dearbooks robert schumann Classement 2024

dearbooks robert schumann

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In seinem Buch über Robert Schumann beschäftigt sich der Musikhistoriker Hermann Abert (1871 - 1927) zunächst mit der Lebensgeschichte des Komponisten. Der zweite Teil des Bandes enthält eine umfangreiche Analyse von Schumanns Werk sowie ein komplettes Werkverzeichnis. Nachdruck der 1903 veröffentlichten Erstausgabe.

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dearbooks clara schumann johannes brahms

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Johannes Brahms (1833-1897) und Clara Schumann (1819-1896) waren jahrzehntelang miteinander befreundet und unterhielten einen umfangreichen Briefwechsel, der bis unmittelbar vor Claras Tod anhielt. Der Germanist und Literaturhistoriker Berthold Litzmann (1857-1926) war mit Clara Schumann bereits seit seiner Kindheit bekannt und verfasste später eine umfangreiche Biografie über die Klaviervirtuosin und Ehefrau von Robert Schuhmann. Im Auftrag von Clara Schumanns Tochter Maria bereitete er die Ausgabe des Briefwechsels vor, die 1927 kurz nach Litzmanns Tod erschien. Nachdruck der Originalausgabe.

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EAN: 9783954554256

henle g nter robert schumann

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For the first time since Clara Schumann’s Complete Edition of 1879–93; all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those works that were previously missing from our catalogue. The result is being published in this new collection, comprising six volumes, which are available both in paperbound and clothbound editions, as well as study editions in a slipcase. They replace the former four volumes (HN 108–HN 115). Arranged clearly according to opus numbers, it includes not only all of Schumann’s piano works, revised to reflect the latest scholarly findings, but also informative accompanying texts, alternative versions and much more besides. Further information

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EAN: 9790201809267

henle g nter robert schumann

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“I would like to sing myself to death like a nightingale” – 1840, Schumann’s most prolific “song year”; was marked by great private upheaval. He was only able to finally marry Clara in September after he had fought her father in a court case. “The Eichendorff cycle is probably my most romantic”; he informed her of his latest opus, “and there is a great deal of you in it.” The song cycle opus 39 that was first published in 1842 is today one of Schumann’s most important song cycles – not least because of the famous “Moon night”. He revised his work for a new edition eight years later. Our Urtext edition offers both versions in their entirety. Further information Further information II Read more about this edition in the Henle Blog.

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EAN: 9790201805504

henle g nter robert schumann

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For the first time since Clara Schumann’s Complete Edition of 1879–93; all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those works that were previously missing from our catalogue. The result is being published in this new collection, comprising six volumes, which are available both in paperbound and clothbound editions, as well as study editions in a slipcase. They replace the former four volumes (HN 108–HN 115). Arranged clearly according to opus numbers, it includes not only all of Schumann’s piano works, revised to reflect the latest scholarly findings, but also informative accompanying texts, alternative versions and much more besides. Further information

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EAN: 9790201809236

henle g nter robert schumann

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A secret engagement, a composer as prospective father-in-law and several rival publishing houses – it was against this backdrop that the work was composed. His youthful and passionate love for Ernestine von Fricken was short-lived, but it occasioned Schumann in 1837 to write the “intensely emotional variations” on a theme of her father’s; which were eventually to become the “Orchestral etudes”. Fifteen years later a new edition was published, authorised by Schumann, containing such important changes that we have included both versions. In our revised issue the editor Ernst Herttrich has provided each version with its own preface and an extensive commentary.

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EAN: 9790201802480

henle g nter robert schumann

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Combining these two Schumann bestsellers seemed very natural: both of the titles not only reflect their inner association but the technical demands on the pianist are for once not so great (see the levels of difficulty). And both works are collections of more-or-less short, succinct pieces that ever since their publication (in 1839 and 1848) were to “profoundly influence middle-class musical culture in the second half of the 19th century. To this day, they have lost hardly any of their appeal” (Ernst Herttrich in the preface). Further information

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EAN: 9790201800462

henle g nter robert schumann

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“… as your bride, you must indeed dedicate something further to me, and I know of nothing more tender than these 3 Romances, in particular the middle one, which is the most beautiful love duet.” It was with these words that Clara Schumann laid claim to the dedication of the Romances which Robert had given her as a Christmas present in 1839. Robert did not, however, consider them to be “good or worthy enough” of her. Even so, he later counted the Romances amongst his most successful works; in particular, the “middle one” mentioned above is probably one of his most beautiful and melodic compositions. This Urtext edition has been revised to include the latest in scholarly research and now includes an extensive critical report.

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EAN: 9790201800851

henle g nter robert schumann

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The composition cost him his sleep. In October 1842, when Schumann had finished his piano quintet in a short period of time, he was physically and emotionally drained. The work in no way reflects this, quite the contrary. “Full of strength and freshness” said Clara Schumann of the new composition, as well as “extremely brilliant and effective”. Even Richard Wagner added his voice to the great wave of admiration. Thus op. 44 soon became one of Schumann’s most successful compositions, which today is still a jewel in chamber music literature. If the quartet reminds one of a piano concerto with orchestra in string quartet format at times, this is explained by the fact that it was intended for Clara’s repertoire. The work was also dedicated to this brilliant pianist.

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EAN: 9790201803555

henle g nter robert schumann

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Schumann kept coming back to variation form. He often wrote his own variations in contrast to those on popular (operatic) themes, with which piano virtuosi of the time flooded the market. The “Impromptus” were written with the desire that they “should be seen to be variations of a new form” – he even skilfully joined two themes together. Although Franz Liszt had been very positive about them, Schumann later again made a great many changes to his Opus 5. The “Impromptus” are now appearing – in both versions – in our catalogue for the first time, as always with an informative accompanying text.

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EAN: 9790201808529

henle g nter robert schumann

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Gloomy premonitions plagued Schumann whilst he was working on his latest composition in 1839. The news that his brother Eduard was dying had deeply shaken him. “Writing a ‘Corpse Fantasy’ since Monday;” he wrote in his diary on 31 March. While he was preparing the composition for publication three-quarters of a year later, he chose the title “Night Pieces” with reference to E. T. A. Hoffmann. However, Schumann probably did not want the work to be perceived as being so nocturnal and dark, because he associated with it the desire that it should “pleasantly remind” one of his brother, who had in the meantime died. We are now publishing it in a newly revised version by Ernst Herttrich reflecting the latest in scholarly research.

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EAN: 9790201801049

peter lang gmbh internationaler verlag

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Dieser Band vereinigt die Texte des Symposions «Robert Schumann und die grosse Form», das 2006 in Bonn stattfand. Sie beschäftigen sich mit Schumanns Symphonien, seinen chorsymphonischen Werken, dem Klavierkonzert und den Ouvertüren. Dass dem Komponisten des Charakterstücks und des Liedes die Bewältigung auch der «grossen Form» gelungen sei, wurde bis in die jüngere Vergangenheit immer wieder in Zweifel gezogen. Diesem aus der Beethoven-Tradition stammenden Vorurteil suchen die Beiträge exemplarisch durch analytische Studien zu begegnen.

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EAN: 9783631580134

henle g nter robert schumann

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Online-tutorial available at Henle Masterclass “As far as the Scenes from Childhood are concerned, I owe them one of the liveliest pleasures of my life.” These words were uttered by none other than Franz Liszt. In the evenings he often enjoyed playing part of them, not only for his little daughter Blandine-Rachel but also for his own pleasure. Even today, the “Scenes from Childhood” still raise the question as to whether they were written for children or adults. Schumann himself described them as being the reminiscences of an older person for older people, but did not deny that “several children’s heads were in his mind when composing them”. Ernst Herttrich has revised our well-loved edition, incorporating the latest scholarly findings. In the appendix he also takes a stand on the metronome markings which were taken over from an early print. Further information Read more about this edition in the Henle Blog.

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EAN: 9790201800448

henle g nter robert schumann

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For the first time since Clara Schumann’s Complete Edition of 1879–93; all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those works that were previously missing from our catalogue. The result is being published in this new collection, comprising six volumes, which are available both in paperbound and clothbound editions, as well as study editions in a slipcase. They replace the former four volumes (HN 108–HN 115). Arranged clearly according to opus numbers, it includes not only all of Schumann’s piano works, revised to reflect the latest scholarly findings, but also informative accompanying texts, alternative versions and much more besides. Further information

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EAN: 9790201809281

henle g nter robert schumann

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As with most of Schumann’s duos for solo instrument and piano, the “Pieces in Folk Style”; originally for violoncello and piano, were also published for an alternative instrument. The publisher expected greater circulation and a higher turnover with an additional edition for violin. Apart from a few changes necessitated by the instrument, there was a series of substantial ones in nos. 1 and 5, which partly also concern the piano part. Thus we can be confident that the version for violin was undertaken by Schumann.Now it is available in an Urtext edition for the very first time! Ernst Schliephake has provided practice-orientated fingerings and it is thus excellently suited for the teaching of pupils of medium ability upwards.

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EAN: 9790201809113

henle g nter robert schumann

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Following Schumann’s fi rst, evidently unsuccessful attempt at composing a "Sonata" - he only had the opening movement published under the title "Allegro in b minor" - he tried once again in 1833. It is a well-known fact that this sonata was composed while he was in close contact with Clara Wieck, who was thirteen at the time. Individual motifs from it can be found later in Clara’s work; but by the same token, individual figures can be found in the sonata which point to Clara’s “Pièces caractéristiques” op. 5. In addition Schumann used an almost literal adaptation of his song “To Anna” for the second movement. We have included this in the appendix of our edition and in so doing show the roots of this composition.

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EAN: 9790201803371

henle g nter robert schumann

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In 1838 Robert Schumann complained: “The piano is becoming too narrow for me. I often hear in my current compositions a lot of things that I can hardly indicate”. Thus, in 1840, Schumann dedicated himself above all to art songs. Symphonies and chamber music works followed in the subsequent years. Schumann wrote his “Fairy Tale Pictures op. 113 for viola (or violin) and piano” in March 1851. An elegiac mood predominates in these four short character pieces. The four movements do not bear fairy-tale titles, but rather unpretentious tempo markings: “Not fast”; “Lively”; “Quickly” and finally “Slow; with melancholy expression”. Previously inaccessible, the autograph was consulted for the first-ever time for this edition, enabling us to clarify a number of questionable passages.

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EAN: 9790201806945

henle g nter robert schumann

Découvrir conseils, opinions et fonctionnalités sur henle g nter robert schumann vendu 58.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Henle, Günter et est vendu par Orellfuessli.ch

For the first time since Clara Schumann’s Complete Edition of 1879–93; all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those works that were previously missing from our catalogue. The result is being published in this new collection, comprising six volumes, which are available both in paperbound and clothbound editions, as well as study editions in a slipcase. They replace the former four volumes (HN 108–HN 115). Arranged clearly according to opus numbers, it includes not only all of Schumann’s piano works, revised to reflect the latest scholarly findings, but also informative accompanying texts, alternative versions and much more besides.

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EAN: 9790201809205

henle g nter robert schumann

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Schumann war ein Dichter am Klavier, und die bekanntesten seiner Klavierstücke tragen programmatische Titel wie „Träumerei“; „Von fremden Ländern und Menschen“ oder „Vogel als Prophet“. Sein gesamtes Schaffen durchzieht eine poetische Freiheit, die ihn zum romantischen Komponisten par excellence macht: Ob in seinen leichtesten Kinderstücken aus dem Album für die Jugend oder den schon recht anspruchsvollen Papillons, überall findet sich der typische Schumann’sche Ton, den man in unserer Stückauswahl von leicht bis mittelschwer in immer neuen Facetten erleben kann.

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EAN: 9790201818061

pantheon robert schumann

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Leidenschaftlich und kühn – der bedeutendste Komponist der Romantik Er war ein leidenschaftlicher Tonpoet und kühner musikalischer Vordenker, der in seinem Schaffen Sinnlichkeit und Intellektualität, Realismus undTraumverlorenheit genial zu vereinen wusste: Robert Schumann (1810–1856); vor über zweihundert Jahren geboren, ist bis heute in allen Konzertprogrammen der Welt präsent. Ausstattung: mit Abbildungen

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EAN: 9783570551585



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