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Nous proposons ici une édition en fac-similé reliée de lin rouge du manuscrit des fantaisies op. 116 nos 1 à 7 pour piano seul de Johannes Brahms. L'impression en cinq couleurs reproduit le manuscrit autographe qui fut acquis en 1926 par l'actuelle bibliothèque nationale et universitaire Carl-von-Ossietzky de Hambourg et est conservé dans le fonds des archives Brahms. Le fac-similé trouve toute sa valeur non seulement en raison de la qualité exceptionnelle de son impression, mais aussi par la postface détaillée et scientifiquement documentée de l'éditeur, Bernhard Stockmann. Cette impression en fac-similé fut récompensée en 1997 du prix de l'édition musicale allemande. La presse spécialisée vante cette édition, la qualifiant de «véritable rareté d'une qualité inégalable en termes de techniques d'impression et de qualité de rendu».
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Johannes Brahms presumably wrote the Fantasies op. 116 at the same time as the Intermezzi op. 117 in the summer of 1892 in Bad Ischl. His sojourn in the Salzkammergut obviously inspired Brahms to write music for solo piano, as a year later he worked on other cycles when he was there. Amongst these late melancholy piano pieces, op. 116 is in particular characterised by opposites. Four “dreamy” – according to Clara Schumann – intermezzi are juxtaposed with three “deeply passionate” capricci. Seven pieces in true Brahms’ style, which are also accessible to non-virtuosos due to their medium level of difficulty. Our revision contains the musical text of the new Brahms Complete Edition.
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EAN: 9790201812168
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Brahms’ Hungarian Dances count on brilliant and spirited virtuosity whereas his 16 Waltzes op. 39 are more modest and intimate. Yet they are just as haunting – who isn’t familiar with the gently rocking melody of no. 15 that is one of Brahms’ best-known musical ideas? His publisher must have had an inkling of the success of this collection, as shortly after its publication in its original version for piano four hands in 1866, he asked the composer for a version for piano solo. We are now publishing it in a revised edition, based on the musical text of the new Brahms Complete Edition.
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EAN: 9790201812861
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Online-tutorial available at Henle Masterclass The e minor Cello Sonata is the first work for one solo instrument and piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata “whose two instruments are both absolutely easy to play” – and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135), this early sonata is technically less demanding, yet musically more striking at the same time, so that it is a hit with amateurs and professionals alike. Our new edition is based on the new Brahms Complete Edition and thus boasts, besides in-depth comments, a musical text revised according to the latest scholarly findings; as always, the cello part is enhanced with additional markings.
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EAN: 9790201811345
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Johannes Brahms’ summer sojourn in 1893 in Bad Ischl was productive. Alongside the pieces op. 118, he also wrote his last cycle of piano pieces, opus 119. The composer wrote to Clara Schumann of the opening work, saying that it was teeming with dissonances and that: “every measure and every note must sound like a ritardando, as if one wanted to suck the melancholy out of each single one, with lust and pleasure out of the aforementioned dissonances!” Yet opus 119 contains something for every mood: No. 3 surprises with its lively and light C major, and the cycle is completed with the defiant rhapsody in E flat major. Our revised edition, based on the Brahms Complete Edition, is an invitation to pianists to rediscover Brahms’ complex cosmos.
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EAN: 9790201812502
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Brahms mainly composed the eight Piano Pieces op. 76 in summer 1878 in the summer resort of Pörtschach at Lake Wörth. Theodor Billroth, a close friend, was enthusiastic about the new works: “These are magnificent pieces, beautiful and interesting to play. They lie so well under the hand for those who are a little used to Schumann’s and Chopin’s technique that it is a pleasure to practise them.” As the volume “Piano Pieces” was published in 2011 as part of the Johannes Brahms Complete Edition (HN 6014), we are now replacing the previous volume HN 118 with this new one, presenting these “magnificent pieces” in the musical text of the Complete Edition, accompanied by revealing commentaries detailing their genesis and publication.
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EAN: 9790201811840
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As with the g minor Quartet op. 25, the origins of opus 26 reach back into the 1850s. However, it assumed its final shape only in summer and fall 1861. While in her first evaluation of the work Clara Schumann felt that the piece would “grow on the listener once he knows it perfectly and has often heard it;” Brahms’ friend Joseph Joachim wrote to him after a hasty perusal that he had “grown more and more favourable towards the A major Quartet. The tone of great intimacy and delicacy alternates beautifully with a fresh love of life.” With its use of a “brighter” key, opus 26 is clearly the more accessible of the two adjacent piano quartets.
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EAN: 9790201802756
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The Sextet in B-flat major was already judged to be “one of the most beautiful works by this young composer” after its initial performances in early 1861. It was popular with both public and press, and has retained this status to the present day. The publisher Simrock was so impressed by it that he accepted Brahms’s suggestion that he should publish a score of it alongside the individual parts – something that was by no means usual at the time. The numerous differences between these two first editions of 1861 continue to present problems to Brahms researchers today. Brahms specialist Katrin Eich has already taken on the task of editing the work for the Brahms Complete Edition, and this new Urtext edition provides the best possible musical text for performance. Naturally, it is available in both score and parts.
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EAN: 9790201810829
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Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: “... a second one will sound different”. Nevertheless, a good 20 years elapsed before that second concerto finally took form, and only in 1881 was he able to announce: “I wanted to tell you that I have written a very small piano concerto with a tiny little delicate Scherzo”. Our study edition of this by no means small symphonic concerto is based on the musical text in the recently published volume that is part of the Brahms Complete Edition (HN 6020). It is a companion to our piano reduction (HN 1231) and offers all those who wish to study the complex score of this great piano concerto an ideal, practical and affordable means of doing so.
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EAN: 9790201872315
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Brahms’ only violin concerto was given a very warm reception by his contemporaries and has been an important piece in the violin repertoire ever since. It bears witness to Brahms’ fruitful collaboration with Joseph Joachim, who contributed a cadenza. The composer’s original and extremely demanding piano reduction has been carefully simplified for our edition by Johannes Umbreit. This Urtext edition follows the musical text of the new Brahms Complete Edition. The appendix also contains an alternative version of Joachim’s cadenza that to date has not been published in a practical edition. Alongside Joachim’s original fingerings and bowings there are also fingering suggestions by Frank Peter Zimmermann.
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EAN: 9790201808185
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The cellist Robert Hausmann had actually requested a cello concerto - but Brahms paired the cello with a violin in his "Double Concerto". The unusual work has already been available as part of the new Brahms Complete Edition for several years. Using Brahms’ original piano reduction, Johannes Umbreit has produced a playable piano setting that optimally renders the colourfulness of the score. The fingerings and bowings for the string parts have been supplied by the experienced soloists Frank Peter Zimmermann and Heinrich Schiff. The orchestral parts, based on the Complete Edition, are available from Breitkopf & Härtel (PB/OB 16104).
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EAN: 9790201807157
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Brahms’s First String Sextet became very popular after its publication in 1861, yet his publisher Simrock still hesitated when the composer offered him a second such work in 1865, “in the same cheerful mood”. So Brahms made overtures to other publishers, but then Simrock finally agreed to take it on. The critics were initially rather sceptical towards this Sextet op. 36, but Brahms’s friends thoroughly approved of it. Clara Schumann praised its accomplished motivic work, while others enthused about its magical sound colours. This practical edition by Katrin Eich, based on the Brahms Complete Edition, now offers performers the opportunity to form their own opinion, whether in performance or by perusing our study edition. The parts include player-friendly cue notes and have excellent page-turns.
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EAN: 9790201810836
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Johannes Brahms’s Piano Sonatas opp. 1, 2 and 5 were among the first works that the 20-year-old composer published. They were composed in 1852/53, although the Sonata in f-sharp minor was apparently the first of the three to be composed, as it was finished by November 1852. This work has a special place in his oeuvre. Besides its passionate atmosphere, his contemporaries discerned it to be “serious and dignified in character”. Brahms dedicated this sonata to Clara Schumann, whose husband Robert wrote to the composer that “Your second sonata, my friend, has brought me much closer to you”. The ingenious fingerings have been provided by the pianist Andreas Boyde, a recognised Brahms expert.
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EAN: 9790201812892
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Between 1859 and 1885 Johannes Brahms, with his four symphonies, two piano concertos, violin concerto, dances, variations and overtures, became the representative of large-scale orchestral music. In 1887he chose the violin and violoncello as solo instruments for his Double Concerto in a minor op. 102, since he had outstanding soloists at his disposal. After the premiere of Brahms’s second cello sonata, cellist Robert Hausmann had requested a concert piece; while the renowned violinist Joseph Joachim was Brahms’s friend and had premiered his Violin Concerto, among other things. After the dark-hued Fourth Symphony this concerto comes across as strikingly optimistic and conciliatory. We now offer the score, also published as part of our New Complete Edition, in a convenient study edition.
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EAN: 9790201898520
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On the premiere of the 3rd Symphony in the Musikvereinssaal in Vienna in 1883, the Wagnerites, who disliked Brahms, hissed after every movement. Yet Brahms’ biographer Max Kalbeck said, "The audience was so intimately touched by this wonderful work that not only did the opposition fall quiet, but the ovations for the composer reached a level of enthusiasm hardly ever before attained in Vienna and Brahms thus celebrated one of his greatest triumphs." We now present the score of this work, which appeared as part of our new Complete Edition, in a handy study edition.
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EAN: 9790201898551
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The genesis of the Fourth Symphony possibly goes back to the 1870s when Brahms was studying the Bach Cantata “Nach dir, Herr, verlanget mich”; whose chaconne theme forms the nucleus of the finale. Around 29 August 1885 Brahms wrote to Hans von Bülow from Mürzzuschlag in Styria: “However I have a few entr’actes – which together form what one would usually call a symphony. […] I am afraid […]; it takes after the climate in this region – the cherries do not ripen here.” Yet we are by no means speaking of “sour” cherries here. The work is today a part of the canon of classical-romantic symphonies. Our handy and inexpensive priced study edition is based on the musical text in the Johannes Brahms Complete Edition (HN 6015).
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EAN: 9790201898568
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Johannes Brahms’s piano sonatas opp. 1, 2 and 5 were among the first works that the then 20-year-old composer published. Much of the music of the f-minor Sonata is closely connected to Brahms’s visit to Robert and Clara Schumann in Düsseldorf in the autumn of 1853. There are indications that the young Brahms was inspired by Robert Schumann’s Sonata op. 14 – which was also in f minor. The music critic Eduard Hanslick also believed that he could discern the influence of Brahms’s older colleague when he wrote about the Sonata op. 5: “The whole of Brahms is here, though still under the spell of Schumann”. This revised Urtext edition is based on the musical text of the New Brahms Complete Edition. The fingerings are by Andreas Boyde and offer the performer highly ingenious solutions to mastering this piano work that is so symphonic in scope.
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EAN: 9790201812908
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Brahms’ Third Piano Quartet stands out for the extremely involved and complex history of its genesis. A very first version of certain sections – still in c sharp minor – had been written in 1855/56, but neither the composer nor his friends were genuinely happy with this version. In 1869 Brahms reprised his work , but still found no satisfying solution. It was not until 1874/75 that he brought the final version to paper, replacing two movements of the original version with new ones. While the “tragic” key of c minor points to the truly dark, passionate character of the work, the composer actually singled out the mood of suffering of the quartet himself in several letters.
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EAN: 9790201802855
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The origins of Brahms‘ g minor Quartet op. 25 go back to the 1850s, although the work was not finished until fall 1861. The composer held his new work in high esteem, even putting it on the program of his first public appearance in Vienna as pianist and composer one year later.To this day it is the most popular of the three Brahms piano quartets, not least because of its dazzling final movement, a Rondo alla Zingarese.
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EAN: 9790201801971
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Brahms struggled for years with composition of his First Symphony -- the feeling of impotence in the face of Beethoven’s works seemed overwhelming. He wrote to his friend, the conductor Hermann Levi: “I will never compose a symphony! You have no idea how the likes of me feels when he always hears such a giant (Beethoven) marching behind him.” But in October 1876 Brahms finally did complete it, and the first – acclaimed – performances of his First Symphony immediately took place in Karlsruhe, Mannheim, Munich, and Vienna. We herewith offer the score of this work, published within the framework of our New Collected Edition, as a convenient study score. In his preface to this Urtext edition in small format, our editor – Brahms expert Robert Pascall – presents interesting information about the work’s genesis and publishing history.
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EAN: 9790201898513