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Franz Schubert - Monographie. Découvrez des nouveautés, des coups de cœur, des avis d'internautes, …
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La musique du cœur
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EAN: 9782356876737
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In his collections of Impromptus and Moments musicaux, Franz Schubert impressively showed at the end of his life how a lyrical, songlike form can be rendered on the piano. In spite of their simplicity, his popular Impromptus op. 90, for example, prove themselves to be consummate works of art, and number among the most beloved pieces of Romantic piano music. The first Impromptu in c minor from op. 90, which we present here as a separate edition, virtually fantasises over a single, incessantly recurring melody. Its march-like character is sometimes particularly emphasised, sometimes lyrically obscured. With its grim majesty and enchanting fluctuations between major and minor as it roams harmonic expanses, this music lets pianists immerse themselves in Schubert’s world of sound. This Henle Urtext provides a well-founded, accurate musical text for these pieces.
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EAN: 9790201804873
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No other great composer left so many works for piano duet as Franz Schubert: altogether 54 (32 of which have an opus number) including fantasias, dances, marches, variations, rondos, sonatas, etc. Among Schubert’s circle of friends, making music was a much beloved pastime. And even today musicians love to work with these pieces.In the three Henle Urtext volumes featuring Schubert’s four-hand piano music, the works are arranged chronologically. Volume II contains a total of altogether 26 pieces, 19 of which are comprised of four opera with three, four and six individual pieces: Trois marches militaires, four Ländler as well as Grandes Marches et Trios and Polonaises respectively. They date from the years 1818 to 1826. The unchallenged favorite in this book is the C major Sonata D 812 of the year 1824, also called Grand Duo. However, without wanting to diminish the status of the other pieces, we should point out that all seven marches are splendid compositions.
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EAN: 9790201800967
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Franz Schubert’s Piano Sonata in a minor op. post. 164, presented here in an Urtext edition, numbers among his early sonatas written between 1815 and 1819. In many of these pieces, Schubert still struggles with form; the Sonata in a minor from March 1817, however, is already wonderfully accomplished. In contrast to Schubert’s two later a-minor piano sonatas, the key here does not yet result in a tragic, fatalistic sound. This is also due to the fact that he took every opportunity to brighten the key to the major, or to swerve into neighbouring, friendlier harmonic regions.
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EAN: 9790201806976
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In 1828, the last year of his life, Franz Schubert composed three sonatas for piano which are generally described as the culmination of his lifelong occupation with the piano sonata genre. Schubert’s role as successor to classical-era composers is clearly evident in them, while at the same time his very own, deeply personal tone resounds here. Our carefully revised edition of this frequently performed B flat major Sonata is based on the autograph and first edition. Once again, Schubert here seems to have gathered up all his powers of introspection and tranquillity. Above all, the calm theme of the first movement captivates through its dreamlike expression. While it does not pose technical-virtuosic problems for the player, itis highly demanding in terms of luminosity of tone and of subtlety of nuance.
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EAN: 9790201803999
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The single editions of Schubert's three a-minor sonatas and the "little" A-major sonata are now joined by the c-minor sonata, thereby completing Henle's series of the late piano sonatas in affordable offprints from the reference edition (Schubert, Piano sonatas II, HN 148).
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EAN: 9790201807270
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Schubert’s 22 piano sonatas sketch a very illuminating picture of the prematurely departed composer’s compositional path. From the first essays of the gifted young 16- to 19-year old, one can trace a continuous development leading to the five great sonatas which he wrote in the years 1823 and 1826, and finally to the three masterworks written shortly before his death, which place him on a level with Beethoven as a composer of sonatas.Volume I of the three-volume Henle Urtext edition of Franz Schubert’s piano sonatas contains seven sonatas from the two earlier periods as well, which all became known with opus numbers. Only two were published during Schubert’s lifetime. The book opens with what is no doubt the best-known sonata of these two periods, the A-major Sonata D 664 op. post. 120. Given the length of time between the composition of each – 1817, 1823, 1825 – the works present a great diversity of forms and expression.
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EAN: 9790201801469
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Schubert’s three grand duos for violin and piano occupy pride of place among his foremost works. In the A major Sonata D 574 of summer 1817 he continued to elaborate what was still a simple interplay of the violin and piano in the violin sonatinas (see HN 6) and reached his greatest mastery here. He increased the intensity of his writing into genuine virtuosity in the b minor Rondo D 895 composed in late 1826. The critics of Schubert’s day were already praising “the bold master of harmony” and “the fiery fantasy” of the piece. In the Fantasie in C major D 934, written one year later, Schubert brackets an Andantino with Variations on the song “Sei mir gegrüsst” D 741 with sections that are tastefully interwoven with the theme of the lied.
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EAN: 9790201802879
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Franz Schubert composed the song “Death and the Maiden” in 1817, and in 1824 used that melody in the theme-and-variations second movement of his String Quartet in d minor D. 810. The song’s popularity in the second half of the 19th century was responsible for the string quartet becoming known by the title “Death and the Maiden”. Like all of Schubert’s mature chamber music works, it captivates with its technical perfection and high intellectual demands. Very prominent here is Schubert’s desire to motivically link the movements together. Oddly enough, the work was neither performed nor published during his lifetime; the incomplete autograph score and the posthumous first edition of 1831 have thus served as the sources for our edition.
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EAN: 9790201806266
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The model for this composition was Beethoven’s Septet op. 20, whose Divertimento character and six-part layout were adopted by Schubert, although he merely expanded the instrumentation by adding a second violin. In a letter he numbered his octet amongst the chamber music works with which he desired to blaze a “path to the great symphony”. It can no longer be ascertained whether the composition was commissioned by Count Ferdinand Troyer, who had a musical salon in Vienna and played the clarinet. We only know that Schubert composed the work at the beginning of 1824, taking only a few weeks to do so and that it was shortly performed at Troyer’s afterwards. Today it is one of the most popular larger chamber music works.
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EAN: 9790201805627
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Schubert’s 22 piano sonatas sketch a most illuminating picture of the prematurely departed composer and of his compositional path. From the first attempts of the gifted 16- to 19-year-old musician one can trace a continuous development leading to the five great sonatas which he wrote in the years 1823 and 1826, and finally to the three masterworks written shortly before his death, which place him on a level with Beethoven as a composer of sonatas.The intensity with which Schubert approached the genre of the piano sonata meant that he left a large number of piano sonatas incomplete. Volume III of the three-part Henle Urtext edition contains – next to the early sonatas from the years 1815-1818 – the fragments completed by Paul Badura-Skoda, whose completions are highlighted each time by small cue notes. The Critical Report in the Appendix also provides precise information about the genesis of the individual works.
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EAN: 9790201891507
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In his collections of Impromptus and Moments musicaux, Franz Schubert impressively showed at the end of his life how a lyrical, songlike form can be rendered on the piano. In spite of their simplicity, his popular Impromptus op. 90, for example, prove themselves to be consummate works of art, and number among the most beloved pieces of Romantic piano music. The third Impromptu of op. 90, an Andante in G-flat major, is a mysterious reverie in pianissimo. A peaceful melody hovers over a murmuring accompaniment of eighth-note triplets, while the harmonies change very gently. This Urtext edition provides the work as a separate edition in the original key. To make it easier to play, other editions often transpose it into G major, which, however, diminishes the distinctive colour of this piece.
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EAN: 9790201804880
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No music lover can remain untouched by the emotional quality of this work, composed in Schubert’s last year. The monumental weight of the outer movements, the intimate lyricism of the “Adagio”; as well as the unusual timbre ensure the uniqueness of this quintet. An additional cello, which takes on an essential melodic role, joins the classical string quartet. The editor of our new Urtext edition, Egon Voss, not only does justice to the difficult source situation; with new and convincing solutions for difficult page turns, he also takes into account the demands of musical practice.
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EAN: 9790201898124
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Franz Schubert’s Piano Sonata op. 143 in a minor was composed in 1823 after his large “Wanderer Fantasy”. With its formal cohesion and mature originality, this a-minor Sonata initiated a new phase in Schubert’s sonata oeuvre. The composer dispensed here with all pianistic brilliance. At the same time, a wealth of colour and of sonorities triumphs in such a manner that the work numbers among Schubert’s most frequently played sonatas. For this Urtext edition, we had at our disposal the composer’s autograph as the authoritative source; the posthumous first edition was consulted only by way of comparison.
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EAN: 9790201806235
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Schubert at the piano, with his inexhaustible wealth of dance melodies, his friends around him dancing and playing jokes – this is one of the traditional images of Schubert that we so cherish. The term Schubertiade invented for this kind of get-together is now solidly established.In this selection of the loveliest and most frequently played dances, one finds 59 waltzes, 40 ländler or Deutsche as well as four écossaises and a minuet. In selecting the works, care was taken to ensure that individual pieces of more or less the same level of difficulty are grouped together (from easy to medium: 3 to 5).
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EAN: 9790201801254
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Franz Schubert transformed five song melodies from his rich output of Lieder into instrumental music. The song “The Trout” from 1817 served as a theme for the variations in his Quintet D. 667 for piano, violin, viola, violoncello and double bass, one of chamber music’s most popular works. The piece’s sunny mood – it sounds much more cheerful than Schubert’s other chamber music – comes across like an echo of the felicitous summer months of 1819. The then twenty-two-year-old Schubert passed these in convivial company at Steyr in Upper Austria, and subsequently set to work composing. The present Urtext edition largely follows the Viennese first edition, which likely reproduces the original version of the now lost autograph. In addition, it takes into account the only manuscript source of this work, a copy by Schubert’s friend Albert Stadler. Musicians everywhere will appreciate the optimally-placed page turns in the individual parts!
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EAN: 9790201804637
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No music lover can remain untouched by the emotional quality of this work, composed in Schubert’s last year. The monumental weight of the outer movements, the intimate lyricism of the “Adagio”; as well as the unusual timbre ensure the uniqueness of this quintet. An additional cello, which takes on an essential melodic role, joins the classical string quartet. The editor of our new Urtext edition, Egon Voss, not only does justice to the difficult source situation; with new and convincing solutions for difficult page turns, he also takes into account the demands of musical practice.
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EAN: 9790201808123
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No other great composer has left so many works for piano four-hands as Franz Schubert – altogether 54 (32 of these with opus number): fantasies, dances, marches, variations, rondos, sonatas etc. – Playing music together, often in a social circle, was a precious pastime of Schubert’s circle of friends. The young composer provided the musical background for these rousing concerts and exuberant performances. The pieces are chronologically arranged in the three Henle Urtext volumes showcasing Schubert’s piano duets.Volume I contains three very early pieces from the years 1810 to 1813; the other works stem predominantly from the greater part of the year 1818, and which include the splendid Grande Sonate in B flat major D 617. The final section is comprised of two pieces from works that are chronologically difficult to situate and to lay down an exact time of origin; one of these, Allegro Moderato und Andante, D 968, was occasionally also designated as “Sonatine” and was written most probably for instructional purposes.
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EAN: 9790201800943
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The model for this composition was Beethoven’s Septet op. 20, whose Divertimento character and six-part layout were adopted by Schubert, although he merely expanded the instrumentation by adding a second violin. In a letter he numbered his octet amongst the chamber music works with which he desired to blaze a “path to the great symphony”. It can no longer be ascertained whether the composition was commissioned by Count Ferdinand Troyer, who had a musical salon in Vienna and played the clarinet. We only know that Schubert composed the work at the beginning of 1824, taking only a few weeks to do so and that it was shortly performed at Troyer’s afterwards. Today it is one of the most popular larger chamber music works.
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frais de port: 3.5
le temps de livrer: 1-2 Werktagen
EAN: 9790201895628