henle g nter ernest chausson Classement 2024

henle g nter ernest chausson

Trouver informations, conseils et prix pour henle g nter ernest chausson il est vendu 49.9 € , présent dans la catégorie Bücher & Zeitschriften, ce produit est fabriqué par Henle, Günter et est vendu par Orellfuessli.ch

Following his early elimination from the “Prix de Rome”; the sought-after award for composition students at the Paris Conservatoire, Chausson withdrew to the country in summer 1881 and began composing this ambitious work – out of defiance, so to speak. During his lifetime the trio remained an insider’s tip amongst those close to his teacher César Franck. It was only after its posthumous publication that it was performed more frequently and was gradually recognized as being one of the best chamber music works of his time. Closely based on Franck’s principle of the cyclic interleaving of all motives, it still has dark and melancholy inflections all of its own. The Henle Urtext edition is the first critical edition and a welcome addition to our collection of French music.

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EAN: 9790201812779

rocher eds ecrits in dits

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Journaux intimes, roman de jeunesse, correspondance

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EAN: 9782268030876

premieres loges aso n 285

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285

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EAN: 9782843853180

bleu nuit eds chausson ernest

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CHAUSSON, Ernest - Biographie. Découvrez des nouveautés, des coups de cœur, des avis d'internautes, …

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EAN: 9782358841023

henle g nter fr d

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It is well known that Chopin almost exclusively wrote works for solo piano. Only for the cello did he make some exceptions: two works – a Polonaise brillante and the Duo Concertant (HN 788) were written for cello and piano, and he also let the cello express itself in his Piano Trio op. 8 (HN 1068). Finally, towards the end of his life, he honored the low-stringed instrument with a grand, four-movement Sonata in g minor. Proof that it was anything but child’s play is provided by the extensive sketch material. Chopin himself claimed: “With my cello sonata I am now satisfied and now dissatisfied. I toss it into the corner, then pick it up again.” Today we only have an inkling about this struggle. The sonata, with its famous melodic Largo movement, is now firmly embedded in the canon of cello literature.

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EAN: 9790201804958

henle g nter henryk wieniawski

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Henryk Wieniawski was not only one of the most important violin virtuosos in the 19th century but also wrote tailor-made showpieces for his instrument – thus making some brilliant contributions to the repertoire. With his Scherzo-Tarantella it is as if he could not decide whether to write a classical subdued Scherzo or an unrestrained Italian folkdance. So he chose a double title and thus aptly captured the unique character of this captivating piece. Our edition contains the detailed original fingerings and bowings from the first edition – occasionally supplemented by our editor Ray Iwazumi, a renowned authority on the repertoire.

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EAN: 9790201805535

henle g nter ludwig van

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Ludwig van Beethoven composed his five large piano concertos over a period of twenty years. His Fourth Concerto in G major op. 58, largely written in 1805/06, is here presented in a piano reduction for two pianos. This edition, in the quality one has come to expect from an Urtext, is based on the Beethoven Complete Edition and is designed for practical use. Indications of the instrumentation have been added to the second piano part for purposes of musical orientation. In his extensive preface, Beethoven researcher Hans-Werner Küthen discusses the special source situation of the Fourth Piano Concerto. This is the only one of Beethoven’s five concertos for which the autograph score has not survived. For this Urtext edition, this offered an incentive for a most exacting examination of all other extant sources.

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EAN: 9790201898049

henle g nter fr d

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The Nocturne op. 37 no. 2, composed in 1839, is a perfect example of the rich, pearling cascades of thirds and sixths that keep Chopin’s piano works at the top of the popularity list and as beloved today as in his time. Although no autograph of op. 37 has survived, an engraver’s exemplar for the 1840 edition from Breitkopf & Härtel is extant, and was corrected by Chopin himself. We have of course consulted this source for our Urtext edition.

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EAN: 9790201806570

henle g nter bedrich smetana

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When Smetana composed his Piano trio in the autumn of 1855, it was an act of catharsis to recover from the death of his four-year-old daughter Friederike. This highly emotional work was also his first large-scale piece of chamber music. Its first public performance in December 1855 was regrettably not a great success, and so Smetana embarked on a protracted process of reworking it. By the late 1850s, it had reached its current form. Smetana always liked to perform it, but only found a publisher for it in 1880, when one of his pupils invited the Hamburg publisher Hugo Pohle to a performance at short notice. Smetana specialist Milan Pospíšil has based this Henle Urtext edition on the first edition by Pohle, but has also drawn upon the earlier sources. This has enabled him to iron out numerous inconsistencies found in the first edition.

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EAN: 9790201812496

henle g nter johann sebastian

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Bach’s Trio Sonata BWV 1038 for Flute, Violin und Continuo proposes a conundrum. It has survived as a set of parts in Johann Sebastian Bach’s hand – yet the source does not give a composer. Thus its authenticity has been called into question time and again. According to the latest research, however, this tone sensitive sonata is presumed to be an original work by Bach. Our editor Peter Wollny, a declared expert, outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source, so we have provided a part in original notation as well as in standard notation for regularly tuned violins.

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EAN: 9790201805542

henle g nter ludwig van

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Beethoven’s Romances for violin and orchestra op. 40 and op. 50 are rewarding solo pieces that demand sovereign technique and artistic sensitivity. Their simple structures with noble melodies and virtuoso embellishments made them popular concert pieces already during Beethoven’s lifetime. In addition to a piano reduction for practical performance, G. Henle here presents a study score. It follows the musical text of the Beethoven Complete Edition and accords with the orchestral material from Breitkopf & Härtel. In his detailed preface, Ernst Herttrich informs us about the genesis and the source situation of the two works.

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frais de port: 3.5
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EAN: 9790201898032

henle g nter claude debussy

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Debussy had intended to write a cycle comprising six sonatas. However, as he was seriously ill, he was forced to conclude it with the third one. Whereas the Sonata for Cello and Piano and the one for Flute, Viola and Harp were quickly written in 1915, an unusually fruitful compositional year, the violin sonata posed difficulties for the composer in the following year. He struggled with the finale in particular, and was only able to send the work to the publisher Durand in April 1917. Its difficult genesis is soon forgotten when one listens to the resulting work: it displays perfect classicism and is full of life, as the composer himself remarked.

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EAN: 9790201804101

henle g nter muzio clementi

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One of the most eminent pianists of his time – who even engaged in a contest with Mozart and did not lose – Muzio Clementi created fundamental pedagogical works for piano and altogether 63 sonatas for piano solo. Didone abbandonata dates from his last compositional opus for solo piano sonatas written in 1821. The topic of Dido, who was abandoned by Aeneas and expressed her grief through mourning, despair and, ultimately, raving madness, was extremely popular and subjected to countless arrangements since the 17th century in operas, single “scena” and many instrumental works. The performance instructions for the sonata are as numerous as they are uncommon, and symbolize Dido’s hyper-expressiveness.

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frais de port: 3.5
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EAN: 9790201800868

henle g nter ludwig van

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For half a century Henle’s edition of the Beethoven sonatas – the “New Testament” of the piano repertoire – has been universally recognized as the standard starting-point for any serious study of these works. Now, with the publication of the three op. 31 sonatas in revised separate editions, we are raising the yardstick another notch: no less a musician than the pianist and conductor Murray Perahia has agreed, for the first time ever, to publish his fingerings and, as co-editor, to confide his profound insights into the sources to music lovers everywhere. The musical text has been prepared in strict accordance with the rules of modern Urtext editing, and the volume is rounded off with a lengthy and informative preface and detailed notes on sources and alternative readings. To be continued …!

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EAN: 9790201807546

henle g nter anton n

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In autumn 1895, after returning from New York once and for all, Dvořák took up his former position as teacher at the Prague Conservatory. This clearly had an inspiring impact on him because in the space of just four weeks he composed a new string quartet in G major. Together with the Quartet in A-flat major op. 105, it forms a glorious close to his chamber music oeuvre. Echoes of Bohemian folk music are here mixed with cantabile themes, while his motivic working shows him to be a master at the height of his powers. Even today, it seems almost as if we can feel the composer’s satisfaction with this work: “I am working so easily and it is going so smoothly that I could not wish it better”.

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frais de port: 3.5
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EAN: 9790201870458

henle g nter joseph haydn

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In contrast to Mozart, Haydn was not a keyboard virtuoso. He certainly conducted his orchestral works from the harpsichord, and also performed his own piano sonatas, but any ambition to be a concertizing pianist was foreign to his nature. Thus “only” three piano concertos by Haydn have come down to us. The Concerto for piano and string orchestra Hob. XVIII:4 is full of spirit and the joy of playing. We know neither the occasion for which it was written, nor the year of its composition; the extensive preface to our edition of the playing score, with one string part each, discusses this in detail. As in the sources of the time, the solo part here also includes the bass line (with figures) for tutti sections. Axel Ruoff makes suggestions for the solo cadenzas required in movements 1 and 2; Haydn composed the cadenza for the concluding Rondo movement. This Urtext edition is based on the musical text of the Haydn Complete Edition, which is likewise published by G. Henle Publishers. The trade press applauds it: “In view of the scarcity of easier piano concertos, one can be thankful for this new edition, especially since it can be presented with a very small orchestra, perhaps even with a string quartet.”

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EAN: 9790201806839

henle g nter johannes brahms

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The origins of Brahms‘ g minor Quartet op. 25 go back to the 1850s, although the work was not finished until fall 1861. The composer held his new work in high esteem, even putting it on the program of his first public appearance in Vienna as pianist and composer one year later.To this day it is the most popular of the three Brahms piano quartets, not least because of its dazzling final movement, a Rondo alla Zingarese.

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EAN: 9790201801971

henle g nter joseph haydn

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Three violin concertos by Joseph Haydn survive, of which the ones in C major and A major were written at the court of Prince Esterhazy. The violin concerto in G major Hob. Vll:4 was probably composed in the early 1760s, before his appointment by the prince. It thus comes as no surprise that it is very different from the other two concertos; the solo violin part hardly goes beyond the third position, and the focus is more on lyricism than virtuosity.For (younger) violin learners the work thus offers a good opportunity to engage with Haydn the composer for the first time. Our Urtext edition is based on the Haydn Complete Edition, also published by G. Henle Verlag. The extensive preface includes a discussion of authenticity, among other things. The edition is rounded off by sophisticated string bowing and fingerings by Kurt Guntner, along with cadenzas created by Franz Beyer.

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frais de port: 3.5
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EAN: 9790201804484

henle g nter franz schubert

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Schubert only took ten days to write his String Quartet in G major, one of his truly monumental chamber music works. With its almost symphonic dimensions, this late quartet is reminiscent of his great String Quintet in C major. As divulged in a letter, Schubert actually wanted to “pave the way for the large symphony” with this quartet and several other chamber music works that he composed around the same time. Written in 1826, the quartet was not performed in public during the composer’s lifetime; and it was only published long after his death. Our Urtext edition with its accompanying study edition is therefore based on the surviving autograph.

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EAN: 9790201898506

henle g nter max bruch

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It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch’s First Violin Concerto in g minor. Now it’s appearing at last in an urtext edition from Henle. Bruch himself was not always overjoyed at his work’s popularity: "I can’t listen to this concerto anymore," he once complained to his publisher Simrock, "do you suppose I’ve only written one concerto?" By now the Bruch Concerto has found a permanent place in the world’s concert halls. Henle’s edition provides not only a razor-sharp urtext for the solo part, but a preface that alone is worth the price of the volume: who could have guessed that the concerto went through a convoluted genesis with multi-layered revisions, and that some of the changes go back to the famous violinist Joseph Joachim?

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EAN: 9790201807089



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