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Bach’s Trio Sonata BWV 1038 for Flute, Violin und Continuo proposes a conundrum. It has survived as a set of parts in Johann Sebastian Bach’s hand – yet the source does not give a composer. Thus its authenticity has been called into question time and again. According to the latest research, however, this tone sensitive sonata is presumed to be an original work by Bach. Our editor Peter Wollny, a declared expert, outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source, so we have provided a part in original notation as well as in standard notation for regularly tuned violins.
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The enormously beloved and often performed Trio Sonata BWV 1039, which Bach also arranged for gamba and harpsichord, is, next to the Trio Sonata from the Musical Offering, the only trio sonata by J. S. Bach whose authenticity is completely unchallenged. To allow an alternative performance using two violins the editor has provided authorized variants in small print.
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EAN: 9790201803296
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These three separately transmitted sonatas hide some attribution problems. BWV 1020 (the Sonata in g minor) is quite possibly by Bach’s son Carl Philipp Emanuel, and today is mostly played on the flute even though the sources assign it to the violin. It is interesting, however, that d1 is the lowest melodic note in the piece, which might mean that it is a flute arrangement of a violin sonata. The other two sonatas also stand on an uncertain footing in regard to their sources. On the other hand, their elegant slow movements are crafted with a melodic mastery such as is often found in Johann Sebastian Bach’s music. As long as there is no definitive evidence for attribution to another composer, we shall continue to respect the traditional attribution to “Father” Bach.
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EAN: 9790201804583
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The most important source for Bach’s Cello Suites is a copy made by his wife Anna Magdalena because the autograph is no longer extant. As further copies show, the actual musical text is scarcely problematic. However, the slurs, which are particularly important for string instruments, are very inexact and compel the editor to make difficult decisions. Our practical edition, HN 666, is in two parts. It not only offers the Urtext edition – with preface and critical commentary – but also a part for playing. The additional study score (HN 9666) contains the Urtext part, but in addition offers a reproduction of Anna Magdalena’s copy. This means that both cellists and music lovers alike are able to form their own opinion about the much discussed problems.
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EAN: 9790201806662
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Although people might like to think that the “English Suites” were composed after the “French Suites”; “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of the young Bach” (from our preface). The kaleidoscopic variety of the six “English” Suites is breathtaking. One lifetime is not enough to exhaustively comprehend and penetrate them. We provide the sustainable musical basis for this, in different formats: the complete paperbound volume (HN 100), clothbound (HN 101), divided into Nos. 1–3 (HN 102) and Nos. 4–6 (HN 103) and last but not least in a very good value study edition with the identical musical text (HN 9100).
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EAN: 9790201811000
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Although people might like to think that the “English Suites” were composed after the “French Suites” (HN 71), “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of the young Bach” (from our preface). The kaleidoscopic variety of the six “English” Suites is breathtaking. One lifetime is not enough to exhaustively comprehend and penetrate them. We provide the sustainable musical basis for this, in different formats: the complete paperbound volume (HN 100), clothbound (HN 101), divided into Nos. 1–3 (HN 102) and Nos. 4–6 (HN 103) and last but not least in a very good value study edition with the identical musical text (HN 9100).
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EAN: 9790201801032
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The four Bach flute sonatas presented in this volume offer a genuine variety both in style and transmission. The first two are thoroughbass sonatas conceived for flute, string bass and harpsichord. Their time of origin is uncertain and might even date back to Bach’s Köthen period. In the transmitted version with obbligato harpsichord, the sonatas in b minor and A major BWV 1030 and 1032 are most probably arrrangements of earlier, no longer surviving works. The compositional interweaving of the sonatas for flute and harpsichord reaches its apogee in the contemplative b minor sonata, which is a masterpiece of the flute repertoire. By contrast, the A major sonata is captivating for its brilliant joyfulness and radiant colour.
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EAN: 9790201802695
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Bach’s E major Violin Concerto has survived solely in the form of a copy, but in view of its significant compositional substance, and of Bach’s arrangement (which has come down to us as an autograph) for harpsichord and orchestra, the work’s authenticity is beyond question. The highly expressive violin melody in the second movement speaks for itself: the harpsichord version cannot provide a real replacement for it.
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EAN: 9790201806709
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For the editor of an Urtext edition, Bach’s A minor violin concerto BWV 1041 presents few problems; cleanly-written original parts exist from Bach’s Köthen (or early Leipzig) period. But beyond the guarantee of a reliable musical text, the Henle edition scores points in terms of text layout; thanks to a foldout solo part, turning pages is made comfortable, something that was previously a challenge because of the literally non-stop, continuous sixteenth notes in the opening movement. Other publishers have since copied this idea. Only the piano reduction from Henle – in all three of Bach’s violin concertos – can be effortlessly performed off the page, even by the lay musician.
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EAN: 9790201806716
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In contrast to the large collections of partitas, along with the French and English Suites, Bach’s Fantasies, and his Preludes and Fugues besides the Well-Tempered Clavier have not come down to us as interconnected cycles. Perhaps this is one of the reasons why only few of these works gained widespread popularity. Only the much-acclaimed Chromatic Fantasy and Fugue BWV 903/903a and the great c-minor Fantasy BWV 919 have found a permanent place in pianists’ concert repertoires.Some of the works compiled in this volume are undoubtedly juvenilia that do not yet hint at the mature Bach whilst nevertheless pointing out the composer’s fresh power of invention.
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EAN: 9790201802206
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Although people might like to think that the “English Suites” were composed after the “French Suites”; “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of the young Bach” (from our preface). The kaleidoscopic variety of the six “English” Suites is breathtaking. One lifetime is not enough to exhaustively comprehend and penetrate them. We provide the sustainable musical basis for this, in different formats: the complete paperbound volume (HN 100), clothbound (HN 101), divided into Nos. 1–3 (HN 102) and Nos. 4–6 (HN 103) and last but not least in a very good value study edition with the identical musical text (HN 9100).
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EAN: 9790201811031
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Online-tutorial available at Henle Masterclass This edition with over 50 pages contains the universally known selection of easy preludes and little fugues that has proved extremely successful in teaching the piano. Bach’s sons, with Wilhelm Friedemann and Carl Philip Emanuel leading the way, were already able to learn them. If you make your way through these pieces (which gradually become more challenging), you can make great progress on the piano, and what is more these 300-year-old compositions are still able to work their musical magic. Those who are technically more advanced should still occasionally sight read through them; you will then immediately see that they are real gems. Incidentally, all of Bach’s piano works are available from Henle both with and without fingerings.
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EAN: 9790201801070
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In contrast to the large collections of partitas, along with the French and English Suites, Bach’s Fantasies, and his Preludes and Fugues besides the Well-Tempered Clavier have not come down to us as interconnected cycles. Perhaps this is one of the reasons why only few of these works gained widespread popularity. Only the much-acclaimed Chromatic Fantasy and Fugue BWV 903/903a and the great c-minor Fantasy BWV 919 have found a permanent place in pianists’ concert repertoires.Some of the works compiled in this volume are undoubtedly juvenilia that do not yet hint at the mature Bach whilst nevertheless pointing out the composer’s fresh power of invention.
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EAN: 9790201802190
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Along with his major cycles such as the English and French suites, the Goldberg Variations or the Well-Tempered Clavier, Bach also left a wealth of single pieces with a great diversity of titles; they stem in large part from his early youth and student period around the years 1700-1710. The title of the present work – translated as “Capriccio on the departure of his most beloved brother” – reveals that this is programmatic, onomatopoeic music of the kind that was very popular in the 17th and 18th centuries. In its six short and imaginatively-titled movements Bach shows a different side of himself from the usual polyphonist. Perhaps we owe this piece to the departure of his brother Johann Jacob Bach, who entered service in Sweden in 1704.
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EAN: 9790201813752
Découvrir conseils, opinions et fonctionnalités sur henle g nter johann sebastian vendu 51.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Henle, Günter et est vendu par Orellfuessli.ch
In contrast to the large collections of partitas, along with the French and English Suites, Bach’s Fantasies, and his Preludes and Fugues besides the Well-Tempered Clavier have not come down to us as interconnected cycles. Perhaps this is one of the reasons why only few of these works gained widespread popularity. Only the much-acclaimed Chromatic Fantasy and Fugue BWV 903/903a and the great c-minor Fantasy BWV 919 have found a permanent place in pianists’ concert repertoires.Some of the works compiled in this volume are undoubtedly juvenilia that do not yet hint at the mature Bach whilst nevertheless pointing out the composer’s fresh power of invention.
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EAN: 9790201812199
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Apart from the major cycles (partitas, French and English suites), a whole series of separate keyboard suites by Bach have come down to us, including individual sonatas or sonata movements, variations, and fragments of various sorts called Capriccios. None of them reached the degree of popularity of the aforementioned large collections. Most of them go back to Bach’s youth and student years, to wit, to the years between 1700 and 1710, and do not yet reach the mastery of the later years. However, this is compensated by the enormous joy one derives in playing these works.
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EAN: 9790201812625
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Online-tutorial available at Henle Masterclass All piano students are familiar with Bach’s two-part Inventions – but virtuosos of the keyboard also keep coming back to these timelessly beautiful but by no means easy works. It is hard to believe what Bach was able to express using only two parts! In his famous preface the composer himself calls the work an “Instruction” which teaches students and keyboard lovers to “treat correctly” several parts, to “achieve a singing style in playing” and to “acquire a strong foretaste of composition”. We are now presenting a new edition of this classic collection, which draws upon all known sources.
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EAN: 9790201815916
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The Clavierübung published in four sections belongs to the few works of Bach that he allowed to be printed during his lifetime. Part I, which appeared in print in 1731, contains the six Partitas; Parts II–IV were issued in 1735, 1739 and 1741/2. These are the parts that form the basis for the compilation that we find in this volume. The Italian Concerto and the French Overture constitute Part II and, in a way, serve as a kind of echo of French and Italian orchestral music of the time, here transposed to the keyboard. The Four Duets are contained in Part III of the Clavierübung, next to important works for the organ; however, since they are conceived for two parts, they are ideal for piano or harpsichord.
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EAN: 9790201801308
Trouver conseils, opinions et fonctionnalités sur henle g nter johann sebastian il est vendu 25.4 € , présent dans la catégorie Bücher & Zeitschriften; ce produit appartient à Henle, Günter et est vendu par Orellfuessli.ch
Online-tutorial available at Henle Masterclass This edition with over 50 pages contains the universally known selection of easy preludes and little fugues that has proved extremely successful in teaching the piano. Bach’s sons, with Wilhelm Friedemann and Carl Philip Emanuel leading the way, were already able to learn them. If you make your way through these pieces (which gradually become more challenging), you can make great progress on the piano, and what is more these 300-year-old compositions are still able to work their musical magic. Those who are technically more advanced should still occasionally sight read through them; you will then immediately see that they are real gems. Incidentally, all of Bach’s piano works are available from Henle both with and without fingerings.
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EAN: 9790201801063
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J. S. Bach’s three gamba sonatas belong among the core repertoire of this low string instrument. They hark back to other works of his that were originally for different performing forces. What they all share is a strict three-part texture (gamba and two-voice keyboard). Our viola arrangement reflects Bach’s own arranging practice. Only in a few passages does the original gamba part descend below the viola’s tonal range, and these can easily be resolved by moving the melody line to a higher octave.
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EAN: 9790201806846