rca op ras concert arias Classement 2024

rca op ras concert arias

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Opéras - Concert Arias - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...

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henle g nter camille saint

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As with Schumann’s “Concert Piece for four Horns” op. 86 (HN 1138) Saint-Saëns’ “Morceau de Concert” was also composed with the idea of exploiting the technical possibilities of the new valve-horn mechanism. In this case, the French horn player Henri Chaussier provided the impulse. He had developed a novel “Cor omnitonique” and wanted to demonstrate the merits of his instrument with Saint-Saëns’ composition. Chaussier’s invention did not gain acceptance amongst horn players – although the “Morceau de Concert” did! The popular work with one movement is quite demanding technically; however, Saint-Saëns himself already suggested some abridgements and ossias to simplify the piece, meaning that also advanced pupils can venture to play it.

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henle g nter robert schumann

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As is the case with quite a few of his works, there are two versions of Schumann’s opus 14 – a three-movement “Concert sans Orchestre” from 1836 and a “Grande Sonate” in five movements from 1853. We do not know the reason for the revision; the publisher of the first version was, however, delighted; he considered the “idea of the concerto” to be very up-to-date. Perhaps Schumann later reacted to what the dedicatee Ignaz Moscheles had said that the piece had “less of the demands of a concerto and more the characteristics of a grand sonata”. In our revised edition, which now also contains the complete early version, the editor Ernst Herttrich provides detailed information on both versions in an extensive preface and commentary.

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urania arias concert

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Arias de concert - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...

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vista vera concert conservatoire

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Nocturne op.37 N°2 - 24 préludes op.28 - 10 mazurkas

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sony music entertainment david garrett

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Tracklisting: 01 He's A Pirate ("Pirates Of The Caribbean" Theme) 02 Who Wants To Live Forever 03 Carmen Fantaisie Op 25 04 Air 05 Brahms: Hungarian Dance No. 5 06 Smile 07 Zapateado 08 Winter Lullaby 09 Rock Prelude 10 Smooth Criminal 11 Ain't No Sunshine 12 Winter (from "The Four Seasons") 13 Csárdás - Gypsy Dance 14 Summertime (From "Porgy & Bess") 15 Duelling Banjos (Duelling Strings) 16 Zorba's Dance 17 Chelsea Girl 18 Bach: Violin Concerto In E Major: 3rd Movement 19 Volare (Nel Blu Dipinto Di Blu) 20 Nothing Else Matters 21 Paganini: Carnevale Di Venezia 22 Humoresque 23 Summer 24 The Flight Of The Bumble Bee 25 A Whole New World (from "Aladdin") 26 Sarabande

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henle g nter henry vieuxtemps

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Amongst Vieuxtemps’ seven violin concertos, the fifth in a minor is doubtlessly the best known and most popular by far. It was composed in 1860/61 as an obligatory examination piece for the violin class of his friend Hubert Léonard at the Brussels Conservatory, but then soon made its way into the concert hall. It owes its popularity not only to the brilliant violin part but also to the unusual form of the three movements that merge into one another without interruption. The violinist and musicologist Ray Iwazumi is not only the editor of our edition but also undertook the bowings for the solo part. The preface was penned by the Belgian expert on Vieuxtemps, Marie Cornaz.

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henle g nter ludwig van

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Ludwig van Beethoven composed his five large piano concertos over a period of twenty-five years. When the composer sold his first two piano concertos in late 1800, he mentioned that he had even “better” ones which for the time being he was keeping for himself until he went on tour. He probably meant a concert tour with the just finished Third Piano Concerto in c minor, which is presented here in a piano reduction. The edition, of our customary Urtext quality, is arranged for practical use and based on the Beethoven Complete Edition, for which Beethoven’s autograph served as the source. The detailed editor’s preface – by Beethoven scholar Hans-Werner Küthen – concludes with valuable information about the edition.

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henle g nter robert schumann

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Robert Schumann’s famous Piano Concerto in a minor has always been part of the pianist’s repertoire – yet the two later Concert Pieces for Piano and Orchestra op. 92 and op. 134 have wrongly been somewhat neglected. Their formal composition is very innovative: the three movements usually in a concerto have been combined to form one single movement. Clara Schumann, who played the solo part in the première of opus 92 on 14 February 1850 in the Gewandhaus in Leipzig, enthusiastically noted in her diary, “I am very looking forward to playing it – it is very passionate and I am sure I will play it thus”.

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EAN: 9790201811413

henle g nter carl maria

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There were two reasons behind Weber’s hesitation to perform his opus 79, known as “Concert Piece” in public. As he wrote to the music journalist Friedrich Rochlitz, experience had shown that concertos in minor keys were not as well-received by the public. Furthermore he was worried that he would be misjudged as a “musical charlatan” because while composing it he had had visions of a dramatic love story at the time of the crusades, which had influenced the character of the work. His concerns were superfluous; the effective virtuoso piece conquered the concert stages all over the world. It is now available for the fi rst time as an Urtext edition. The world famous pianist Marc-André Hamelin provided the fingering.

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henle g nter ludwig van

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Ludwig van Beethoven composed his five large piano concertos over a period of twenty-five years. When the composer sold his first two piano concertos in late 1800, he mentioned that he had even “better” ones which for the time being he was keeping for himself until he went on tour. He probably meant a concert tour with the just finished Third Piano Concerto in c minor, which is presented here in a piano reduction. The edition, of our customary Urtext quality, is arranged for practical use and based on the Beethoven Complete Edition, for which Beethoven’s autograph served as the source. The detailed editor’s preface – by Beethoven scholar Hans-Werner Küthen – concludes with valuable information about the edition.

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EAN: 9790201894355

henle g nter felix mendelssohn

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The “Romance sans paroles dédiée à Mlle. Lise Christiani” – thus described in the surviving autograph – was only published as op. 109 from the composer’s estate in 1868. The French cellist Lise Christiani gave several concerts in Leipzig in October 1845, where she met with Mendelssohn and presumably commissioned him to write this charming work. It is the only “Song without words” that Mendelssohn wrote for two instruments, not piano solo. It was previously only available as part of a collection of works for this instrumentation (HN 669). However, the “Romance sans paroles”; a favourite with cellists, is now also available as a single Henle Urtext edition.

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EAN: 9790201812946

henle g nter camille saint

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This highly virtuosic concert piece, composed in 1863, is one of the works that Saint-Saëns wrote especially for his friend Pablo de Sarasate. The great violin virtuosos of the 19th century delighted their audiences with it – first the dedicatee himself, then later, most notably, Eugène Ysaÿe. “It’s a kind of fantasy waltz in the Spanish manner, enchanting in its effect”; wrote a music critic back in 1876. Today, this work is in the repertoire of all the great violinists. The Henle Urtext edition is the first-ever critical edition of this work. The solo part has been annotated by Augustin Hadelich.

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EAN: 9790201812380

henle g nter robert schumann

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With the “Introduction and Concert Allegro”; composed in 1853 and dedicated to Johannes Brahms, we have completed our editions of Schumann’s works for piano and orchestra. The famous Piano Concerto in a minor (HN 660) and the exquisite Concert Piece op. 92 (HN 1141) are also available in top Urtext quality. Schumann’s original formal design is a particular feature: In opus 134 he streamlines the classical three movement form of the solo concerto – as he had already done in the Concert Piece op. 92 – into one single through-composed movement, and in so doing creates an atmospherically intense dialogue between the piano and orchestra.

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EAN: 9790201811390

henle g nter felix mendelssohn

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“Spirited”; “dramatic”; “highly expressive”; and “masterly” are among the comments made upon Mendelssohn’s String Quartets op. 44 nos 1–3. He wrote them in 1837/1838, at a very happy time: he had just married, was becoming world famous, and had been appointed director of the Leipzig Gewandhaus Concerts, one of the highest positions in the German musical world at that time. The quartets were written in the order 2 (in e minor), 3 (in E-flat major) and 1 (in D major). Mendelssohn himself considered the Quartet in D major as his best – perhaps a reason why he placed it at the beginning of the collection.

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EAN: 9790201894430

henle g nter bernhard henrik

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The Swedish composer Bernhard Henrik Crusell was long viewed as an insider tip among clarinettists; in the meantime, his concertos have found their way to the concert stage. This is hardly surprising considering the enchanting music with which Crusell – himself a clarinet virtuoso of international rank – has enriched the earlyromantic repertoire. Crusell’s works needn’t shy from a comparison with Weber’s and Spohr’s clarinet output. Our Urtext edition of the f-minor concerto marks the beginning of a new publication series of all three clarinet concertos by Crusell which has been entrusted to the editor and clarinettist Nicolai Pfeffer. Since he combines editorial experience with many years of performance practice, the works are in the best possible hands.

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EAN: 9790201812090

henle g nter carl maria

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Carl Maria von Weber's Concerto in f minor is among the compositions of first rank for solo clarinet and is permanently established in the world's concert repertoire. For purposes of comparison, Norbert Gertsch's urtext edition with piano reduction presents the original solo part alongside Carl Bärmann's well-known version (both parts are enclosed in the volume). The accompanying notes offer a thorough discussion of the significance of these two versions and their relation to each other.

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EAN: 9790201807317

henle g nter anton n

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Dvořák had previously written solo music for Hanus Wihan, later the dedicatee of his cello concerto. When he was planning a trio concert tour for 1892 with Wihan and violinist Ferdinand Lachner and needed further works for cello and piano, he reworked “Silent Woods” for cello and piano during the Christmas holidays of 1891. Originally a four-hand piano piece from his cycle “From the Bohemian Forest”; the cantabile character piece became a popular recital item owing to its sonorous cello sound. Dvořák later arranged it as an effective concert piece for violoncello and orchestra. The first edition of 1894 is the basis for editor and Dvořák specialist Milan Pospíšil’s Urtext edition for violoncello and piano.

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EAN: 9790201806211

henle g nter fr d

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With a versatility and naturalness as appropriate to the salon as to the concert hall, Chopin’s Nocturnes rank among the works that brought the composer not only fame, but also enormous renown. The demand for them was correspondingly great, and thus it will come as no surprise to learn that Chopin released the op. 48 Nocturnes, written in 1841, in that same year and simultaneously in France, England and Germany. For present-day editors, this brings the difficult task of evaluating the variants present in the different first editions. As far as opus 48 is concerned, the task has been made somewhat easier by the re-emergence of the long-lost autograph of the works. We have thus been able to use it as a significant source for Henle’s Urtext edition.

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EAN: 9790201806631

henle g nter franz liszt

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Robert Schumann’s "Frühlingsnacht" ("Spring night") was one of his most popular songs even in the 19th century. Franz Liszt made a piano arrangement of it that in the space of under 70 measures emerges as a veritable concert piece. It makes high demands on the pianist’s stamina, especially in its triplet chords. But this did not hinder its wide popularity. The first edition was published in 1872 and enjoyed many reprints during Liszt’s lifetime. In 1895, this piece was also republished in a newly engraved edition. With its abundant technical indications, assorted ossias and the incorporation of the text of the poem above the music, Liszt’s arrangement makes the highest demands on a music engraver – a challenge that this Henle Urtext edition is delighted to meet.

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EAN: 9790201812045





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