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Ein Motiv aus dem Kalender "PopArt Bilder berühmter Komponisten" von Rudolf Rox: Dieser Kalender wurde mit dem Jurypreis „Kunst und Illustration“ ausgezeichnet. Die Redaktion hat diesen Kalender für die CALVENDO Gold-Edition ausgewählt. Individuelle Porträtmalerei berühmter Komponisten, gemalt in Acryl auf Leinwand. In der Form realistisch und zugleich abstrakt in der Farbgebung erzeugen sie eine einzigartige Ausstrahlung. In diesem farbenfrohen Kalender sind folgende 12 herausragende Komponisten klassischer Musik, dargestellt: Beethoven, G. Puccini, Franz Schubert, F. Chopin, R. Wagner, J. Brahms, P. Tschaikowski, I. Strawinski, C. Debussy, Amadeus Mozart, Johann Sebastian Bach, Giuseppe Verdi
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Découvrir informations, conseils et prix pour henle g nter franz schubert vendu 22.4 € , est placé dans la catégorie Bücher & Zeitschriften; ce produit est fabriqué par Henle, Günter et est vendu par Orellfuessli.ch
Schubert only took ten days to write his String Quartet in G major, one of his truly monumental chamber music works. With its almost symphonic dimensions, this late quartet is reminiscent of his great String Quintet in C major. As divulged in a letter, Schubert actually wanted to “pave the way for the large symphony” with this quartet and several other chamber music works that he composed around the same time. Written in 1826, the quartet was not performed in public during the composer’s lifetime; and it was only published long after his death. Our Urtext edition with its accompanying study edition is therefore based on the surviving autograph.
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EAN: 9790201898506
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The catalogue of G. Henle Publishers offers almost the entire piano oeuvre of Franz Schubert. Besides his piano sonatas, it is above all his Impromptus (D. 899 and D. 935) and Moments musicaux (D. 780) that belong to the core repertoire of every pianist. In addition to our practical edition, we also offer a miniature score for study purposes whose layout is identical to that of the “large edition”. It even includes fingerings by the esteemed pianist Walter Gieseking, added already to the edition of 1948 published when G. Henle was founded, and which have attained well-nigh universal validity.
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EAN: 9790201890043
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The model for this composition was Beethoven’s Septet op. 20, whose Divertimento character and six-part layout were adopted by Schubert, although he merely expanded the instrumentation by adding a second violin. In a letter he numbered his octet amongst the chamber music works with which he desired to blaze a “path to the great symphony”. It can no longer be ascertained whether the composition was commissioned by Count Ferdinand Troyer, who had a musical salon in Vienna and played the clarinet. We only know that Schubert composed the work at the beginning of 1824, taking only a few weeks to do so and that it was shortly performed at Troyer’s afterwards. Today it is one of the most popular larger chamber music works.
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EAN: 9790201895628
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Schubert at the piano, with his inexhaustible wealth of dance melodies, his friends around him dancing and playing jokes – this is one of the traditional images of Schubert that we so cherish. The term Schubertiade invented for this kind of get-together is now solidly established.In this selection of the loveliest and most frequently played dances, one finds 59 waltzes, 40 ländler or Deutsche as well as four écossaises and a minuet. In selecting the works, care was taken to ensure that individual pieces of more or less the same level of difficulty are grouped together (from easy to medium: 3 to 5).
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EAN: 9790201801254
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Schubert composed his piano sonata in a minor in May 1825; it is one of Schubert’s few piano works that was published during his lifetime. The four movements are expressive but each in its own way: a ballade style in the first piece, a songful second movement, surging restlessness in the third and eruptive passion in the final movement. Together, however, they constitute a uniform work.
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EAN: 9790201801568
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In 1828, the last year of his life, Franz Schubert composed three sonatas for piano which are generally described as the culmination of his lifelong occupation with the piano sonata genre. Schubert’s role as successor to classical-era composers is clearly evident in them, while at the same time his very own, deeply personal tone resounds here. Our carefully revised edition of this frequently performed B flat major Sonata is based on the autograph and first edition. Once again, Schubert here seems to have gathered up all his powers of introspection and tranquillity. Above all, the calm theme of the first movement captivates through its dreamlike expression. While it does not pose technical-virtuosic problems for the player, itis highly demanding in terms of luminosity of tone and of subtlety of nuance.
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EAN: 9790201803999
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Franz Schubert’s Piano Sonata op. 143 in a minor was composed in 1823 after his large “Wanderer Fantasy”. With its formal cohesion and mature originality, this a-minor Sonata initiated a new phase in Schubert’s sonata oeuvre. The composer dispensed here with all pianistic brilliance. At the same time, a wealth of colour and of sonorities triumphs in such a manner that the work numbers among Schubert’s most frequently played sonatas. For this Urtext edition, we had at our disposal the composer’s autograph as the authoritative source; the posthumous first edition was consulted only by way of comparison.
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EAN: 9790201806235
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Franz Schubert’s three last piano sonatas were all composed in September 1828, two months before the composer’s premature death. These are the Sonatas in C minor (D. 958), B-flat major (D. 960) and A major (D. 959), the last of which is presented here in a separate edition. For this Urtext edition, the editor consulted the complete autograph in addition to an early draft. Whoever desires to experience the whole Schubert and his blossoming melodic beauty in a single work, should play this large A-major Sonata.
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EAN: 9790201807102
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Schubert’s 22 piano sonatas sketch a very illuminating picture of the prematurely departed composer’s compositional path. From the first essays of the gifted young 16- to 19-year old, one can trace a continuous development leading to the five great sonatas which he wrote in the years 1823 and 1826, and finally to the three masterworks written shortly before his death, which place him on a level with Beethoven as a composer of sonatas.Volume I of the three-volume Henle Urtext edition of Franz Schubert’s piano sonatas contains seven sonatas from the two earlier periods as well, which all became known with opus numbers. Only two were published during Schubert’s lifetime. The book opens with what is no doubt the best-known sonata of these two periods, the A-major Sonata D 664 op. post. 120. Given the length of time between the composition of each – 1817, 1823, 1825 – the works present a great diversity of forms and expression.
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EAN: 9790201891460
Découvrir conseils, opinions et fonctionnalités sur henle g nter franz schubert vendu 45.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Henle, Günter et est vendu par Orellfuessli.ch
Schubert’s 22 piano sonatas sketch a most illuminating picture of the prematurely departed composer and of his compositional path. From the first attempts of the gifted 16- to 19-year-old musician one can trace a continuous development leading to the five great sonatas which he wrote in the years 1823 and 1826, and finally to the three masterworks written shortly before his death, which place him on a level with Beethoven as a composer of sonatas.Volume II of the three-book Henle Urtext edition contains not only the G major Sonata D 894 op. 78, with its glorious piano writing full of delicate expressiveness, but also the three great sonata masterpieces in c minor, A major and B flat major, with which Schubert looks far into the future and which have long since taken their place in the classical canon of piano sonata literature.
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EAN: 9790201801483
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The Shepherd on the Rock, composed in the final year of Schubert’s life, was in a certain sense a commission. The opera singer Anna Milder-Hauptmann, the fi rst Leonore in Beethoven’s Fidelio, had asked Schubert in letters written between 1824 and 1825 to write a grand scene for voice for her. Yet he only finally started work on it in autumn 1828. He used three different poems as the basis for his work, combining them to form an equally brilliant and atmospheric musical scene. The clarinet adds to its particular charm, sometimes joining in as a soloist, at other times following the voice like an echo - ensuring Schubert’s Shepherd a special place in the repertoire even today.
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EAN: 9790201809694
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At the end of his short life Franz Schubert impressively illustrated, in his collections of “Impromptus” and “Moments musicaux”; how lyrical-songlike form could be rendered on the piano. The Impromptu in A flat major op. 90 no. 4 numbers among the most popular pieces in the piano repertoire. The player using our Urtext edition can revel in the purling downward arpeggios and delight in the expressive power of the lyrical and expressive c sharp minor Trio.
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EAN: 9790201803746
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The single editions of Schubert's three a-minor sonatas and the "little" A-major sonata are now joined by the c-minor sonata, thereby completing Henle's series of the late piano sonatas in affordable offprints from the reference edition (Schubert, Piano sonatas II, HN 148).
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EAN: 9790201807270
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No music lover can remain untouched by the emotional quality of this work, composed in Schubert’s last year. The monumental weight of the outer movements, the intimate lyricism of the “Adagio”; as well as the unusual timbre ensure the uniqueness of this quintet. An additional cello, which takes on an essential melodic role, joins the classical string quartet. The editor of our new Urtext edition, Egon Voss, not only does justice to the difficult source situation; with new and convincing solutions for difficult page turns, he also takes into account the demands of musical practice.
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EAN: 9790201898124
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Schubert’s three grand duos for violin and piano occupy pride of place among his foremost works. In the A major Sonata D 574 of summer 1817 he continued to elaborate what was still a simple interplay of the violin and piano in the violin sonatinas (see HN 6) and reached his greatest mastery here. He increased the intensity of his writing into genuine virtuosity in the b minor Rondo D 895 composed in late 1826. The critics of Schubert’s day were already praising “the bold master of harmony” and “the fiery fantasy” of the piece. In the Fantasie in C major D 934, written one year later, Schubert brackets an Andantino with Variations on the song “Sei mir gegrüsst” D 741 with sections that are tastefully interwoven with the theme of the lied.
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The model for this composition was Beethoven’s Septet op. 20, whose Divertimento character and six-part layout were adopted by Schubert, although he merely expanded the instrumentation by adding a second violin. In a letter he numbered his octet amongst the chamber music works with which he desired to blaze a “path to the great symphony”. It can no longer be ascertained whether the composition was commissioned by Count Ferdinand Troyer, who had a musical salon in Vienna and played the clarinet. We only know that Schubert composed the work at the beginning of 1824, taking only a few weeks to do so and that it was shortly performed at Troyer’s afterwards. Today it is one of the most popular larger chamber music works.
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EAN: 9790201805627
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One needn’t hesitate a second in assigning Schubert’s two piano trios to his best works. Both were written no later than 1827, hence one year before the composer’s death, and are typical works of his maturity: abounding in blissful melodies paired with formative power and profound depths of expressiveness. Whereas Schubert had sold the E flat major Trio op. 100 D 929 to the Leipzig publisher Probst (it appeared just after Schubert’s death, however), the B flat major Trio op. 99 D 898 did not make it to publication during Schubert’s lifetime.The Adagio in E flat major op. post. 148 D 897, which is reproduced in the Appendix and which has become known as Notturno, was most likely originally planned as the slow movement of the B flat major Trio. With its expressiveness ascending to darkest despair, Schubert possibly considered it as unsuited for publication.It was not published until 1846; in the Appendix of this volume one will find Schubert’s first attempt in this genre, which he wrote at the age of 15 in summer 1812.
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EAN: 9790201801933
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Schubert occupied himself intensively with the sonata form in 1818/19. The results, to put it like this, led to the creation of this piano sonata in A major, probably in summer 1819, thus at about the same time as the Trout Quintet. Not surprisingly, it exudes a serene spring feeling. One of Schubert’s major sonatas, the work imposes considerable technical demands on the performer, but can still be mastered by non-professional pianists.
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EAN: 9790201801575
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The quartet in a minor is one of the chamber music works with which Schubert wanted to “pave the way to the great symphony” in spring 1824. At the same time he was paving his way to a wider audience, as the “Rosamunde” Quartet was the first and only string quartet that was not only publicly performed in Schubert’s lifetime but also published in parts. It is fortunate for us that this was the case because the autograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies, as the parts exhibit some inaccuracies regarding the articulation and dynamics. They have had to be carefully resolved, something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert’s incidental music to the play Rosamunde, which can be heard at the beginning of the Andante. Quite a few people might, however, be reminded of the Impromptu in B flat major op. post. 142 no. 3, in which Schubert later once again took up the beautiful melody. Read more about this edition in the Henle Blog.
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EAN: 9790201808499