gruyter wolfgang c printz ausgew Classement 2024

gruyter wolfgang c printz ausgew

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Die Reihe „Ausgaben Deutscher Literatur des XV. bis XVIII. Jahrhunderts" startete 1967 mit dem Ziel, zur besseren Textkenntnis der vernachlässigten mittleren deutschen und neulateinischen Literatur beizutragen. In der Reihe erscheinen kritische Gesamtausgaben - in einzelnen Fällen auch Auswahlausgaben – der Werke bedeutender Autoren. Die Ausgaben werden in Textbände und Realienbände aufgeteilt. Sie enthalten neben dem Textcorpus, einem kritischen Apparat und einem ausführlichen wissenschaftlichen Apparat auch – soweit vorhanden – Briefwechsel, Tagebücher, Gespräche, Zeugnisse der Zeitgenossen zu Person und Werk des Autors, Bildnisse usw. Daneben gibt es Dokumentationsreihen, in denen einzelne historisch interessante Texte zu einem repräsentativen Überblick über ihre Gattung zusammengestellt sind (Beispiele hierfür sind die Reihen ‚Drama‘ und ‚Roman‘).

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EAN: 9783110038613

gruyter wolfgang c printz ausgew

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Die Reihe „Ausgaben Deutscher Literatur des XV. bis XVIII. Jahrhunderts" startete 1967 mit dem Ziel, zur besseren Textkenntnis der vernachlässigten mittleren deutschen und neulateinischen Literatur beizutragen. In der Reihe erscheinen kritische Gesamtausgaben - in einzelnen Fällen auch Auswahlausgaben – der Werke bedeutender Autoren. Die Ausgaben werden in Textbände und Realienbände aufgeteilt. Sie enthalten neben dem Textcorpus, einem kritischen Apparat und einem ausführlichen wissenschaftlichen Apparat auch – soweit vorhanden – Briefwechsel, Tagebücher, Gespräche, Zeugnisse der Zeitgenossen zu Person und Werk des Autors, Bildnisse usw. Daneben gibt es Dokumentationsreihen, in denen einzelne historisch interessante Texte zu einem repräsentativen Überblick über ihre Gattung zusammengestellt sind (Beispiele hierfür sind die Reihen ‚Drama‘ und ‚Roman‘).

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gruyter wolfgang c printz ausgew

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Die Reihe „Ausgaben Deutscher Literatur des XV. bis XVIII. Jahrhunderts" startete 1967 mit dem Ziel, zur besseren Textkenntnis der vernachlässigten mittleren deutschen und neulateinischen Literatur beizutragen. In der Reihe erscheinen kritische Gesamtausgaben - in einzelnen Fällen auch Auswahlausgaben – der Werke bedeutender Autoren. Die Ausgaben werden in Textbände und Realienbände aufgeteilt. Sie enthalten neben dem Textcorpus, einem kritischen Apparat und einem ausführlichen wissenschaftlichen Apparat auch – soweit vorhanden – Briefwechsel, Tagebücher, Gespräche, Zeugnisse der Zeitgenossen zu Person und Werk des Autors, Bildnisse usw. Daneben gibt es Dokumentationsreihen, in denen einzelne historisch interessante Texte zu einem repräsentativen Überblick über ihre Gattung zusammengestellt sind (Beispiele hierfür sind die Reihen ‚Drama‘ und ‚Roman‘).

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EAN: 9783110038606

gruyter wolfgang haack darstellende

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Frontmatter -- Inhaltsverzeichnis -- Einleitung -- I. Die wichtigsten Darstellungsmethoden -- II. Punkte, Geraden, Ebenen -- III. Schnittkonstruktionen von Ebenen und Geraden -- IV. Ebenflächige Körper -- V. Affinität -- Front matter 2 -- Inhaltsübersicht -- Geisteswissenschaften -- Naturwissenschaften -- Technik -- Sammlung Göschen / Bandnummernfolge -- Autorenregister

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gruyter johann wolfgang von goethe

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Frontmatter -- 1800. Weimar -- 1801. Weimar -- 1802. Weimar -- 1803. Weimar -- 1804. Weimar -- 1805. Weimar -- GOETHE IRRTÜMLICH ZUGESCHRIEBENE GESPRÄCHE UND ZWEIFELHAFTES -- SIGLEN- UND ABKÜRZUNGSVERZEICHNIS -- KONKORDANZ -- NAMENREGISTER -- WERKREGISTER -- NACHWORT -- INHALTSVERZEICHNIS

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henle g nter wolfgang amadeus

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Did Mozart intend this work to be a duo for two bass instruments, or – as the simple basso-like manner of the second part suggests – a sonata for bassoon and keyboard instrument? We will probably never know the answer because the autograph has gone missing. Our edition allows different instrumentation; it not only contains scores for the duo version but also one so it can be performed as a solo bassoon sonata, following the style of the time with a figured bass realization. And cellists – who are not blessed with many works by Mozart – will appreciate the version of this endearing work for cello and figured bass.

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EAN: 9790201808277

henle g nter wolfgang amadeus

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Ever since Mozart encountered the clarinet in Mannheim in 1778 he loved the instrument’s warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orchestra in Vienna, prompted him to compose not only the Clarinet Concerto (K. 622) but also this “Quintet of Quintets”; which was written two years before his death. Like almost all his works for the clarinet, this Quintet was probably intended originally for the basset clarinet. However, it survives only in two posthumous prints, both of which call for a standard clarinet. These prints form the basis of our edition. As an added bonus, the appendix contains a fragmentary Allegro in Bb major for the same combination of instruments.

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EAN: 9790201897691

henle g nter wolfgang amadeus

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This “little” D-major sonata is somewhat the pansy (or violet?) among Mozart’s eighteen piano sonatas. It is “little” in dimensions when compared to the two other sonatas in the same key of D major (K. 284, and especially K. 576). It is very seldom heard in concert; and in piano lessons, too, is played less frequently. Admittedly it is not enveloped by the tragic gloom of the Sonata in A minor K. 310, nor does it have a wonderfully heartfelt slow movement like the Sonata in C major K. 309, these being the two works with which it was printed in Paris in 1778. K. 311, however, is pianistically “worthwhile” in many regards: in the opening movement one can practice several standard technical challenges (hand-crossings, effervescent runs, parallel sixths, tremolos at large intervals, etc.). The slow movement (“Andante con espressione”) hones expressiveness, something that does not always come naturally to many keyboardists (a compositional trick also makes a surprise appearance at bar 25). With its lively 6/8 meter, the finale in turn recalls not only the veritable “Hunt Sonata” K. 576 but could almost have come from the solo part of a Mozartean piano concerto. All in all: a worthwhile challenge, this sonata, which sounds much harder than its technical demands require. More information

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EAN: 9790201807522

henle g nter wolfgang amadeus

Découvrir conseils, opinions et fonctionnalités sur henle g nter wolfgang amadeus vendu 36.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Henle, Günter et est vendu par Orellfuessli.ch

This piano concerto by Mozart presented here inaugurate an ambitious project at Henle Publishers: in the coming years many of the Salzburg master’s 23 piano concertos will be published in completely new Urtext editions. And none other than András Schiff is collaborating with us. His piano reductions are aimed at amateurs rather than professionals; his fingerings for Mozart’s solo part have been exquisitely fine-tuned and are inspiring; and where Mozart’s original cadenzas are missing, Schiff’s stylistically perfected ones have been included. In so doing we aspire to set a new precedent. The quality is not only guaranteed by András Schiff, but also by the Mozart scholars to whom Henle Publishers have entrusted their Urtext editions. Each work is edited by a specialist, according to predetermined editorial guidelines. First and foremost Mozart’s handwritten scores have been consulted, being the most important sources. In some cases these had not yet been available when preparing previous editions. Moreover, we know today that in addition to Mozart’s own manuscripts, early copies in parts and prints also contain important information regarding the musical text. A co-production with Breitkopf & Härtel, Mozart’s piano concertos are not only available as attractive and affordable piano reductions, there are also an accompanying Urtext conductor’s score, orchestral parts and a study score. This will ensure that this lavish new edition can be used in many different contexts: whether studying the solo part in a definitive Urtext edition, which reflects the latest research findings; or playing together with a second pianist, providing a piano reduction which not only sounds superb but is also easy to play; or studying and reading the pocket score and finally performing with an orchestra, using newly-prepared material.

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EAN: 9790201807669

henle g nter wolfgang amadeus

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According to Mozart’s own catalogue, K. 491 was completed on 24 March 1786 – it was Mozart’s only piano concerto aside from K. 466 that was in a minor key. It was probably first performed two weeks later as part of an “academy” at the Burgtheater in Vienna. Mozart was extremely pressed for time while composing this work, a fact that is shown both by the cursory way in which the autograph was written and by the repeated corrections. Unlike earlier publications, our edition contains the definitive version as in Mozart’s manuscript. The piano reduction of our edition was undertaken by the celebrated pianist András Schiff, to whom we also already owe our reductions of the concertos K. 453, 467, 488 and 503 (HN 765, 766, 767 and 825). He also supplied the fingerings for the solo part, the cadenzas and the lead-ins.

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EAN: 9790201807874

henle g nter wolfgang amadeus

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Whoever has experienced a major pianist performing this sonata live (the slow “Andante cantabile” middle movement is occasionally played as an encore) knows the grandeur and effect of this C major work, which is only apparently modest in scope. It appeared in print during the summer of 1784, along with the famous sonata in A major (“alla turca”) K. 331 and the lyrical, technically quite challenging sonata in F major K. 332. The three sonatas were probably composed only shortly before printing, countering the assumption of earlier Mozart scholars. This first edition is editorially significant because numerous details deviate so markedly from Mozart’s manuscript that they could only have come from their creator himself. In the C major sonata K. 330 this particularly applies to the slow movement, the final bars of which, with their doleful farewell, are not to be found in the autograph. More information

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henle g nter wolfgang amadeus

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“I’ve had to turn out a serenade on short order”: these lines from Mozart to his father offer a glimpse into the everyday life of a composer dependent on patronage. Mozart was about to be married when he pulled this wind piece out of his hat. Yet the results are far removed from the detached, courtly style of the serenade: the work, one of the jewels of the wind repertoire, opens full of earnestness and profundity in the gloomy key of c minor. The high opinion Mozart had of this octet is evident in the fact that he later arranged it for string quintet.

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henle g nter wolfgang amadeus

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We not only owe three of Mozart’s horn concertos to his friendship with Ignaz Leutgeb; the solo part of this unusual chamber music work was also written especially for him. Instead of having two violins, the accompanying string quartet has two violas, which complement the dark and warm timbre of the horn and lend the work a unique tonal effect. Echoes of motives from the “Abduction from the Seraglio” allow us to suppose that it was composed around the same time as the Singspiel. As the autograph is missing, this edition is based on the first edition. In addition the critical apparatus provides a careful evaluation of the secondary sources, affording important insights into Mozart’s intentions.

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EAN: 9790201808260

henle g nter wolfgang amadeus

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“I wish to do it to reflect the character of Mad:selle Rose;” Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it “excellently”. So that a great many other pupils might follow in her footsteps, we are now publishing this small gem that shows Mozart‘s great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN 1 and 3). More information

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henle g nter wolfgang amadeus

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This Henle Urtext edition in unrivalled in layout and precision. The professional journal “Rohrblatt” wrote shortly after its publication (in 2004): “An editorial stroke of genius … Every oboist who attempts this concerto must have his interpretation measured against this edition.” Such praise principally honors the editor, the famous oboist Ingo Goritzki. It was his idea to offer a supplement to the edited instrumental part that presents both sources of the work – each problematic in various ways – together with the edited part. Owing to this chosen arrangement of the score one can see all variants at a glance, and make one’s own justified performance decisions. Particularly problematic and oft-debated passages are discussed in detail by Professor Goritzki. The above-cited praise for “an editorial stroke of genius” also applies to Mozart expert and pianist Robert Levin, who has composed idiosyncratic cadenzas in the master’s style especially for Henle’s edition of Mozart’s oboe concerto; very much in the improvisatory spirit of a cadenza, one can jump from one place to another in the template thanks to a simple (numerical) cross-reference system, and thus craft one’s “own” cadenzas. Finally, a word about the much-praised piano reduction for this edition, which comes from Mozart expert and renowned continuo specialist Siegfried Petrenz. He aims for a well-sounding and not too technically-challenging keyboard part that is clearly removed from those often-found piano reductions that orient themselves around an orchestral scoring. In so doing, he also takes account of the typical instructional situation in which a professional accompanist is not always available to the oboist.

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EAN: 9790201806952

vdm schehr c wolfgang metzger

Découvrir conseils, opinions et fonctionnalités sur vdm schehr c wolfgang metzger vendu 83.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par VDM et est vendu par Orellfuessli.ch

Der Vergleich beider Autoren wird vorgenommen, um herauszufinden, ob und inwieweit sich beide Konzepte miteinander vereinbaren lassen und mit welchen Methoden sich hieraus Veränderungen und Verbesserungen für die Lern- und Unterrichtssituation in den Schulen ergeben könnten. Insbesondere in einer Zeit, in der die Institution "Schule" immer wieder Angriffen und Kritik von allen Seiten ausgesetzt ist, benötigt man "neue" Impulse, die den Schulen und vor allem den Schülern förderlich sein sollen. Es wird unter anderem auch bemängelt, dass die SchülerInnen nicht zum selbstständigen Denken angeregt werden. Gerade an dieser Stelle setzt Wolfgang Metzger an, der sich schon in den 60er und 70er Jahren ausgiebig mit diesem Thema beschäftigt hatte. Die Ideen Maria Montessoris bieten dazu ¿alternative¿ Erziehungs- und Lernmethoden, die auch heute noch in Montessori-Einrichtungen, wie Kindergärten und Schulen allgegenwärtig sind und nichts von ihrer Aktualität verloren haben. Dieses Werk richtet sich an Pädagogik- und Psychologiestudenten, sowie Lehrer und Eltern.

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EAN: 9783639017991

henle g nter wolfgang amadeus

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Mozart was neither a flautist nor a harpist, but his Double Concerto has become the best-known music for both these instruments. Now its musical text has been prepared for Henle by the star flautist András Adorján, following the autograph score even in those passages where other editions make arbitrary changes. No less a musician than Robert D. Levin has added historically convincing cadenzas as editorial suggestions; the lean and euphonious piano reduction was prepared by the experienced arranger Jan Philip Schulze. Our edition is the first to present the harp part in form of a performance score. This new volume completes Henle’s series of up-to-date urtext editions of Mozart’s surviving concertos and chamber music with flute.

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EAN: 9790201807683

henle g nter wolfgang amadeus

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Besides being Mozart’s most popular and frequently played violin sonata, it is also the only one set in a minor key. He wrote it in Mannheim and Paris in 1778 along with a few other sonatas, choosing a somewhat unusual two-movement layout. As all lovers of domestic music-making know, this profound and beautiful piece is not all that difficult to play. Our edition is extracted from volume 1 of the complete violin sonatas and includes a preface and the requisite critical commentary.

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EAN: 9790201807287

henle g nter wolfgang amadeus

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“I’ve had to turn out a serenade on short order”: these lines from Mozart to his father offer a glimpse into the everyday life of a composer dependent on patronage. Mozart was about to be married when he pulled this wind piece out of his hat. Yet the results are far removed from the detached, courtly style of the serenade: the work, one of the jewels of the wind repertoire, opens full of earnestness and profundity in the gloomy key of c minor. The high opinion Mozart had of this octet is evident in the fact that he later arranged it for string quintet.

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frais de port: 3.5
le temps de livrer: 1-2 Werktagen
EAN: 9790201897974

henle g nter wolfgang amadeus

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The great pianist Paul Badura-Skoda counts the first movement of this B-flat major sonata K. 333 as “among the most beautiful … in the piano literature.” And who would want to contradict him? What a pyrotechnic display of wonderful and freely vibrant melodies in the first movement, artfully coupled with pianistic runs and flourishes! The sublime slow movement (“Andante cantabile”) could pass as the piano reduction of a string quartet, while the concluding “Allegretto grazioso” is like the jaunty but subtle dance finale from an opera buffa. As we know today, Mozart composed this miraculous sonata in 1783 – previous Mozart scholarship missed the mark entirely with its much earlier date. It appeared in print a year later, interestingly in combination with the (relatively) early piano sonata K. 284 and the grandiose violin sonata K. 454. More information

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EAN: 9790201803975



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