henle g nter muzio clementi Classement 2024

henle g nter muzio clementi

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One of the most eminent pianists of his time – who even engaged in a contest with Mozart and did not lose – Muzio Clementi created fundamental pedagogical works for piano and altogether 63 sonatas for piano solo. Didone abbandonata dates from his last compositional opus for solo piano sonatas written in 1821. The topic of Dido, who was abandoned by Aeneas and expressed her grief through mourning, despair and, ultimately, raving madness, was extremely popular and subjected to countless arrangements since the 17th century in operas, single “scena” and many instrumental works. The performance instructions for the sonata are as numerous as they are uncommon, and symbolize Dido’s hyper-expressiveness.

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EAN: 9790201800868

henle g nter muzio clementi

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Muzio Clementi was born four years before Mozart and outlived Beethoven by five. Thus the Italian pianist and composer helped fashion the entire Classical era in music. Following our first volume of selected piano sonatas from 1768-85, advanced pianists can become acquainted in this second volume with the unique features of eight later, harder-to-play sonatas from the second half of the composer’s creative period (1790-1805). Worthy of particular mention is the concluding Sonata in A major from Clementi’s last, crowning sonata collection, the opus 50. Dedicated to the congenial Luigi Cherubini, it combines poetry, deep earnestness, compositional artistry, and pianistic brilliance.

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EAN: 9790201803302

henle g nter muzio clementi

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Towards the end of the 18th century, Clementi increasingly advocated the piano as the successor to the harpsichord. He composed expressly for the new instrument and in 1801 published a piano school. His interest in teaching is also shown by the “Six progressive Sonatinas” op. 36 – six sonatinas in ascending order of diffi culty, which are still extremely popular with today's piano teachers. Our Urtext edition follows the long established practice of using the musical text of the first edition from 1797. Clementi’s original fingering, which is surprisingly modern, has been included throughout the work.

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EAN: 9790201808482

henle g nter muzio clementi

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Muzio Clementi was born four years before Mozart and outlived Beethoven by five. Thus this Italian pianist and composer helped fashion the entire Classical era in music. However, his pedagogical tour de force, the “Gradus ad parnassum”; has tended to negatively influence the esteem he enjoyed as an artist, something that our first volume of Clementi’s piano sonatas should help to rectify. This selection of ten moderately difficult to difficult works allows a glimpse into Clementi’s sonata workshop between 1768 and 1785. His predilection for the finer points of part-writing and contrapuntal art blend here with a formal and dignified classicism. Our carefully revised Urtext edition is based on the first versions of the pieces, published in the 1770s and 1780s.

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EAN: 9790201803173

fayard muzio clementi marc vignal

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Muzio Clementi - Biographie. Découvrez des nouveautés, des coups de cœur, des avis d'internautes, …

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EAN: 9782213614717

bleu nuit eds clementi muzio

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Clementi, Muzio - Biographie. Découvrez des nouveautés, des coups de cœur, des avis d'internautes, …

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EAN: 9782358841399

henle g nter fr d

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It is well known that Chopin almost exclusively wrote works for solo piano. Only for the cello did he make some exceptions: two works – a Polonaise brillante and the Duo Concertant (HN 788) were written for cello and piano, and he also let the cello express itself in his Piano Trio op. 8 (HN 1068). Finally, towards the end of his life, he honored the low-stringed instrument with a grand, four-movement Sonata in g minor. Proof that it was anything but child’s play is provided by the extensive sketch material. Chopin himself claimed: “With my cello sonata I am now satisfied and now dissatisfied. I toss it into the corner, then pick it up again.” Today we only have an inkling about this struggle. The sonata, with its famous melodic Largo movement, is now firmly embedded in the canon of cello literature.

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EAN: 9790201804958

henle g nter joseph haydn

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In contrast to Mozart, Haydn was not a keyboard virtuoso. He certainly conducted his orchestral works from the harpsichord, and also performed his own piano sonatas, but any ambition to be a concertizing pianist was foreign to his nature. Thus “only” three piano concertos by Haydn have come down to us. The Concerto for piano and string orchestra Hob. XVIII:4 is full of spirit and the joy of playing. We know neither the occasion for which it was written, nor the year of its composition; the extensive preface to our edition of the playing score, with one string part each, discusses this in detail. As in the sources of the time, the solo part here also includes the bass line (with figures) for tutti sections. Axel Ruoff makes suggestions for the solo cadenzas required in movements 1 and 2; Haydn composed the cadenza for the concluding Rondo movement. This Urtext edition is based on the musical text of the Haydn Complete Edition, which is likewise published by G. Henle Publishers. The trade press applauds it: “In view of the scarcity of easier piano concertos, one can be thankful for this new edition, especially since it can be presented with a very small orchestra, perhaps even with a string quartet.”

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henle g nter max bruch

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It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch’s First Violin Concerto in g minor. Now it’s appearing at last in an urtext edition from Henle. Bruch himself was not always overjoyed at his work’s popularity: "I can’t listen to this concerto anymore," he once complained to his publisher Simrock, "do you suppose I’ve only written one concerto?" By now the Bruch Concerto has found a permanent place in the world’s concert halls. Henle’s edition provides not only a razor-sharp urtext for the solo part, but a preface that alone is worth the price of the volume: who could have guessed that the concerto went through a convoluted genesis with multi-layered revisions, and that some of the changes go back to the famous violinist Joseph Joachim?

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EAN: 9790201807089

henle g nter carl nielsen

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Carl Nielsen’s Fantasy Piece for clarinet and piano is an early work, written between the ages of 16 and 18, while he was a member of the military band in the Danish town of Odense. With this miniature, he gave proof of his mature compositional talent on the one hand, and of the socialisation through the music of the classic and early romantic eras on the other. With its skilful interconnection of Italianate cantabilità and brilliant suppleness, the two-part Fantasy Piece offers a welcome change in the clarinet repertoire. Our edition is based on the sole surviving source, long considered a copy, in Copenhagen’s Royal Library, which has since been ascertainably identified as an autograph manuscript.

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EAN: 9790201812526

henle g nter joseph haydn

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Three violin concertos by Joseph Haydn survive, of which the ones in C major and A major were written at the court of Prince Esterhazy. The violin concerto in G major Hob. Vll:4 was probably composed in the early 1760s, before his appointment by the prince. It thus comes as no surprise that it is very different from the other two concertos; the solo violin part hardly goes beyond the third position, and the focus is more on lyricism than virtuosity.For (younger) violin learners the work thus offers a good opportunity to engage with Haydn the composer for the first time. Our Urtext edition is based on the Haydn Complete Edition, also published by G. Henle Verlag. The extensive preface includes a discussion of authenticity, among other things. The edition is rounded off by sophisticated string bowing and fingerings by Kurt Guntner, along with cadenzas created by Franz Beyer.

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henle g nter robert schumann

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“I am endlessly looking forward to the second sonata”; thus Clara wrote to Robert in 1838, “Your whole being is so clearly expressed in it.” Nonetheless in the same letter she encouraged him to revise the last movement, which provided the composition with a completely new finale. The first two movements were also reworked several times. The editor assiduously provides information on the complicated genesis of the work in this new edition. The musical text is not only followed by the original final movement, which is musically and pianistically very demanding, but also the model for the second movement: Schumann made an arrangement of one of his own songs (“In the autumn”) for the piano.

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EAN: 9790201803319

henle g nter maurice ravel

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Inspired by Béla Bartók’s violin sonatas, Ravel planned his own sonata for violin and piano in 1922, but at first did not get beyond sketches. Many interruptions ensued and the work was only finished in 1927. He dedicated it to his violinist friend Hélène Jourdan-Morhange. Regarding the sonata’s sparse, thinned out compositional structure and instrumentation, Ravel later emphasized that the sonata proved the tonal incompatibility of the violin and piano. Yet it still succeeded in winning a permanent place in violin repertoire – not least because of its middle movement inspired by jazz elements and the “blues”. The fingerings in this Henle Urtext edition have been provided by two masters of their instruments: Christian Tetzlaff and Pascal Rogé.

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EAN: 9790201812717

henle g nter georg philipp

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The viola is often not credited with being able to take over a soloistic role – but this is completely unjust. In 1738 Johann Philipp Eisel already wrote of the viola as being the “very bowels of music” and stressed that it was not only needed to “flesh out” the orchestral sound but also as a “concert voice, which is fully proven by the concertos and concert overtures by the famous Capell-Meister Telemann”. Telemann’s Concerto in G major is considered to be one of the earliest works for solo viola and orchestra and forms part of the core repertoire for pupils and students. In our Urtext piano reduction the specialist Kai Köpp has provided information regarding historical performance practice.

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EAN: 9790201812175

henle g nter wolfgang amadeus

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Curiously enough, only one of Mozart’s eighteen piano sonatas (and also only one of his 23 piano concerti) is in the pianistically rewarding key of G major: the sonata K. 283. It numbers among those six sonatas K. 279–284 that were probably written in Munich at the beginning of 1775, and is one of the favorites from this first set of sonatas among teachers and students alike. Played at the correct tempo, this sonata, although technically not too challenging, rarely fails to have its desired effect. That is especially true for its extended Presto (!) finale. More information

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EAN: 9790201806013

henle g nter claude debussy

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Debussy composed this work in summer 1880 in Fiesole, Italy, when he was 18 years old. At the time he was the musical travelling companion of Nadescha von Meck, Tschaikowsky’s famous patroness. Most of the autograph material was thought to have been lost and was only discovered over 100 years later, in 1982, in the estate of Debussy’s pupil Maurice Dumesnil. When Henle published the first edition in 1986, the music world welcomed the trio with open arms. Ensembles rushed to play it, and numerous recordings followed. Although formal conventions prevail, the work displays a melodic freshness as well as inflections and phrases that are typical of Debussy.

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EAN: 9790201803791

henle g nter ludwig van

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These two short, unpretentious sonatinas in G major and F major were published during Beethoven’s lifetime in ca. 1807. Since then they have become firmly established in the repertoire for beginners due to their striking beauty. However, it is very unlikely that they were actually written by Beethoven, and for this reason they do not have opus numbers but instead are listed in his catalogue of works as “Anhang/Appendix 5”. Walther Lampe provided the fingerings for this Urtext edition; Lampe was a piano pupil of Clara Schumann, and in turn taught Günter Henle, founder of the music publishing company. Henle described Lampe as an “outstanding performing pianist”. Moreover, he was one of the leading piano pedagogues of his time.

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EAN: 9790201803654

henle g nter johann sebastian

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Bach’s Trio Sonata BWV 1038 for Flute, Violin und Continuo proposes a conundrum. It has survived as a set of parts in Johann Sebastian Bach’s hand – yet the source does not give a composer. Thus its authenticity has been called into question time and again. According to the latest research, however, this tone sensitive sonata is presumed to be an original work by Bach. Our editor Peter Wollny, a declared expert, outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source, so we have provided a part in original notation as well as in standard notation for regularly tuned violins.

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EAN: 9790201805542

henle g nter joseph haydn

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In 1784 Joseph Haydn dedicated three piano sonatas to Princess Marie Esterházy in which the composer surprisingly turned to a two-movement form. This is also the case with the Sonata in G major Hob. XVI:40, which begins with a pastoral idyll in 6/8 time that is effectively complemented by a Presto full of clamorous gaiety. The editor of our Urtext edition, Georg Feder, is considered one of the most important Haydn researchers of his time. The fingerings by piano pedagogue Hans-Martin Theopold are a helpful aid for all those who work on this sonata.

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EAN: 9790201803586

henle g nter camille saint

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Given Saint-Saëns’ talents both as pianist and composer, it stood to reason that he would engage with the piano concerto genre early on. But he gave a clear renunciation of the “concerto brilliant” that was dominant in France at that time, declaring instead that “the solo part of a concerto must be set out, and treated, like a dramatic role”. He realised this concept of a “symphonic concerto” in this second piano concerto, composed in 1868. The solo part is technically very challenging, and at the same time closely bound up with the orchestra. Johannes Umbreit is responsible for the piano reduction, based on the composer’s own version for two pianos; Pascal Rogé supplies the fingerings for the solo part.

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EAN: 9790201813554



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