, in all its freedom of choice with respect to content and form, at least should facilitate some kind of aesthetic experience.«Exhibition:Kunsthalle Winterthur, 27/9–22/11/2015
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EAN: 9783864421440
Trouver conseils, opinions et fonctionnalités sur snoeck r my zaugg die il est vendu 52 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Snoeck et est vendu par Orellfuessli.ch
Key Works / Key Texts Interdisciplinary approach and theoretical foundation in artistic practice have always been part of the work by Swiss artist Rémy Zaugg (1943–2005); yet for him, painting had always remained essential. His artistic position therefore still remains quite unique not least because he, first of all, posed the existential question of perception. Without the artist’s; as well as the viewers’ perception, and the constant confrontation with the ever-changing conditions, there will be no work of art. This can only be process-oriented and subject to various phenomena, and therefore cannot be reduced to just the object. Thus Rémy Zaugg always considered painting (since the 1960s) a kind of basic research for any applied projects, be it in architecture or urbanism. His writing on museum and exhibition architecture (from the 1980s and 1990s) may be regarded as key works on artistic examination, where amasingly simple realisations are formulated using rather suggestive rhetoric. This retrospective volume appears on the occasion of the 10th anniversary of the death of the artist; there is currently no publication on his artwork available on the market. In addition, this book contains a small cross section of the unusual essayistic work by the artist.Exhibitions:Museum für Gegenwartskunst Siegen, 1/11/2015–6/3/2016Museo Nacional Centro de Arte Reina Sofía Madrid, 7/4–28/8/2016
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EAN: 9783864421419
Trouver informations, conseils et prix pour snoeck hamish fulton walking transformation il est vendu 41.9 € , présent dans la catégorie Bücher & Zeitschriften, ce produit est fabriqué par Snoeck et est vendu par Orellfuessli.ch
No Walk, no Art Hamish Fulton, born in London in 1946, is working on an entirely independent body of work that is rather poetic and borne by a distinguished, authentic and open-minded attitude. For over 40 years, he has been conveying and acknowledging »walking« as an art form: Walks. Fulton makes Walks in all corners of the world, such as a walk »From Coast to Coast« in the UK, for instance. They result in wall drawings and images, photos and objects capturing in a variety of ways the defining phenomena of the Walks. At the same time, according to the motto »No Walk, No Art«, they can also be read as a passive protest against the excesses of urbanization that Fulton formulates in a sympathetic, yet uncompromising way. In 1994, Hamish Fulton, for the first time, directly involved other people in his work with a Group Walk. This volume documents the nucleus of the exhibition at Villa Merkel in Esslingen (9/3–8/6/2014); the Walks recorded by the artist in recent years in Tibet and India.
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EAN: 9783864420924
Trouver conseils, opinions et fonctionnalités sur snoeck g nther f rg il est vendu 179 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Snoeck et est vendu par Orellfuessli.ch
A First Summary Insight Into This Fundamental, Yet Extremly Extensive, Aspect of Günther Förg’s Work When Günther Förg died on December 5, 2013, he had that same year been working intensely on a catalogue raisonné of his murals, which, unfortunately, he wasn’t able to complete. Günther Förg’s wall paintings form one of the central aspects of his entire oeuvre. They opened up all kinds of presentation possibilities, could be combined with photographs as well as paintings. Their intention was to clarify the room, to add rhythm to its inner structure. He was, with his skillful appropriation, in no way inferior to his great predecessors, be it Malevich, Rothko or Palermo; if anything, he might as such have been surpassing them every now and then. In any case, many of his contemporaries envy him today for the time and manner in which he approached individual rooms, as well as entire spatial perspectives. In 1986, Max Wechsler wrote in the newspaper »Vaterland« on the occasion of Günther Förg’s exhibition at Kunsthalle Bern that »the layout of the space and image presentation merge quite naturally. The rooms initially exude a cool, almost design-like elegance, which, beyond any particular significance, brings to bear the unique architecture of the Kunsthalle, inviting the viewer to meander. Gradually, the deliberate nature of the settings come into effect, and the excessive presence of the spaces starts to radiate, opening further spaces: insights and perspectives. Structures come into play, atmospheres are evoked and feelings aroused; a complex system of relationships reveals itself, which simultaneously break it all up and hold it together.« The present volume reproduces these artist notebooks in facsimile. A catalogue raisonné must remain subject to a later, careful scientific research. The publication does allow to a first summary insight into this fundamental, yet extremely extensive, aspect of his work. Günther Förg’s data sheets, edited in manuscript, were carefully reproduced in facsimile, and a few sheets feature additional, near identical colour samples.
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EAN: 9783864421303
Découvrir informations, conseils et prix pour snoeck about trees vendu 44.9 € , est placé dans la catégorie Bücher & Zeitschriften; ce produit est fabriqué par Snoeck et est vendu par Orellfuessli.ch
Thinking About Trees Peter Fischer and his team have gathered about 100 works for the exhibition and the volume ABOUT TREES. Be it the huge rags stumps by Berlinde De Bruyckere, shimmering waxen and wrapped in giant rags, or the oil painting of a sparse forest with fragments of a Corbusier building in the background by Peter Doig; the mighty, upside-down black-and-white photograph of an oak tree by Rodney Graham or the picture of a detonated fruit tree by Michael Sailstorfer: these works of art always depict the tree as a diversely interpretable motif. In particular, it is about how the subject tree in a symbolic way »may raise fundamental questions of existence«. Art, in contrast to natural sciences and religion, has an advantage as it only has to raise questions, not give answers. Thus, it can reveal the tree as »a symbol, mirror and object of projection«, demonstrate how it represents life and/or death. Trees, however, are also suitable as a theme for »clashes and inspirations«, since it is lends itself to trace the story of human relationship with nature in an exemplary way, while, at the same time, pointing out that the dichotomy between nature and culture need not necessarily lead to destruction. According to Robert Macfarlane in his contribution »Buchenhain«, from a branch or the crown of a tree, man views the world not only in a liberated way, but he can even feel safe in it, as a kind of hybrid of »tree and man«. Accordingly, as the editor of the volume Peter Fischer points out, the tree is also ideally suited as a »symbol of imaginary worlds and embodiment of actual worlds«, for instance when it begins to speak like in fairy tales, formulating its own laws; and "long-lasting and durable, trees also have the ability to grant a specific identity to their location and environment. As a striking object, the tree contributes to the individual image of a place. It bears witness to the history of its location. The law is administered and implemented under a tree, there are celebrations and feasts.«Artists: Carlos Amorales, Ursula Biemann & Paulo Tavares, Merijn Bolink, Louise Bourgeois, Berlinde De Bruyckere, Mark Dion, Peter Doig, Valérie Favre, Anya Gallaccio, Rodney Graham, Katie Holten, John Isaacs, Naoko Ito, Wiliam Kentridge, Anselm Kiefer, Paul Klee, Rosemary Laing, Žilvinas Landzbergas, Ndary Lo, Paul McCarthy, Ana Mendieta, Agnes Meyer-Brandis, Paul Morrison, Shirin Neshat, Jill Orr, Renzo Piano, Pipilotti Rist, Ugo Rondinone, Julian Rosefeldt, Michael Sailstorfer, George Steinmann, Wolfgang Tillmans, Su-Mei Tse, Shinji Turner-YamamotoExhibition:Zentrum Paul Klee Bern, 17/10/2015–24/1/2016
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EAN: 9783864421464
Trouver conseils, opinions et fonctionnalités sur snoeck georg herold da wo il est vendu 62.9 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Snoeck et est vendu par Orellfuessli.ch
Sculptural Independence If you follow an artist’s work for quite a number of years, you will grow fond of it – yes, and you will rejoice in its success. Georg Herold has truly experienced many moments of success and brilliance, distinctions and presentations. That is why now, after he turns 70 in July 2017, he can look back on an impressive career, and calmly prepare a retrospective at Kunstmuseum Bonn. He is now regarded as one of the most prominent international art personalities of the past 30 years, not least because his work embodies an exuberant joy of experimentation. The fact that he uses simple materials, as critics have so frequently and thoroughly perused, or that his work is full of moments of irony, and that he always challenges traditional forms of pictorial representation, in particular of sculpture as such, is true, but it should not distract from the extraordinary work development that took a major leap from postmodern semantics to a modernist work freed from all convention and led, subsequently, to absolute sculptural independence! Exhibition: Kunstmuseum Bonn, 21/9/2017–7/1/2018
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EAN: 9783864422249
Trouver conseils, opinions et fonctionnalités sur snoeck susanne paesler werke 1991 il est vendu 44.9 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Snoeck et est vendu par Orellfuessli.ch
Modernism as Pattern Susanne Paesler, who was born in Darmstadt in 1963 and died in Berlin in 2006, is part of a generation of artists who distanced themselves from the modernist concept of the image as a place of ever new and competing aesthetics. Her artistic work examines the meaning of the artwork itself in a world full of already existing images and reproducible aesthetic structures. On the surface, she cultivates a geometric form language of an entirely self-referential constructivist artwork; pattern and choice of color, however, still always appear to refer to extra-pictorial contexts. Accordingly, her paintings are at times reminiscent of cheap woolen blankets, Burlington socks and Burberry coats – everyday objects that she uses as both motif and model for her works. Rather than following the principle of the readymade and mounting the fabric directly onto stretchers (in reference to Palermo’s fabric works), the artist manually copies the patterns so that art, handicraft and design interchange and complement one another. Based on this strategic approach it is almost logical that during the 1990s, Susanne Paesler examined the motive of the frame – henceforth a painted (!) image boundary –; trompe l’œil and the issue of the »picture within the picture«. The unique as well as the notion of authenticity are aesthetic visions that Paesler mistrusts. The book on the occasion of the first overview of Susanne Paesler’s work at Kunstmuseum Bonn includes 40 works from 1991 to 2006.Exhibitions:Kunstmuseum Bonn, 25/1–5/6/2016Schauwerk Sindelfingen, 19/6/2015–22/1/2017
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EAN: 9783864421662
Trouver informations, conseils et prix pour snoeck darren almond nocturne il est vendu 103 € , présent dans la catégorie Bücher & Zeitschriften, ce produit est fabriqué par Snoeck et est vendu par Orellfuessli.ch
An outstand artist with a fabulous work Darren Almond, born in 1971, is without doubt one of the outstanding English contemporary artists; it all started 1997 with his participation in the legendary show Sensation, the inception of the Young British Artists, and led to the Pavilion at the Venice Biennale in 2003 and a Turner Prize nomination two years later. And anyone who caught the empathetic and concentrated retrospective at the Villa Merkel in Esslingen in the summer of 2011 can count his or her blessings. The title of the book and exhibition is derived from the large-format Nocturnes (2004–2010) featuring photographs of moonlit landscapes using long exposure times which evoke Romantic landscapes in their European variants and classical Japanese and Chinese landscape painting in their Asiatic motifs. The absence of shadows in these photographs is visible testimony to a seemingly frozen time and whose light doesn’t actually illuminate the scenes as such, but instead hangs upon the open surfaces rather like an emanation from the landscape, a fleeting substance. Thus these photographs can be situated in the place where painting and photography, perception and imagination intersect. At the point where the photographs allow time to become the yardstick of their own perfect genesis, the artist duly formulates the experience of time as an endless repetition of abrasive and lengthy spiritual retreats in his powerful video piece Sometimes Still (2010). Darren Almond, running at a pace with his camera, was allowed accompany a Buddhist Ten-dai novitiate monk on a thirty kilometre nocturnal cross-country run through forests alongside the holy mountain Hiei – an ascetic and simultaneously physical and spiritual exercise of the utmost rigour, which the novitiate had to perform 1,000 times over a period of seven years. In the course of this he had to stop at appointed places and utter prayers, which he then rounded off with two handclaps. The special nature of this publication in cassette form relates to the specific execution of individual works, sometimes as a concertina folder or a simple booklet. Thus all of the photographs in the exhibition are adequately covered and the film receives a form of publication which can been viewed in particular as a mirror of the artist’s experiences. Exhibition: Villa Merkel, Städtische Galerien der Stadt Esslingen, 29/5–21/8/2011
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EAN: 9783940953919
Découvrir informations, conseils et prix pour snoeck dieter roth arnulf rainer vendu 62.9 € , est placé dans la catégorie Bücher & Zeitschriften; ce produit est fabriqué par Snoeck et est vendu par Orellfuessli.ch
Provocations – Collaborations The collaboration on almost 500 works by these two exceptional artists started in 1974 and is shrouded in wild anecdotes. For the most part, they are not directly connected to individual works by Dieter Roth or Arnulf Rainer. Rather, both artists were keen to let their individual ideas collide freely, in order to create works of comedic performativity as well as humorous pictorial wit. Often, the smaller and more slender Arnulf Rainer approached the larger and more corpulent Dieter Roth as a provocative whisperer, prompting Roth to occasionally react with deliberate aggression toward Rainer’s ideas and inspirations. These occasions are photographically documented. Rainer then edited these photos and passed them on to Roth who subsequently finished the work. Besides several »Fuzzle Pieces«, this volume also presents mainly large-format drawings and the most beautiful examples of their collaborative graphic works labeled »Misch- u. Trennkunst« (a German pun on the balancing or specific combining of food), which from the 1980s, included Björn Roth in the collaboration.
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EAN: 9783864420849
Découvrir conseils, opinions et fonctionnalités sur snoeck picasso in der kunst vendu 91.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Snoeck et est vendu par Orellfuessli.ch
Picasso in Contemporary Art No artist of the 20th century enjoys as much attention in the public eye as Pablo Picasso, no other artist is given the same level of attention to the form and the expressive power of their works, no other artist attracts such large numbers of visitors to the museums. And since 1912 – since »Hommage à Picasso«, the Cubist Picasso Portrait by Juan Gris – the work of Pablo Picasso is challenge and incentive alike for a wide variety of artists. For generations, »Les demoiselles d'Avignon« (1907) or »Guernica« (1937) have been adapted, are appropriated in the most diverse ways, no matter what approaches the respective artists themselves might otherwise have pursued thus far. It is the inexhaustible imagination and scope in Picasso’s work that challenges artists, between abstraction and figure, artistic creativity and politically intended statement, to ever-new exciting dialogues. The voluminous book is published on the occasion of the eponymous exhibition for the reopening of the renovated Nordhalle as the culmination of the 25th anniversary exhibition of the Deichtorhallen. Artists: Dia Al-Azzawi, Art & Language, Kader Attia, Donald Baechler, Georg Baselitz, Walead Beshty, Mike Bidlo, Erwin Blumenfeld, Brassaï, Sophie Calle, Henri Cartier-Bresson, Maurizio Cattelan, Patrick Caulfield, Clegg & Guttmann, George Condo, Hanne Darboven, Folkert de Jong, Rineke Dijkstra, Robert Doisneau, Marlene Dumas, David Douglas Duncan, Hans-Peter Feldmann, Fritz Fenzl, Gelatin, Amjad Ghannam/Khaled Hourani, Felix Gmelin, Karl Otto Götz, Leon Golub, Rodney Graham, G.R.A.M., Richard Hamilton, Rachel Harrison, Richard Hawkins, Anton Henning, David Hockney, Thomas Houseago, Gary Hume, JAY Z, Jasper Johns, Asger Jorn, Birgit Jürgenssen; Martin Kippenberger, Ernst Ludwig Kirchner, Paul Klee, Guillermo Kuitca, Sean Landers, Maria Lassnig, Louise Lawler, Roy Lichtenstein, Robert Longo, Dora Maar, Marcin Maciejowski, Goshka Macuga, Madame d’Ora; Jonathan Meese /Albert Oehlen, Gjon Mili, Sandro Miller, Jonathan Monk, Yasumasa Morimura, Robert Motherwell, Otto Muehl / Terese Schulmeister, Ernst Wilhelm Nay, Claes Oldenburg, A. R. Penck, Irving Penn, Sigmar Polke, Richard Prince, Arnulf Rainer / Dieter Roth, Eugenio Recuenco, Chéri Samba, Peter Saul, Antonio Saura, Thomas Scheibitz, Thomas Schütte, Cindy Sherman, John Stezaker, Strawalde (Jürgen Böttcher), Francesco Vezzoli, André Villers, Wolfe von Lenkiewicz, Andy Warhol, Joel Peter Witkin, Alexander Wolff, Zhang Hongtu, Zhou Tiehai, Thomas Zipp, Heimo Zobernig Exhibition: Deichtorhallen Hamburg, 1/4–12/7/2015
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EAN: 9783864421174
Trouver conseils, opinions et fonctionnalités sur snoeck franz grabmayr feuerbilder il est vendu 62.9 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Snoeck et est vendu par Orellfuessli.ch
»Fire – Dance – Material« Franz Grabmayr’s oeuvre (1927–2015) – comparable to that of Frank Auerbach or Yves Klein – is among those great works of abstract expressionism, abstract painting of the post-war era and postmodernism that are hardly valued or appreciated. In the 1980s, Grabmayr became a role model for the Neue Wilden. The book provides an excellent overview, conveys lasting meaning, and contains statements by fellow painters such as Siegfried Anzinger and Herbert Brandl, museum experts such as Ulrich Loock, Peter Pakesch, Klaus Albrecht Schröder and Wieland Schmied. It clearly highlights the reasons why Franz Grabmayr advanced to become venerated as an icon of painting and how his influence shaped the work of younger colleagues. Exhibition: Museum Angerlehner, Thalheim/Wels (A), 11/3–24/9/2017
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EAN: 9783864422447