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Piano Concerto Opus 11 / Mazurkas Opus 59 / Walz Opus 42 - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...
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Découvrir conseils, opinions et fonctionnalités sur institut frederic chopin last works vendu 27.9 € , ce produit est placé dans la catégorie Noten, fabriqué par INSTITUT FREDERIC CHOPIN et est vendu par Fnac.ch
Last Works Opus 45 & 64 - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...
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Goplana, opéra en 3 actes DVD - DVD Zone 2. Dvd & Blu-ray : achetez films, séries tv US et françaises, documentaires, dessin-animés…
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Requiem pour piano seul - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...
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Découvrir conseils, opinions et fonctionnalités sur henle g nter fr d vendu 16.4 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Henle, Günter et est vendu par Orellfuessli.ch
When Chopin gave his Opus 23 the title “Ballade” in the mid 1830s, he established the piano ballade as a new musical genre which was subsequently taken up by others, including Brahms, Liszt and Grieg. The idea of transforming a fictional, dramatic and mystical event into music particularly suggested itself to the Romantic Schumann. He was enthusiastic about this work: “I have a new Ballade by Chopin. It seems to me to be one of his most brilliant (not most inspired) works.” This has been taken from the revised edition of the “Ballades” (HN 862). Detailed information on the genesis of this work and an evaluation of the sources can be downloaded free-of-charge.
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EAN: 9790201808673
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Frédéric Chopin composed his piano trio when he was an 18-year-old student. About the performance of the trio on 31 August 1830 he wrote: “On Sunday we rehearsed the trio. Perhaps because I haven’t heard it for a while, I was very happy with myself (fortunate man!).” Incidentally, Robert Schumann also shared this opinion, writing in a review: “Is it not as noble as possible, more full of enthusiasm than any song ever written by a poet, original in the smallest detail as in the whole, every note music and life?” We agree with this verdict and recommend this trio in our new Urtext edition to all lovers of highly romantic chamber music.
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EAN: 9790201810683
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Along with the beautiful facsimile edition of the autograph score to be published on the occasion of the 200th anniversary of Frédéric Chopin’s birth (HN 3221), we are also publishing a completely revised Urtext edition of this popular work. Norbert Müllemann, to whom we are already indebted for the revisions of the “Préludes” and “Ballades”; closely examined the musical text using the currently available sources and provided an informative preface and added footnotes to the musical text which contain possible performance alternatives. The Polonaise, also known as the “Heroic” due to its proudly pacing theme, is amongst Chopin’s most forceful bravura pieces, in particular on account of its breakneck ostinato octaves in the middle section.
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EAN: 9790201809601
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Scholars have long been trying to figure out the mystery of Chopin’s one and only solo Fantasie. The highly individual form is a puzzle to all who prefer more traditional genre concepts. Is it a sonata movement, a rondo, or even a free combination of character movements such as march, recitative or chorale? Chopin lovers have no need of such considerations, seeing that nobody would ever dare to doubt that this Fantasie is one of the greatest works from his pen. After completing the composition, Chopin wrote “The sky is bright, but my heart is afflicted by sorrow”. This gloomy contrast pervades the Fantasie. It is an exceptional work from every point of view, now provided as a separate publication by way of a faithful Henle Urtext edition.
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EAN: 9790201803210
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On 23 August 1841 Chopin wrote to the Viennese publisher Mechetti: “I currently have a manuscript available for you. It is a kind of fantasia in the form of a polonaise that I would call Polonaise”. Chopin’s uncertainty about the title is only too understandable. The work begins as a proud polonaise. Then a passage bursts in during which an octave a is relentlessly played more than thirty times. This almost modern sounding passage leads into a mazurka that seems to come from a different, enraptured world. We are now publishing this “kind of fantasia”; previously only available in our edition of all the polonaises (HN 217), in a revised single edition.
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EAN: 9790201811543
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Not every listener will immediately realize that this piece, which begins in the style of a dream-like nocturne with one of Chopin’s most enchanting melodic ideas, originated as a piano etude. But upon closer examination (and, above all, while playing it), the piece proves to be a subtle legato study in which the right hand consistently plays both the melody and the accompaniment in the middle voice. With the “con bravura” furioso outburst in the middle section (if not earlier), it becomes clear that advanced technical competence is required here. Those who are not ready to tackle the complete volume of Chopin Etudes (HN 124) will be well served by this separate Urtext edition.
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EAN: 9790201806563
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Chopin’s Polonaise in A major op. 40 no. 1 is better known as the “Military Polonaise”. Indeed, the brisk rhythm, the “drum roll” in the middle section and the heroic demeanour of the work in general all evoke the world of military music. A favourite for many generations now, the work has nevertheless faced a complex source situation; the editor must deal with two strands of sources that diverge considerably from one another. Our separate publication of the piece solves this problem masterfully; it is based on the musical text of the Chopin anthology of Polonaises (HN 217), and thus offers the typically high-quality and reliable Urtext of G. Henle Verlag.
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EAN: 9790201806617
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It is well known that Chopin almost exclusively wrote works for solo piano. Only for the cello did he make some exceptions: two works – a Polonaise brillante and the Duo Concertant (HN 788) were written for cello and piano, and he also let the cello express itself in his Piano Trio op. 8 (HN 1068). Finally, towards the end of his life, he honored the low-stringed instrument with a grand, four-movement Sonata in g minor. Proof that it was anything but child’s play is provided by the extensive sketch material. Chopin himself claimed: “With my cello sonata I am now satisfied and now dissatisfied. I toss it into the corner, then pick it up again.” Today we only have an inkling about this struggle. The sonata, with its famous melodic Largo movement, is now firmly embedded in the canon of cello literature.
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EAN: 9790201804958
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Online-tutorial available at Henle Masterclass The stories surrounding Frédéric Chopin’s winter holiday on Mallorca with George Sand in 1838/39 are widely known. It was there, in adverse conditions, that Chopin completed his “Préludes” op. 28 which he had already begun in Paris. According to George Sand, the famous “Raindrop Prélude” (no. 15) is said to have been composed during a storm on Mallorca; however, other sources show that the first sketches were already made in Paris. The Henle single edition has been taken from the revised edition of the “Préludes” (HN 882). Detailed information on the genesis of this work and an evaluation of the sources can be downloaded free-of-charge.
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EAN: 9790201808543
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This rousing Polonaise, which is preceded by a nocturne-like Andante, was originally a work for piano and orchestra. It was written at the same time as Chopin’s two piano concertos in e minor and f minor, and breathes the same fresh, youthful spirit. Since the orchestral part is subordinate and fulfills only an accompanying function, the Polonaise lends itself brilliantly to performance as a solo piano piece, and indeed is almost always performed as such in today’s concert halls. In this spirit – and following the first editions – our Urtext edition is laid out not as a piano reduction (with two piano systems), but contains only the solo ∂ at those few passages where the solo piano rests, the orchestral accompaniment is reproduced in small print.
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EAN: 9790201806310
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Chopin wrote three piano sonatas. The first, op. 4 in c minor (HN 942), is not as well known as its siblings, but permits interesting glimpses inside the young composer’s workshop. The Sonata in b flat minor, op. 35, became known not least through the most famous funeral march in all of music history, while its mystifyingly brisk and secretive unison finale still astonishes today’s hearers. The late Sonata in B minor maintains the immense musical level of opus 35 and, in spite of all its drama, also offers many moments of repose, for example in the dreamy slow movement, where one is transported by the music’s cantabile character. Both sonatas belong at the summit of the virtuoso piano repertoire.
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EAN: 9790201892894
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It is hardly a coincidence that Chopin dedicated each of his Three Waltzes op. 64, written in 1847, to a baroness or countess: aristocratic ladies offered the ideal public for this music, both as performers and as hostesses of musical events. This c-sharp minor Waltz in a Slow Tempo, dedicated to his student the Baroness Charlotte de Rothschild, soon surpassed such social barriers With its soulful sighing motif, it ranks today as one of Chopin’s most popular melodies.
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EAN: 9790201806549
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The “Polonaise-Fantaisie” is among Chopin’s last great piano works, and is a testament to his mastery and maturity. The out-of-the-ordinary title betrays the fact that Chopin was uncertain about which genre to assign it to. While the typical rhythm and noble character of the Polonaise repeatedly shine through the notes, the Polonaise-Fantaisie is characterized above all by a great freedom in its thematic and formal aspects. The work brushes against a great variety of keys, moods and motifs, and leads into a grandiose closing apotheosis as if at the end of a long journey.
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EAN: 9790201813165
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The Nocturne op. 37 no. 2, composed in 1839, is a perfect example of the rich, pearling cascades of thirds and sixths that keep Chopin’s piano works at the top of the popularity list and as beloved today as in his time. Although no autograph of op. 37 has survived, an engraver’s exemplar for the 1840 edition from Breitkopf & Härtel is extant, and was corrected by Chopin himself. We have of course consulted this source for our Urtext edition.
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The popular nickname “Minute Waltz“ should not mislead the pianist into playing this “string of pearls” too hastily. Another nickname is more effective, that of “Petit Chien” [Puppy] that is frequently used in France. According to George Sand, the D-flat major waltz from op. 64 was inspired by a little dog playing – which certainly lends itself delightfully and convincingly to a dynamically charged opening motif with a little dog whirling about (or around the note A flat). Chopin dedicated this first of the Three Waltzes op.64, written in 1847, to his former Parisian piano student and friend of many years the Polish Countess Delfina Potocka, whose musical soirées provided the ideal setting for a musical jewel like this.
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EAN: 9790201806624
Trouver conseils, opinions et fonctionnalités sur henle g nter fr d il est vendu 16.4 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Henle, Günter et est vendu par Orellfuessli.ch
The fact that Chopin’s waltzes are no longer dance music, but refined concert pieces for performance in salon or concert hall, emerges nowhere as sharply as in the “Grande Valse” op. 42. The main theme banters with a delightful rhythmic shifting between the accompaniment in the typical ¾ time and the melody, which, in its turn, is heard in duple time. Robert Schumann called this waltz a “salon piece of the most noble type”; one which, in spite of all its brilliance and virtuosity, can still be mastered by advanced amateurs.
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EAN: 9790201813226