op ra rara three complete Classement 2024

import 6 three part fugues

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6 three part fugues k 404a/duofor violin and viola op 6 no3/ - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...

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op ra rara three complete

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Three Complete Operas Coffret - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...

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bbc books old harry s

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In Series Three, love is in the air and Satan becomes concerned about his ℑ the Professor meets Bill Clinton; Satan holds a major football tournament and remakes Casablanca with a mutant alien; Satan and the Professor enter Scumspawn’s brain; and God hears that rules are being broken in Hell. In Series Four, Satan punishes a feng shui expert; Scumspawn tries to deal with a lager lout; there are complaints about the lighting in Hell; Satan visits Yeats and tries to sleep for the first time; and God turns up for a chat. Starring James Grout as the Professor, Jimmy Mulville as Thomas, Robert Duncan as Scumspawn and Andy Hamilton as Satan. Contains all twelve episodes from the third and fourth series of the Sony Award-winning comedy show. ‘One of the great comic creations of recent years’ - Sunday Telegraph. ' one of the best-written comedies around, sustained over its 12 years on the air by brilliant performances and production' - Daily Telegraph. 6 CDs. 6 hrs.

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EAN: 9781408409664

nixon complete orchestral music volume

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Nixon Complete Orchestral Music Volume Three - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...

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chrysalis the complete fun boy

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Inclus DVD

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import complete organ works 12

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Complete organ works 12 79 chorales op 28 - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...

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import complete organ 1 3

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Complete organ 1 3 preludes op 2/inv op 50 - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...

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henle g nter peter iljitsch

Découvrir informations, conseils et prix pour henle g nter peter iljitsch vendu 23.4 € , est placé dans la catégorie Bücher & Zeitschriften; ce produit est fabriqué par Henle, Günter et est vendu par Orellfuessli.ch

Following the publication of the Valse-Scherzo, we continue our edition of Tchaikovsky’s complete works for violin and piano with the enchanting Sérénade mélancolique, op. 26. This was Tchaikovsky’s first concertante work for violin, the beginning of a path that was to lead to his Violin Concerto three years later. He composed the Sérénade mélancolique in 1875 for violinist Leopold Auer, originally for violin and orchestra, but later also in a version for violin and piano. Since the autograph sources are lost, this Henle edition is based on the Russian first editions, which even in Tchaikovsky’s lifetime were issued in a number of revised versions. Our editor, Russian Tchaikovsky scholar Alexander Komarov, brings exemplary clarity to the confused state of the sources, while Ingolf Turban unlocks the notation of the violin part with his accomplished fingerings and bowings.

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EAN: 9790201812748

henle g nter bernhard henrik

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This edition completes our series of all three clarinet concertos by the Swedish composer and clarinettist Bernhard Henrik Crusell. Issued in Leipzig in 1811, it was his first published work but had definitely been composed several years prior to this. With its elegant head movement and the simple and moving Adagio, it is probably the most “Mozartian” of all of his three concertos, although the final rondo is reminiscent of Carl Maria von Weber. The editor and clarinettist Nicolai Pfeffer is now presenting this charming work, between Classicism and Romanticism, on the basis of the first edition. The piano reduction wonderfully fits the hands and was prepared by Johannes Umbreit on the basis of the original orchestral parts.

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EAN: 9790201812083

henle g nter robert schumann

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In 1849, Schumann gifted chamber music works to three wind instruments: the clarinet with the “Drei Fantasiestücke” op. 73, the horn with the Adagio and Allegro op. 70, and the oboe with these “Drei Romanzen” op. 94. In the first Romance we have a ballade-like mood in a minor. The second romance resembles a song without words, and is in A major, while the finale, with its calling motifs and piano arpeggios, recalls the popular poems of Northern Europe of the time. Composed in December 1849, the Romanzen were presented to Schumann’s wife Clara as a Christmas present. This manuscript does not survive, but it has been possible to consult some autograph sketches for our Urtext. The editor’s preface and commentary provide extensive information about the sources and the textual problems encountered.

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EAN: 9790201804279

henle g nter ludwig van

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Beethoven’s three Piano sonatas op. 2 were the first works in this genre to which he gave an opus number, thus signalling to the music world the special importance that he assigned to them. He wrote them during his first years in Vienna and, along with his op. 1 piano trios op. 1, they helped to establish his reputation as one of the most significant composers of his time. These three sonatas – all of them small masterpieces – are arranged in ascending order of difficulty and virtuosity. This large-scale Sonata in C is notable for its swift outer movements, marked Allegro con brio and Allegro assai respectively. They demand a considerable degree of virtuosity from even experienced performers. If all goes well, the audience will marvel! Murray Perahia’s fingerings have been tried and tested over several decades of performing these works, and offer a new approach to these milestones of the piano repertoire.

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EAN: 9790201812229

henle g nter robert schumann

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Robert Schumann’s famous Piano Concerto in a minor has always been part of the pianist’s repertoire – yet the two later Concert Pieces for Piano and Orchestra op. 92 and op. 134 have wrongly been somewhat neglected. Their formal composition is very innovative: the three movements usually in a concerto have been combined to form one single movement. Clara Schumann, who played the solo part in the première of opus 92 on 14 February 1850 in the Gewandhaus in Leipzig, enthusiastically noted in her diary, “I am very looking forward to playing it – it is very passionate and I am sure I will play it thus”.

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EAN: 9790201811413

henle g nter ludwig van

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As with the three sonatas that form opus 2, the trio of works forming opus 10, written between 1796 and 1798, offers a collection of three sonatas with entirely different characters. With its distinctive musical humour the middle sonata has a particular connection with the opus 2.This humour comes particularly from unusual formal experiments with motivic-thematic elements that led a contemporary reviewer to reproach the master for being “a man of genius” on the one hand, but also for allowing himself too often the right to “wildly pile up his ideas”.

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EAN: 9790201813097

henle g nter johannes brahms

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Johannes Brahms’s Piano Sonatas opp. 1, 2 and 5 were among the first works that the 20-year-old composer published. They were composed in 1852/53, although the Sonata in f-sharp minor was apparently the first of the three to be composed, as it was finished by November 1852. This work has a special place in his oeuvre. Besides its passionate atmosphere, his contemporaries discerned it to be “serious and dignified in character”. Brahms dedicated this sonata to Clara Schumann, whose husband Robert wrote to the composer that “Your second sonata, my friend, has brought me much closer to you”. The ingenious fingerings have been provided by the pianist Andreas Boyde, a recognised Brahms expert.

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EAN: 9790201812892

henle g nter robert schumann

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As is the case with quite a few of his works, there are two versions of Schumann’s opus 14 – a three-movement “Concert sans Orchestre” from 1836 and a “Grande Sonate” in five movements from 1853. We do not know the reason for the revision; the publisher of the first version was, however, delighted; he considered the “idea of the concerto” to be very up-to-date. Perhaps Schumann later reacted to what the dedicatee Ignaz Moscheles had said that the piece had “less of the demands of a concerto and more the characteristics of a grand sonata”. In our revised edition, which now also contains the complete early version, the editor Ernst Herttrich provides detailed information on both versions in an extensive preface and commentary.

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EAN: 9790201803463

henle g nter ludwig van

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For half a century Henle’s edition of the Beethoven sonatas – the “New Testament” of the piano repertoire – has been universally recognized as the standard starting-point for any serious study of these works. Now, with the publication of the three op. 31 sonatas in revised separate editions, we are raising the yardstick another notch: no less a musician than the pianist and conductor Murray Perahia has agreed, for the first time ever, to publish his fingerings and, as co-editor, to confide his profound insights into the sources to music lovers everywhere. The musical text has been prepared in strict accordance with the rules of modern Urtext editing, and the volume is rounded off with a lengthy and informative preface and detailed notes on sources and alternative readings. To be continued …!

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EAN: 9790201807546

henle g nter peter iljitsch

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Peter Ilyich Tchaikovsky numbers among the most frequently performed composers in the concert halls of the world. He had already composed two symphonies, three operas, the fantasy-overture “Romeo and Juliet” and a string quartet when he wrote his enchanting “Six Pieces for Piano” op. 19 in 1873. Each of the pieces is dedicated to one of his friends or to pianists close to him, and was individually tailored to their respective technical abilities. This Henle Urtext edition offers a preface that discusses in detail the genesis and the source situation of these piano pieces. They offer a good opportunity to get to know and love this popular Russian composer away from his best-known works.

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EAN: 9790201806860

henle g nter felix mendelssohn

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The string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All later quartet composers had to measure themselves against the works of these three masters. This applies first and foremost to Mendelssohn, who has always been called a “classical romantic.” His Quartet in a minor op. 13 in particular is said to have strong Beethovenian stylistic traits. It was composed in late summer and fall 1827, shortly after Beethoven’s late quartets appeared in print, works that Mendelssohn was no doubt familiar with. The Quartet in E flat major op. 12 was written two years later, during Mendelssohn’s first tour of England.

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EAN: 9790201892702

henle g nter johannes brahms

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Brahms had already composed over 20 string quartets (he confessed to a friend that he had burnt all of that “stuff”) before he finally presented his Opus 51 to the public. In the end only three surviving works managed to withstand his high self-criticism. We are now publishing the two passionate dark Quartets op. 51 separately from the rather more lively Opus 67, about which a reviewer of the time wrote, “This time Brahms seems to have taken it upon himself to walk along a sunny path through a meadow”. The basis for this edition is the volume in the New Complete Edition of Brahms’ works, published in 2004 by Henle, for which previously missing sources in a Swiss bequest were consulted for the first time.

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EAN: 9790201800417

henle g nter camille saint

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The Oboe Sonata op. 166 was the first of three wind sonatas that Saint-Saëns wrote in his fi nal year. Throughout his life he had been more familiar with keyboard and stringed instruments, so the composer this time found himself in rather unfamiliar territory. Yet he instantly hit upon the infl ections and special characteristics of these instruments. To ensure that the parts refl ected the technical and tonal idiosyncrasies of each instrument, he asked advice of wind soloists of his acquaintance before publication. His Sonata op. 166 met with the highest approval of the oboist; a passage in a letter bears witness to this: “It went like clockwork”. We were able to consult the autograph for the first time for this Urtext edition.

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EAN: 9790201809649



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