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Johann Pachelbel, born in Nuremberg in 1653, a generation before Bach, is one of Southern Germany’s most important post-Reformation organ composers. His compositions were already widely known at the time. The most popular work today is probably the canon with ensuing gigue in D major. The canon – according to the source “a 3 Violinis con Basso c.” – is built up over an ostinato bass whose two bar figure is repeated a total of 28 times. The following short gigue is also in a strict contrapuntal style. It is not known when the work was composed. As with most of his other chamber music works, Pachelbel might have composed it during his time in Thuringia between 1677 and 1695. This pleasing work is also popular with amateur ensembles.
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Bach’s Trio Sonata BWV 1038 for Flute, Violin und Continuo proposes a conundrum. It has survived as a set of parts in Johann Sebastian Bach’s hand – yet the source does not give a composer. Thus its authenticity has been called into question time and again. According to the latest research, however, this tone sensitive sonata is presumed to be an original work by Bach. Our editor Peter Wollny, a declared expert, outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source, so we have provided a part in original notation as well as in standard notation for regularly tuned violins.
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EAN: 9790201805542
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The enormously beloved and often performed Trio Sonata BWV 1039, which Bach also arranged for gamba and harpsichord, is, next to the Trio Sonata from the Musical Offering, the only trio sonata by J. S. Bach whose authenticity is completely unchallenged. To allow an alternative performance using two violins the editor has provided authorized variants in small print.
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EAN: 9790201803296
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These three separately transmitted sonatas hide some attribution problems. BWV 1020 (the Sonata in g minor) is quite possibly by Bach’s son Carl Philipp Emanuel, and today is mostly played on the flute even though the sources assign it to the violin. It is interesting, however, that d1 is the lowest melodic note in the piece, which might mean that it is a flute arrangement of a violin sonata. The other two sonatas also stand on an uncertain footing in regard to their sources. On the other hand, their elegant slow movements are crafted with a melodic mastery such as is often found in Johann Sebastian Bach’s music. As long as there is no definitive evidence for attribution to another composer, we shall continue to respect the traditional attribution to “Father” Bach.
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EAN: 9790201804583
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Bach’s death meant that the Art of Fugue was left unfinished. In his father’s manuscriptCarl Philipp Emanuel noted exactly where the last fugue of the Art of Fugue broke off: “While working on this fugue, in which the name BACH appears in the countersubject, the author died.” Our editor Davitt Moroney brings the fugue to a close with 30 supplementary measures.There has been frequent speculation about what type of scoring would be most appropriate for the piece, particularly since Bach wrote the individual parts in score form and left no information about instrumentation. Certainly, strict fugues can be found in any ensemble scoring; this had been normal for centuries. It is remarkable, though, how the cycle can easily be played on the harpsichord or piano – a strong argument for keyboard performance.
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The most important source for Bach’s Cello Suites is a copy made by his wife Anna Magdalena because the autograph is no longer extant. As further copies show, the actual musical text is scarcely problematic. However, the slurs, which are particularly important for string instruments, are very inexact and compel the editor to make difficult decisions. Our practical edition, HN 666, is in two parts. It not only offers the Urtext edition – with preface and critical commentary – but also a part for playing. The additional study score (HN 9666) contains the Urtext part, but in addition offers a reproduction of Anna Magdalena’s copy. This means that both cellists and music lovers alike are able to form their own opinion about the much discussed problems.
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EAN: 9790201806662
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Johann Sebastian Bach’s three great cycles of suites belong to the fundamental canon of piano literature: the Partitas and the so-called English and French Suites. It is the French Suites that have long been by far the most popular – and this was also the case at the time that they were written. However, this also creates problems for an editor preparing an Urtext edition, because a vast number of copies of them were made by Bach’s circle of pupils, and these contain many presumably authentic variants. In this revised Henle Urtext edition, Ullrich Scheideler explains the complicated source situation with exemplary clarity. He lists the more minor source variants in footnotes; where there are major differences, both versions of individual movements are printed in full. Our opulent volume is rounded off with an appendix offering alternative and additional pieces. This Henle Urtext edition has been completely revised, and also offers new fingerings. It enables pianists and Bach enthusiasts alike to re-discover Bach’s universe for themselves!
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EAN: 9790201805948
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Online-tutorial available at Henle Masterclass This edition with over 50 pages contains the universally known selection of easy preludes and little fugues that has proved extremely successful in teaching the piano. Bach’s sons, with Wilhelm Friedemann and Carl Philip Emanuel leading the way, were already able to learn them. If you make your way through these pieces (which gradually become more challenging), you can make great progress on the piano, and what is more these 300-year-old compositions are still able to work their musical magic. Those who are technically more advanced should still occasionally sight read through them; you will then immediately see that they are real gems. Incidentally, all of Bach’s piano works are available from Henle both with and without fingerings.
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It is now possible to add the epithet“previously“ to the formulation of these sonatas as “attributed to Bach” in the title of our Urtext edition; today it is assumed that none of the three sonatas was written by “Father” Bach, but rather by his son Carl Philipp Emanuel. Yet this, too, cannot be completely and unambiguously authenticated; doubts linger. In any case, the issue does not detract from the extraordinary popularity of, for example, the Sonatas in E flat major and g minor, which have stunningly beautiful slow movements. The sonatas are part of the flautist’s daily bread.
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EAN: 9790201803289
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In contrast to the large collections of partitas, along with the French and English Suites, Bach’s Fantasies, and his Preludes and Fugues besides the Well-Tempered Clavier have not come down to us as interconnected cycles. Perhaps this is one of the reasons why only few of these works gained widespread popularity. Only the much-acclaimed Chromatic Fantasy and Fugue BWV 903/903a and the great c-minor Fantasy BWV 919 have found a permanent place in pianists’ concert repertoires.Some of the works compiled in this volume are undoubtedly juvenilia that do not yet hint at the mature Bach whilst nevertheless pointing out the composer’s fresh power of invention.
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Along with his major cycles such as the English and French suites, the Goldberg Variations or the Well-Tempered Clavier, Bach also left a wealth of single pieces with a great diversity of titles; they stem in large part from his early youth and student period around the years 1700-1710. The title of the present work – translated as “Capriccio on the departure of his most beloved brother” – reveals that this is programmatic, onomatopoeic music of the kind that was very popular in the 17th and 18th centuries. In its six short and imaginatively-titled movements Bach shows a different side of himself from the usual polyphonist. Perhaps we owe this piece to the departure of his brother Johann Jacob Bach, who entered service in Sweden in 1704.
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EAN: 9790201813059
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Bach gave his wife Anna Magdalena two handwritten books of music. The second one is of particular value with its gilt-edged, vellum-covered binding. In this little book of 1725 he noted down numerous piano works in the most different styles – both his own and by other composers. The Henle Urtext edition, which incidentally is one of our bestselling titles, faithfully reproduces the complete contents of this manuscript, aside from the movements from the “French Suites” (HN 593) and “Partitas” (HN 28) in the notebook, which can be found elsewhere in the Henle catalogue. It is also an example of beautiful engraving by hand.
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Although people might like to think that the “English Suites” were composed after the “French Suites” (HN 71), “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of the young Bach” (from our preface). The kaleidoscopic variety of the six “English” Suites is breathtaking. One lifetime is not enough to exhaustively comprehend and penetrate them. We provide the sustainable musical basis for this, in different formats: the complete paperbound volume (HN 100), clothbound (HN 101), divided into Nos. 1–3 (HN 102) and Nos. 4–6 (HN 103) and last but not least in a very good value study edition with the identical musical text (HN 9100).
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EAN: 9790201801018
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The basis for the musical text of this edition without fingerings was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s revision of Part II (spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions with fingerings (HN 16) and as study editions without fingerings (HN 9016).
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EAN: 9790201810164
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The basis for the musical text of this study score was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s brand new revision of Part II (spring 2007). A detailed commentary rounds off the editions. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions with and without fingerings (HN 14 and HN 1014).
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EAN: 9790201890142
Découvrir conseils, opinions et fonctionnalités sur henle g nter johann sebastian vendu 22.4 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Henle, Günter et est vendu par Orellfuessli.ch
Although people might like to think that the “English Suites” were composed after the “French Suites”; “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of the young Bach” (from our preface). The kaleidoscopic variety of the six “English” Suites is breathtaking. One lifetime is not enough to exhaustively comprehend and penetrate them. We provide the sustainable musical basis for this, in different formats: the complete paperbound volume (HN 100), clothbound (HN 101), divided into Nos. 1–3 (HN 102) and Nos. 4–6 (HN 103) and last but not least in a very good value study edition with the identical musical text (HN 9100).
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EAN: 9790201811031
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J. S. Bach’s three gamba sonatas belong among the core repertoire of this low string instrument. They hark back to other works of his that were originally for different performing forces. What they all share is a strict three-part texture (gamba and two-voice keyboard). Our viola arrangement reflects Bach’s own arranging practice. Only in a few passages does the original gamba part descend below the viola’s tonal range, and these can easily be resolved by moving the melody line to a higher octave.
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EAN: 9790201806846
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Hummel’s Trumpet Concerto is still one of the most popular concertos for this instrument. He composed it in 1803 for the Viennese court trumpeter Anton Waidinger, whose newly developed key-trumpet enabled him to play in a much more virtuoso manner than on the traditional natural trumpet. Our Urtext edition reproduces the work in the original key of E major with solo parts in E and for the more common trumpet in C. Due to the fact that the concerto is nowadays often performed in E flat major, our edition also contains a piano reduction in E flat major for trumpets in E flat and B flat. The different transpositions are now available in one single edition for the first time. Breitkopf & Härtel are publishing the performance material at the same time.
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EAN: 9790201808406
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The world-famous pianist András Schiff, a most familiar name to Bach fans on account of his complete recordings of Bach’s piano works, has provided fingerings for both parts of the Well-Tempered Clavier. He discusses aspects of performance practice in a detailed preface. The basis for the musical text was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s revision of Part II (spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions without fingerings and as study editions.
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EAN: 9790201800172
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Hummels “Potpourri” for Violoncello and Orchestra op. 95 is part of every violoncello player’s core repertoire, especially in its shortened version, the “Fantasy”. Sprinkled with quotes from operas by Mozart and Rossini and framed by spirited, newly composed passages, the “Potpourri” fills a gap in the small repertoire of the classical-early romantic period. Sebastian Hess has provided fingerings and bowings for the solo part. And it goes without saying that the “Fantasy” version can also be played using our edition. Hummel produced this version in addition to the original edition for viola. The version presented here was out of print for many years, but we have now made it available again.
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EAN: 9790201808390