robert schumann widmung dedication arr Classement 2024

robert schumann uvres piano

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Robert Schumann : Œuvres pour piano - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...

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henle g nter robert schumann

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1840 was Schumann’s famous “year of song” that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated “to his dear bride”; Clara Wieck-Schumann. Besides famous songs such as “Widmung”; “Lotosblume” and “Nussbaum” to texts by German poets, the collection also saw Schumann venture further afield, whether to the Scottish Highlands with settings of Robert Burns or to Italy for the “Venetian Songs” of Thomas Moore. Schumann specialist Kazuko Ozawa has examined the first edition of 1840 and all the manuscript sources. Among the dedicatory autograph copies she has also discovered interesting early versions of individual songs that are here published in an appendix. Our Urtext edition is rounded off with an extensive history of how Myrthen was composed. This volume is a superlative addition to G. Henle Verlag’s series of Robert Schumann’s song cycles. Read more about this edition in the Henle Blog.

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henle g nter robert schumann

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“… as your bride, you must indeed dedicate something further to me, and I know of nothing more tender than these 3 Romances, in particular the middle one, which is the most beautiful love duet.” It was with these words that Clara Schumann laid claim to the dedication of the Romances which Robert had given her as a Christmas present in 1839. Robert did not, however, consider them to be “good or worthy enough” of her. Even so, he later counted the Romances amongst his most successful works; in particular, the “middle one” mentioned above is probably one of his most beautiful and melodic compositions. This Urtext edition has been revised to include the latest in scholarly research and now includes an extensive critical report.

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dearbooks robert schumann

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In seinem Buch über Robert Schumann beschäftigt sich der Musikhistoriker Hermann Abert (1871 - 1927) zunächst mit der Lebensgeschichte des Komponisten. Der zweite Teil des Bandes enthält eine umfangreiche Analyse von Schumanns Werk sowie ein komplettes Werkverzeichnis. Nachdruck der 1903 veröffentlichten Erstausgabe.

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henle g nter robert schumann

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"Yet you, a man, have sensed in these songs a depth which hardly the most knowing female heart can feel!" Thus an admirer wrote to Robert Schumann concerning his song cycle Frauenliebe und Leben. Schumann’s empathy with the highly romantic inflections of Adelbert von Chamisso‘s poetry may also have arisen from the circumstances that prompted this cycle, for it was written during one of the happiest periods of his life, just before his marriage to Clara Wieck. Ever since its initial publication Frauenliebe und Leben has been immensely popular with male and female singers alike. This urtext edition is equally well-suited for medium male or female voice (mezzo soprano or baritone).

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henle g nter robert schumann

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The Novelettes arose at roughly the same time as the Kinderszenen and share the same largely untroubled mood. Writing to Clara Wieck, Schumann could exclaim "I’ve written such a frightful amount of music for you over the past three weeks - pranks, Egmontian tales, family scenes with fathers, a wedding, in short, extremely engaging things." Small wonder that the opus is one of Henle’s best-selling items. This thoroughly revised volume offers not only a newly edited musical text, but a preface with background material on the work’s genesis and a detailed section of editorial notes.

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henle g nter robert schumann

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It was in February 1854, a few weeks before Robert Schumann’s admission to the psychiatric hospital in Endenich, that he wrote his variations on a theme in E-flat major. Because of the extraordinary, personal and moving events of those days, Clara Schumann guarded the manuscript pages of her husband’s final piano composition, dedicated to her and later called “Ghost Variations;” like relics, and prohibited their publication. The first edition was not published until 1939, and in many respects does not correspond with what Schumann actually wrote down. For the first time, the Henle Urtext edition draws upon all the available primary sources, and thus is effectively the only reliable Urtext edition of a work that in recent years has been heard with increasing frequency.

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henle g nter robert schumann

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Online-tutorial available at Henle Masterclass As did many piano virtuosi at the time, Robert Schumann also dreamt of presenting himself to the public simultaneously as a pianist and composer with his own piano concerto. He had made several first attempts at an early age. In the years that followed he felt himself increasingly drawn towards the idea of a freer formal conception. The sketch of a single-movement “Phantasie” finally became the opening movement of the famous work, that is now being published for the first time in a practical Urtext edition. The fingerings were provided by the world-famous pianist Mitsuko Uchida. Score and orchestral material are available from Breitkopf & Härtel.

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henle g nter robert schumann

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For the first time since Clara Schumann’s Complete Edition of 1879–93; all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those works that were previously missing from our catalogue. The result is being published in this new collection, comprising six volumes, which are available both in paperbound and clothbound editions, as well as study editions in a slipcase. They replace the former four volumes (HN 108–HN 115). Arranged clearly according to opus numbers, it includes not only all of Schumann’s piano works, revised to reflect the latest scholarly findings, but also informative accompanying texts, alternative versions and much more besides. Further information

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laaber robert schumann und seine

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Das herausragende Buch von Arnfried Edler über Robert Schumann, völlig neu bearbeitet, verbessert und stark erweitert, ist nicht nur eine Komponistenbiographie im traditionellen Sinn. Was diesen Band insbesondere auszeichnet, ist der gelungene Versuch, den Zusammenhang zwischen der kompositorischen Entwicklung Schumanns und dem kulturellen, politischen und sozialen Geschehen seiner Zeit zu erhellen. Über die blosse Vermittlung von Wissen hinaus wird für den Leser nachvollziehbar, wie in Schumanns praktischem und verbalem Umgang mit der Musik bestimmte Denk- und Handlungsweisen zum ersten Mal deutlich und repräsentativ hervortreten, die bis weit in das 20. Jahrhundert hinein ihren Einfluss ausübten. Die textliche Darstellung wird durch einen ausführlichen Bildteil ergänzt, der sich als zeitgeschichtliche Dokumentation versteht. Darüber hinaus erleichtert eine umfangreiche Chronik den Überblick über die Biographie und das zeit- und kulturgeschichtliche Umfeld Schumanns.

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henle g nter robert schumann

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Following Schumann’s fi rst, evidently unsuccessful attempt at composing a "Sonata" - he only had the opening movement published under the title "Allegro in b minor" - he tried once again in 1833. It is a well-known fact that this sonata was composed while he was in close contact with Clara Wieck, who was thirteen at the time. Individual motifs from it can be found later in Clara’s work; but by the same token, individual figures can be found in the sonata which point to Clara’s “Pièces caractéristiques” op. 5. In addition Schumann used an almost literal adaptation of his song “To Anna” for the second movement. We have included this in the appendix of our edition and in so doing show the roots of this composition.

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henle g nter robert schumann

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For the first time since Clara Schumann’s Complete Edition of 1879–93; all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those works that were previously missing from our catalogue. The result is being published in this new collection, comprising six volumes, which are available both in paperbound and clothbound editions, as well as study editions in a slipcase. They replace the former four volumes (HN 108–HN 115). Arranged clearly according to opus numbers, it includes not only all of Schumann’s piano works, revised to reflect the latest scholarly findings, but also informative accompanying texts, alternative versions and much more besides. Further information

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henle g nter robert schumann

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A secret engagement, a composer as prospective father-in-law and several rival publishing houses – it was against this backdrop that the work was composed. His youthful and passionate love for Ernestine von Fricken was short-lived, but it occasioned Schumann in 1837 to write the “intensely emotional variations” on a theme of her father’s; which were eventually to become the “Orchestral etudes”. Fifteen years later a new edition was published, authorised by Schumann, containing such important changes that we have included both versions. In our revised issue the editor Ernst Herttrich has provided each version with its own preface and an extensive commentary.

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henle g nter robert schumann

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For the first time since Clara Schumann’s Complete Edition of 1879–93; all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those works that were previously missing from our catalogue. The result is being published in this new collection, comprising six volumes, which are available both in paperbound and clothbound editions, as well as study editions in a slipcase. They replace the former four volumes (HN 108–HN 115). Arranged clearly according to opus numbers, it includes not only all of Schumann’s piano works, revised to reflect the latest scholarly findings, but also informative accompanying texts, alternative versions and much more besides.

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henle g nter robert schumann

Découvrir conseils, opinions et fonctionnalités sur henle g nter robert schumann vendu 85.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Henle, Günter et est vendu par Orellfuessli.ch

For the first time since Clara Schumann’s Complete Edition of 1879–93; all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those works that were previously missing from our catalogue. The result is being published in this new collection, comprising six volumes, which are available both in paperbound and clothbound editions, as well as study editions in a slipcase. They replace the former four volumes (HN 108–HN 115). Arranged clearly according to opus numbers, it includes not only all of Schumann’s piano works, revised to reflect the latest scholarly findings, but also informative accompanying texts, alternative versions and much more besides. Further information

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henle g nter robert schumann

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For the first time since Clara Schumann’s Complete Edition of 1879–93; all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those works that were previously missing from our catalogue. The result is being published in this new collection, comprising six volumes, which are available both in paperbound and clothbound editions, as well as study editions in a slipcase. They replace the former four volumes (HN 108–HN 115). Arranged clearly according to opus numbers, it includes not only all of Schumann’s piano works, revised to reflect the latest scholarly findings, but also informative accompanying texts, alternative versions and much more besides. Further information

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henle g nter robert schumann

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As with the Dichterliebe (HN 549), Frauenliebe und Leben (HN 547) or the song cycles with texts by Heine and Eichendorff (HN 548 and 550), the Kerner Cycle op. 35 was written in 1840, Schumann’s “Liederjahr”. Yet it has a special place: it was composed in the time immediately following Schumann’s marriage to Clara Wieck. Schumann set a series of poems to music in November, during a “quiet week, which went by with composing and much loving and kissing”; and the cycle was complete by the turn of the year. It contains a great deal of intimate musical innuendos. The first edition of 1841 was soon followed by a second issue, many of the songs were published individually and the “Wanderlied” soon became a core piece in the repertoire. With Henle’s edition the songs in Schumann’s cycle are once again being published together in a single volume.

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henle g nter robert schumann

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Encouraged by the success of his “Papillons”; Schumann composed his “Intermezzi” op. 4, also known as “longer Papillons”; in 1832. Despite the at times improvisatory style, Schumann worked very carefully on this composition, “The Intermezzi are going to be something special – each note is going to be weighed up carefully”. The fact that Schumann was very preoccupied with counterpoint at the time cannot be missed. Bach’s influence can be especially felt in numbers 1 and 5, something that contemporary critics greatly appreciated. This edition has been revised in Schumann’s anniversary year to reflect the latest scholarly findings. An extensive source critical text has also been included.

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henle g nter robert schumann

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Schumann began writing chamber music rather late on in his life. In 1842 he then wrote six substantial works, including his first piano trio, which he only published in 1850 under the title Four Fantasy Pieces op. 88. In the meantime he had already composed the Trios in d minor op. 63 (1847) and F major op. 80 (1847/49). When he was in Dusseldorf, in 1851, he wrote the g minor Trio op. 110. Together with the trios by Mendelssohn and Brahms, Schumann’s four compositions are the most important works for this genre written in the 19th century.

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henle g nter robert schumann

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In 1849 Schumann turned to a new genre: works for piano and accompanying instrument. He showered the different wind instruments systematically with Fantasies, Romances, etc. - and always also provided an alternative part for strings. Thus Schumann also wrote an alternative part for his Adagio and Allegro op. 70 for Horn and Piano, for the violin. Clara played the new work together with the horn player E. Julius Schlitterlau, writing afterwards in her diary: "The piece is splendid, fresh and passionate, just as I like it!" And even Schumann admitted enthusiastically that he "had had fun with it" - which is true of many musicians even today.

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EAN: 9790201810256



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