noten institut frederic chopin Classement 2024

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Frédéric Chopin : Secret Garden - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...

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Valses - Partition. Découvrez des nouveautés, des coups de cœur, des avis d'internautes, …

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On 23 August 1841 Chopin wrote to the Viennese publisher Mechetti: “I currently have a manuscript available for you. It is a kind of fantasia in the form of a polonaise that I would call Polonaise”. Chopin’s uncertainty about the title is only too understandable. The work begins as a proud polonaise. Then a passage bursts in during which an octave a is relentlessly played more than thirty times. This almost modern sounding passage leads into a mazurka that seems to come from a different, enraptured world. We are now publishing this “kind of fantasia”; previously only available in our edition of all the polonaises (HN 217), in a revised single edition.

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EAN: 9790201811543

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This Henle Urtext edition is very special, for behind the “Selected Piano Works“ concept is a compilation of Chopin’s most popular pieces. Moreover, the editor and publisher have placed great weight on selecting almost exclusively works of a medium level of difficulty, so that Chopin fans of almost all ages will gain maximum enjoyment from this edition. His most popular waltzes, mazurkas, préludes, polonaises and nocturnes are gathered together here, crowned by the immortal Fantaisie-Impromptu.

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EAN: 9790201803487

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In 1836 Chopin introduced the term "ballad" into piano music with the publication of his Ballad op. 23, although up to then it had only been used in literature and in vocal music. Indeed, all four of Chopin’s ballads have the character of a dramatic story: the musical thread is spun with increasing tension throughout the work, reaching a powerful climax at the end. Following the "Préludes", we have now thoroughly re-evaluated this edition and revised it to include the latest scholarly findings. The most significant ones are documented in the printed critical apparatus; the detailed version can be downloaded from the Internet.

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EAN: 9790201898629

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When Chopin gave his Opus 23 the title “Ballade” in the mid 1830s, he established the piano ballade as a new musical genre which was subsequently taken up by others, including Brahms, Liszt and Grieg. The idea of transforming a fictional, dramatic and mystical event into music particularly suggested itself to the Romantic Schumann. He was enthusiastic about this work: “I have a new Ballade by Chopin. It seems to me to be one of his most brilliant (not most inspired) works.” This has been taken from the revised edition of the “Ballades” (HN 862). Detailed information on the genesis of this work and an evaluation of the sources can be downloaded free-of-charge.

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EAN: 9790201808673

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Time and again, Chopin succeeded in giving different piano music genres their own individual characters, whether etudes, preludes, waltzes, scherzi or nocturnes. The Irishman John Field had already composed over 20 nocturnes, which presumably greatly influenced Chopin. The latter continued to develop the light, song-like piano writing and created works whose dreamy, longing atmosphere came to embody Chopin’s music. Our volume contains the works that were published during Chopin’s lifetime as well as ones which were only published posthumously, including the famous Lento con gran espressione in c sharp minor – in two authentic versions.

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EAN: 9790201801858

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Chopin’s early works include a wealth of new stimuli for anyone wishing to take a closer look at the creative works of the Polish genius. Up to now the four Rondos have been missing from our catalogue; but now they are finally available in Henle Urtext. Although they have been unfairly neglected, there are real discoveries to be made. It is hard to imagine that Chopin was only 15 when his Opus 1, the Rondo in c minor, was first published. Likewise, his Rondo op. 5, which incorporates the exotic sounds of Polish folk music, and the brilliant work in C major op. 73 were also written during his time in Warsaw. Without a doubt the young composer, who was the darling of the Warsaw salons, wrote these works as showpieces for himself. Here, and also with the Rondo op. 16, his mark is unmistakable.Our Urtext edition is also available as an affordable study score.

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EAN: 9790201898841

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Frédéric Chopin composed his piano trio when he was an 18-year-old student. About the performance of the trio on 31 August 1830 he wrote: “On Sunday we rehearsed the trio. Perhaps because I haven’t heard it for a while, I was very happy with myself (fortunate man!).” Incidentally, Robert Schumann also shared this opinion, writing in a review: “Is it not as noble as possible, more full of enthusiasm than any song ever written by a poet, original in the smallest detail as in the whole, every note music and life?” We agree with this verdict and recommend this trio in our new Urtext edition to all lovers of highly romantic chamber music.

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EAN: 9790201810683

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Next to the polonaises and the waltzes, the mazurkas are the third dance form which Chopin cultivated in his music. They constitute the largest of these three groups, boasting nearly 60 pieces. Chopin made use of the mazurka genre from his childhood until the last years of his life. They testify not only to Chopin’s love for his native Poland, but also to the depth of the composer’s feeling for the mentality of his people. He took inspiration from the various types of mazurka found in different regions of Poland, but sublimated them into absolute music of the greatest elegance, refined harmonies and rhythmic power.

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EAN: 9790201802886

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Fréderic Chopin’s stay with George Sand on Mallorca in the winter 1838/1839 was ill-fated. Yet Chopin still managed to finish his “Préludes” there which he had begun to compose in Paris. Today’s interpreter not only has to deal with numerous variant readings but also with corrupt performance traditions. The “Préludes” are the first edition to be completed in our comprehensive Chopin revisions; the editor has taken the latest scholarly findings into account and in the musical text brings to light “established” variants as well as others which are to be found in the sources. And there is another first here, too: the printed volume contains a shorter critical report – the extensive version with all the details can be downloaded.

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EAN: 9790201808826

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The popular nickname “Minute Waltz“ should not mislead the pianist into playing this “string of pearls” too hastily. Another nickname is more effective, that of “Petit Chien” [Puppy] that is frequently used in France. According to George Sand, the D-flat major waltz from op. 64 was inspired by a little dog playing – which certainly lends itself delightfully and convincingly to a dynamically charged opening motif with a little dog whirling about (or around the note A flat). Chopin dedicated this first of the Three Waltzes op.64, written in 1847, to his former Parisian piano student and friend of many years the Polish Countess Delfina Potocka, whose musical soirées provided the ideal setting for a musical jewel like this.

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EAN: 9790201806624

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Mazurkas, nocturnes, waltzes and polonaises constitute the core of Chopin’s expressive world. However, he also moved comfortably beyond such genre cycles, and pieces of this sort are brought together in this “Klavierstücke” book, in which we find lesser-known works (two Variation cycles, three Ecossaises) from Chopin’s earlier creative period along with rousing dance movements (Bolero and Tarantelle) and, to finish, the orchestrally conceived Allegro de concert. This forms the introduction to a sequence of three great individual works from Chopin’s middle and later creative periods: the Fantasie op. 49, the Berceuse op. 57, and the Barcarolle op. 60 – the finest Chopin, available in Henle paperback, cloth-bound, and study editions.

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EAN: 9790201803197

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This virtuoso etude has been given the nickname “Black Key Study” by pianists, since, apart from one single f in M. 66, the right hand does not touch a single white key. This gives the harmony a pentatonic, almost Debussy-an character, and has most certainly contributed to its great popularity. Those who are not ready to tackle the complete volume of Chopin Etudes (HN 124) will be well served by this separate Urtext edition.

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EAN: 9790201813233

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Chopin’s early works include a wealth of new stimuli for anyone wishing to take a closer look at the creative works of the Polish genius. Up to now the four Rondos have been missing from our catalogue; but now they are finally available in Henle Urtext. Although they have been unfairly neglected, there are real discoveries to be made. It is hard to imagine that Chopin was only 15 when his Opus 1, the Rondo in c minor, was first published. Likewise, his Rondo op. 5, which incorporates the exotic sounds of Polish folk music, and the brilliant work in C major op. 73 were also written during his time in Warsaw. Without a doubt the young composer, who was the darling of the Warsaw salons, wrote these works as showpieces for himself. Here, and also with the Rondo op. 16, his mark is unmistakable.Our Urtext edition is also available as an affordable study score.

état: new
disponibilité: in_stock
le temps de livrer: in stock
EAN: 9790201808840

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Scholars have long been trying to figure out the mystery of Chopin’s one and only solo Fantasie. The highly individual form is a puzzle to all who prefer more traditional genre concepts. Is it a sonata movement, a rondo, or even a free combination of character movements such as march, recitative or chorale? Chopin lovers have no need of such considerations, seeing that nobody would ever dare to doubt that this Fantasie is one of the greatest works from his pen. After completing the composition, Chopin wrote “The sky is bright, but my heart is afflicted by sorrow”. This gloomy contrast pervades the Fantasie. It is an exceptional work from every point of view, now provided as a separate publication by way of a faithful Henle Urtext edition.

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EAN: 9790201803210

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Chopin’s Scherzo no. 3 was connected to his legendary winter in Mallorca in 1838/39, as were his Préludes op. 28. On 22 January 1839, the composer sent the autograph of the latter work to Camille Pleyel in Paris, and at the same time announced further works that would soon “flood” the recipient of his letter, including the Scherzo no. 3. Did perhaps its alternation of passages with furious octaves and a grave chorale reflect Chopin’s mood at the time? That’s a question players will have to decide for themselves. This revised stand-alone Urtext edition is based on the first editions and on a manuscript copy. Footnotes and a condensed Critical Report offer information on the many variants in the history of its musical text, while a comprehensive Critical Report can be downloaded online. This is an Urtext edition that leaves nothing to be desired. Read more about this edition in the Henle Blog.

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EAN: 9790201813424

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It is hardly a coincidence that Chopin dedicated each of his Three Waltzes op. 64, written in 1847, to a baroness or countess: aristocratic ladies offered the ideal public for this music, both as performers and as hostesses of musical events. This c-sharp minor Waltz in a Slow Tempo, dedicated to his student the Baroness Charlotte de Rothschild, soon surpassed such social barriers With its soulful sighing motif, it ranks today as one of Chopin’s most popular melodies.

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EAN: 9790201806549

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Chopin revolutionized the etude – but he ennobled the waltz. He spent much time on this genre throughout his life and created a wide spectrum of forms, from virtuosic showpieces – the Grandes Valses Brillantes – to deeply melancholic atmospheric pictures. All these works have one thing in common: one cannot and should not dance to them! Our volume contains all of the waltzes that were published during Chopin’s lifetime, or posthumously, including popular masterpieces such as the so-called “Minute Waltz” (op. 64 no. 1). In cases where two authentic versions of the same waltz have been transmitted, we naturally give the Urtext of both versions.

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EAN: 9790201802305

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Fréderic Chopin’s stay with George Sand on Mallorca in the winter 1838/1839 was ill-fated. Yet Chopin still managed to finish his “Préludes” there which he had begun to compose in Paris. Today’s interpreter not only has to deal with numerous variant readings but also with corrupt performance traditions. The “Préludes” are the first edition to be completed in our comprehensive Chopin revisions; the editor has taken the latest scholarly findings into account and in the musical text brings to light “established” variants as well as others which are to be found in the sources. And there is another first here, too: the printed volume contains a shorter critical report – the extensive version with all the details can be downloaded.

état: new
disponibilité: in_stock
le temps de livrer: in stock
EAN: 9790201808833



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