henle g nter emmanuel chabrier Classement 2024

henle g nter emmanuel chabrier

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Whereas numerous French composers of the time tried to breathe new life into the larger forms of instrumental music, Chabrier concentrated on the smaller dance and character forms. The “Bourrée fantasque” was composed in 1891 and was the culmination of his piano works. The strictly regulated, lively court dance of the time is enriched by unusual harmonies and rhythms and therefore appears in a completely new light. Our edition of the “Bourrée Fantasque” (that is “whimsical bourrée”) is the first critical edition to consult all of the sources. The work is particularly characteristic of Chabrier’s style that oscillates between nostalgia, avantgarde and parody.

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EAN: 9790201811628

henle g nter anton n

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In autumn 1895, after returning from New York once and for all, Dvořák took up his former position as teacher at the Prague Conservatory. This clearly had an inspiring impact on him because in the space of just four weeks he composed a new string quartet in G major. Together with the Quartet in A-flat major op. 105, it forms a glorious close to his chamber music oeuvre. Echoes of Bohemian folk music are here mixed with cantabile themes, while his motivic working shows him to be a master at the height of his powers. Even today, it seems almost as if we can feel the composer’s satisfaction with this work: “I am working so easily and it is going so smoothly that I could not wish it better”.

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EAN: 9790201870458

henle g nter georg philipp

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The viola is often not credited with being able to take over a soloistic role – but this is completely unjust. In 1738 Johann Philipp Eisel already wrote of the viola as being the “very bowels of music” and stressed that it was not only needed to “flesh out” the orchestral sound but also as a “concert voice, which is fully proven by the concertos and concert overtures by the famous Capell-Meister Telemann”. Telemann’s Concerto in G major is considered to be one of the earliest works for solo viola and orchestra and forms part of the core repertoire for pupils and students. In our Urtext piano reduction the specialist Kai Köpp has provided information regarding historical performance practice.

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EAN: 9790201812175

henle g nter wolfgang amadeus

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Curiously enough, only one of Mozart’s eighteen piano sonatas (and also only one of his 23 piano concerti) is in the pianistically rewarding key of G major: the sonata K. 283. It numbers among those six sonatas K. 279–284 that were probably written in Munich at the beginning of 1775, and is one of the favorites from this first set of sonatas among teachers and students alike. Played at the correct tempo, this sonata, although technically not too challenging, rarely fails to have its desired effect. That is especially true for its extended Presto (!) finale. More information

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EAN: 9790201806013

henle g nter max bruch

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It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch’s First Violin Concerto in g minor. Now it’s appearing at last in an urtext edition from Henle. Bruch himself was not always overjoyed at his work’s popularity: "I can’t listen to this concerto anymore," he once complained to his publisher Simrock, "do you suppose I’ve only written one concerto?" By now the Bruch Concerto has found a permanent place in the world’s concert halls. Henle’s edition provides not only a razor-sharp urtext for the solo part, but a preface that alone is worth the price of the volume: who could have guessed that the concerto went through a convoluted genesis with multi-layered revisions, and that some of the changes go back to the famous violinist Joseph Joachim?

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EAN: 9790201807089

henle g nter ludwig van

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Beethoven’s Romances for violin and orchestra op. 40 and op. 50 are rewarding solo pieces that demand sovereign technique and artistic sensitivity. Their simple structures with noble melodies and virtuoso embellishments made them popular concert pieces already during Beethoven’s lifetime. In addition to a piano reduction for practical performance, G. Henle here presents a study score. It follows the musical text of the Beethoven Complete Edition and accords with the orchestral material from Breitkopf & Härtel. In his detailed preface, Ernst Herttrich informs us about the genesis and the source situation of the two works.

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EAN: 9790201898032

henle g nter claude debussy

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Debussy had intended to write a cycle comprising six sonatas. However, as he was seriously ill, he was forced to conclude it with the third one. Whereas the Sonata for Cello and Piano and the one for Flute, Viola and Harp were quickly written in 1915, an unusually fruitful compositional year, the violin sonata posed difficulties for the composer in the following year. He struggled with the finale in particular, and was only able to send the work to the publisher Durand in April 1917. Its difficult genesis is soon forgotten when one listens to the resulting work: it displays perfect classicism and is full of life, as the composer himself remarked.

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EAN: 9790201804101

henle g nter wolfgang amadeus

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– Flötenstimme: Die Edition besorgte einer der renommiertesten Flötisten unserer Zeit: András Adorján. Seine Edition gibt den Text der Quelle wieder, wohlwissend, dass die Quellenbasis – Mozarts Autograph ist verschollen – dürftig ist. Eindeutige Fehler und Flüchtigkeiten der Quelle werden verbessert und durch Fussnoten oder Klammerung kenntlich gemacht.– Kadenzen und Eingänge: Sie stammen von einem der arriviertesten Mozart-Kennern, dem Musikwissenschaftler und Pianisten Robert D. Levin. Die vorgeschlagenen Kadenzen und Eingänge zeichnen sich dadurch aus, dass sich der Musizierende dank eines ausgeklügelten Verweissystems aus dem angebotenen Material immer wieder neue, "eigene" Kadenzen zusammenstellen kann; damit kommen Levin’s Vorschläge dem Improvisationscharakter von Kadenzen und Eingängen sehr nahe. Achtung: Die Kadenzen und Eingänge unterliegen dem Urheberrecht und sind weltweit geschützt (GEMA); bitte melden Sie ihre Benutzung in Aufführungen und Aufnahmen dem Verlag bzw. der GEMA. – Klavierauszug: Ihn hat der profunde Mozart-Kenner und renommierte Generalbassspezialist Siegfried Petrenz geschrieben. Er strebt einen gut klingenden, technisch nicht allzu anspruchsvollen Klaviersatz an, der sich deutlich von den verbreiteten, am Orchestersatz orientierten Klavierauszügen abhebt. Dadurch wird auch der typischen Unterrichtssituation Rechnung getragen, in der nicht unbedingt immer ein professioneller Korrepetitor die Flöte begleitet.

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EAN: 9790201806730

henle g nter johann sebastian

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The enormously beloved and often performed Trio Sonata BWV 1039, which Bach also arranged for gamba and harpsichord, is, next to the Trio Sonata from the Musical Offering, the only trio sonata by J. S. Bach whose authenticity is completely unchallenged. To allow an alternative performance using two violins the editor has provided authorized variants in small print.

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EAN: 9790201803296

henle g nter fr d

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When Chopin gave his Opus 23 the title “Ballade” in the mid 1830s, he established the piano ballade as a new musical genre which was subsequently taken up by others, including Brahms, Liszt and Grieg. The idea of transforming a fictional, dramatic and mystical event into music particularly suggested itself to the Romantic Schumann. He was enthusiastic about this work: “I have a new Ballade by Chopin. It seems to me to be one of his most brilliant (not most inspired) works.” This has been taken from the revised edition of the “Ballades” (HN 862). Detailed information on the genesis of this work and an evaluation of the sources can be downloaded free-of-charge.

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EAN: 9790201808673

henle g nter johannes brahms

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The Sonata in G major owes its epithet “Rain Song Sonata” to two melodies from Brahms’ “Rain Songs” op. 59 nos. 3 and 4 which are quoted at the beginning of the last movement. An ornamental leaf with the first 24 bars of the “Adagio” was recently re-discovered and has been reproduced as a facsimile in this edition. It shows the connection between the work and Clara Schumann and her youngest son. Felix, Brahms’ godson and a talented violinist, was seriously ill and died before the work was completed. In a letter of dedication on the reverse of the leaf, Brahms expresses his deepest sympathy and his best wishes. This single edition from the volume containing all of Brahms’ violin sonatas (HN 194) contains a preface by Wolfgang Sandberger, illuminating the genesis of the “Felix Sonata”.

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EAN: 9790201800752

henle g nter wolfgang amadeus

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Mozart’s only piano sonata in E-flat major was probably written during his stay in Munich in early 1775. Its first movement – an Adagio, unconventionally – is one of those pieces by the young genius that are immediately and profoundly touching. Two minuets follow, inspired by the timbre of woodwinds; and a quick finale in 2/4 with a striking opening motive concludes this masterwork of medium difficulty. Mozart’s clean manuscript copy is the only editorially relevant source, all the early print editions having proved flawed. More information

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EAN: 9790201800608

henle g nter fr d

Découvrir conseils, opinions et fonctionnalités sur henle g nter fr d vendu 52.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Henle, Günter et est vendu par Orellfuessli.ch

Frédéric Chopin composed his piano trio when he was an 18-year-old student. About the performance of the trio on 31 August 1830 he wrote: “On Sunday we rehearsed the trio. Perhaps because I haven’t heard it for a while, I was very happy with myself (fortunate man!).” Incidentally, Robert Schumann also shared this opinion, writing in a review: “Is it not as noble as possible, more full of enthusiasm than any song ever written by a poet, original in the smallest detail as in the whole, every note music and life?” We agree with this verdict and recommend this trio in our new Urtext edition to all lovers of highly romantic chamber music.

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EAN: 9790201810683

henle g nter robert schumann

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“I am endlessly looking forward to the second sonata”; thus Clara wrote to Robert in 1838, “Your whole being is so clearly expressed in it.” Nonetheless in the same letter she encouraged him to revise the last movement, which provided the composition with a completely new finale. The first two movements were also reworked several times. The editor assiduously provides information on the complicated genesis of the work in this new edition. The musical text is not only followed by the original final movement, which is musically and pianistically very demanding, but also the model for the second movement: Schumann made an arrangement of one of his own songs (“In the autumn”) for the piano.

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EAN: 9790201803319

henle g nter carl nielsen

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Carl Nielsen’s Fantasy Piece for clarinet and piano is an early work, written between the ages of 16 and 18, while he was a member of the military band in the Danish town of Odense. With this miniature, he gave proof of his mature compositional talent on the one hand, and of the socialisation through the music of the classic and early romantic eras on the other. With its skilful interconnection of Italianate cantabilità and brilliant suppleness, the two-part Fantasy Piece offers a welcome change in the clarinet repertoire. Our edition is based on the sole surviving source, long considered a copy, in Copenhagen’s Royal Library, which has since been ascertainably identified as an autograph manuscript.

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EAN: 9790201812526

henle g nter wolfgang amadeus

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Online-tutorial available at Henle Masterclass The genesis of one of Mozart’s best-loved piano works, his Fantasy in d minor, is still shrouded in darkness. Even Mozart’s sister, who came across the work in 1807 through the first edition, was astounded to have discovered a previously unknown composition of such quality. In its original form the Fantasy was in all probability a fragment. The closing bars that are most frequently performed today originated from an unauthorized print from 1806. We have also included these in our edition due to the lack of any others in Mozart’s own hand or any other authorized source. Our single edition was put together using the musical text from the revised complete volume “Mozart Piano Pieces” (HN 22 and 9022).

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EAN: 9790201800523

henle g nter ernest chausson

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Following his early elimination from the “Prix de Rome”; the sought-after award for composition students at the Paris Conservatoire, Chausson withdrew to the country in summer 1881 and began composing this ambitious work – out of defiance, so to speak. During his lifetime the trio remained an insider’s tip amongst those close to his teacher César Franck. It was only after its posthumous publication that it was performed more frequently and was gradually recognized as being one of the best chamber music works of his time. Closely based on Franck’s principle of the cyclic interleaving of all motives, it still has dark and melancholy inflections all of its own. The Henle Urtext edition is the first critical edition and a welcome addition to our collection of French music.

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EAN: 9790201812779

henle g nter johannes brahms

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Brahms’s First String Sextet became very popular after its publication in 1861, yet his publisher Simrock still hesitated when the composer offered him a second such work in 1865, “in the same cheerful mood”. So Brahms made overtures to other publishers, but then Simrock finally agreed to take it on. The critics were initially rather sceptical towards this Sextet op. 36, but Brahms’s friends thoroughly approved of it. Clara Schumann praised its accomplished motivic work, while others enthused about its magical sound colours. This practical edition by Katrin Eich, based on the Brahms Complete Edition, now offers performers the opportunity to form their own opinion, whether in performance or by perusing our study edition. The parts include player-friendly cue notes and have excellent page-turns.

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EAN: 9790201870830

henle g nter maurice ravel

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Inspired by Béla Bartók’s violin sonatas, Ravel planned his own sonata for violin and piano in 1922, but at first did not get beyond sketches. Many interruptions ensued and the work was only finished in 1927. He dedicated it to his violinist friend Hélène Jourdan-Morhange. Regarding the sonata’s sparse, thinned out compositional structure and instrumentation, Ravel later emphasized that the sonata proved the tonal incompatibility of the violin and piano. Yet it still succeeded in winning a permanent place in violin repertoire – not least because of its middle movement inspired by jazz elements and the “blues”. The fingerings in this Henle Urtext edition have been provided by two masters of their instruments: Christian Tetzlaff and Pascal Rogé.

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EAN: 9790201812717

henle g nter bedrich smetana

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When Smetana composed his Piano trio in the autumn of 1855, it was an act of catharsis to recover from the death of his four-year-old daughter Friederike. This highly emotional work was also his first large-scale piece of chamber music. Its first public performance in December 1855 was regrettably not a great success, and so Smetana embarked on a protracted process of reworking it. By the late 1850s, it had reached its current form. Smetana always liked to perform it, but only found a publisher for it in 1880, when one of his pupils invited the Hamburg publisher Hugo Pohle to a performance at short notice. Smetana specialist Milan Pospíšil has based this Henle Urtext edition on the first edition by Pohle, but has also drawn upon the earlier sources. This has enabled him to iron out numerous inconsistencies found in the first edition.

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EAN: 9790201812496



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