florish key solo violin Classement 2024

universal music vertrieb a division

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Die dreifache Grammy-Gewinnerin Hilary Hahn präsentiert ihre neue Aufnahme von Eugène Ysaÿes sechs Sonaten für Violine solo op. 27. Inspiriert durch J.S. Bach schrieb der legendäre belgische Geiger und Komponist Eugène Ysaÿe im Juni 1923 das erste Werk eines Zyklus aus sechs Sonaten. 100 Jahre später hat Hilary Hahn, „eine der wichtigsten Geigerinnen unserer Zeit“ (The New York Times), diesen Zyklus aufgenommen – angetrieben vom bevorstehenden 100-jährigen Jubiläum. „Ich staune immer wieder über mein Glück, in dieser musikalischen Traditionslinie zu stehen“ sagt Hahn. „Vor 20 Jahren waren mir diese Stücke irgendwie fremd, sie schienen Geheimnisse zu enthalten, die ich niemals enträtseln würde. Jetzt denke ich, ich kann diese Sonaten in seinem Geiste spielen und mir dabei trotzdem absolut treu bleiben.“ Eugène Ysaÿe (1858-1931), der weithin als einer der ersten modernen Geiger gilt, schuf technische und künstlerische Massstäbe für sein Instrument, die bis heute gelten. Koryphäen wie Franck, Debussy und Chausson komponierten bedeutende Werke für ihn. Im letzten Jahrzehnt seines Lebens konzentrierte sich Ysaÿe mehr auf das Komponieren. Er begann mit dem Schreiben der sechs Sonaten für Violine solo, nachdem er den ungarischen Virtuosen Joseph Szigeti Bachs Partiten und Sonaten für Solovioline spielen hörte. Hilary Hahn fasst ihre Bedeutung zusammen und beschreibt sie als „legendär; sie haben Generationen von Geigern geprägt und sind eine wunderbare Hommage an das Instrument“.

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zytglogge violin

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In einer bemerkenswerten Sammlung der grössten Meisterwerke für Violine solo hat Daniel Zisman neben dem musikalischen Monument der Sonaten und Partiten von J. S. Bach (1685–1750) die zwar weniger bekannten, in ihrem musikalischen Reichtum aber grossartigen sechs Solo-Sonaten von Eugène Ysaÿe (1858–1931) aufgenommen. Die Sammlung enthält weiter die 1982 Daniel Zisman gewidmete Rhapsodie op. 23 des argentinischen Komponisten Pompeyo Camps, die Suite No.1 des Schweizer Komponisten Ernest Bloch, die Sonate für Violine solo von Sergej Prokofjew, das Scherzo-Caprice von Fritz Kreisler sowie die monumentale Sonate für Violine solo von Béla Bartók, die als musikalisches Vermächtnis gilt. Die Sammlung wird mit einer weltweiten Erstaufnahme der 1965 komponierten Sonate N° 2 des englischen Komponisten Sir Richard Bennett abgerundet. Daniel Zisman, 1954 in Buenos Aires geboren und seit 1978 in der Schweiz ansässig, stellt sich mit seinem ausdrucksstarken, innigen Spiel ganz in den Dienst der Kompositionen. Er bietet uns in dieser grossartigen Sammlung auf dem Höhepunkt seiner musikalischen Tätigkeit Interpretationen dar, die man ohne Weiteres in die Reihe der Aufnahmen grosser Geiger stellen kann. Wolfgang SteinkeTitelCD 1Johann Sebastian Bach: Sonata Nr.1 / Partita Nr.1CD 2Johann Sebastian Bach: Sonata Nr. 2 / Partita Nr. 2CD 3Johann Sebastian Bach: Sonata Nr. 3 / Partita Nr. 3CD 4Eugéne Ysaÿe: Six Sonatas for violin solo Op. 27, Sonata Nr. 1 / 2 / 3 / 4 / 5 / 6 CD 5Sir Richard Rodney Bennett: Sonata Nr. 2Ernest Bloch: Suite Nr. 1Pompeyo Camps: Rapsodia para violìn solo Op. 83CD 6Fritz Kreisler: Recitativo und Scherzo-Caprice Op. 6Sergei Prokofiev: Sonata for violin solo Op. 115Béla Bartok: Sonata for solo violin

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universal music vertrieb a division

Découvrir informations, conseils et prix pour universal music vertrieb a division vendu 33.4 € , est placé dans la catégorie Musik; ce produit est fabriqué par Universal Music Vertrieb - A Division of Universal Music GmbH et est vendu par Orellfuessli.ch

Die drei Sonaten des polnischen Komponisten Mieczyslaw Weinberg aus den Jahren 1964, 1967 und 1979 gehören zu den kreativsten und technisch anspruchsvollsten Werken für Solo-Violine des 20. Jahrhunderts - sie sind von seltener Intensität. Gidon Kremer spielt bei der Wiederentdeckung des Interesses an Weinbergs Musik eine Schlüsselrolle und setzt diese Stücke aufgrund ihrer herausfordernden Natur in Beziehung zur Bartók-Sonate. Er betont: "Ich freue mich sehr darüber, dass die Welt Mieczyslaw Weinberg allmählich als wichtigen Komponisten anerkennt. Für mich persönlich ist sein umfangreiches Werk eine ständige Quelle der Begeisterung und Inspiration." Diese Ausgabe der Weinberg-Violinsonaten, die beim Kammermusikfestival Lockenhaus und im Studio Residence Palesius in Litauen aufgenommen wurden, erscheint anlässlich Kremers 75. Geburtstags.

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henle g nter johann sebastian

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The solo parts of this wonderful Double Concerto for two violins and orchestra survive in a faultless fair copy by Bach that was made around 1730. The slow movement is regarded as a melodic high point of the composer’s output. With the two solo violins on an equal footing, the concerto amply deserves its position as one of Bach’s most often-played and popular works.

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henle g nter joseph haydn

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As the title implies, these four concertini by Joseph Haydn have to do with small concerti, whereby “small” is to be considered from several points of view: the size of the Haydn concertini, the scoring for piano solo, two violins and bass as well as the technical demands made upon the solo pianist – Haydn’s early works were laid out so as to be easy to play. They thus offer ideal literature for young pianists’ first appearances on the stage and can also serve to prepare the larger piano concerti of Haydn and Mozart.

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henle g nter eug ne

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First came Johann Sebastian Bach’s sonatas and partitas, then Nicolò Paganini’s caprices. Now, with the op. 27 sonatas of Eugène Ysaÿe, the key works in the repertoire for unaccompanied violin are available in urtext editions from Henle. Ysaÿe peppered these challenging works with extraordinary difficulties, dedicating each of them to a virtuoso violinist of his day and tailoring it to suit his special capabilities. Thanks to newly discovered source material, we are able to present a “definitive text” that in many respects supersedes the previously available text from the first edition.

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henle g nter eug ne

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Johann Sebastian Bach’s Sonatas and Partitas, Nicolò Paganini’s Capricci and the Sonatas op. 27 by Eugène Ysaÿe – the key works in the repertoire for unaccompanied violin are available in Urtext editions from Henle, and now also in handy, reasonably priced study editions (Paganini: HN 9450, Bach: HN 9356)! Ysaÿe peppered these challenging works with extraordinary difficulties, dedicating each of them to a virtuoso violinist of his day and tailoring it to suit his special capabilities. We are proud to present a “definitive musical text” that in many respects goes beyond the musical text from the first edition, that is still around today.

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EAN: 9790201897769

henle g nter eug ne

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Ysaÿe’s Cello Sonata, unlike its companion piece for violin solo, has remained relatively unknown. All the same, it merits special attention as it was written at the same time as the Violin Sonatas and has the same superior qualities of musicianship. Our edition draws on a previously disregarded autograph manuscript from a private collection that provides interesting insights not found in the original print. To accompany the publication of Ysaÿe’s violin sonatas (HN 776) we are now offering the Cello Sonata in an urtext edition prepared by Christian Bellisario with detailed editorial comments. A brilliant addition to the repertoire for unaccompanied string instruments.

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EAN: 9790201807805

henle g nter johann sebastian

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Bach’s six violin soli have come down to us in a particularly beautiful fair copy made by the composer himself. They, along with the six cello suites, are regarded as musical and technical milestones of musical literature. Bach skillfully employs the resources of the violin to produce genuine polyphony in some sections through the use of arpeggiated chords and double stops. The culmination of these achievements is the famous Chaconne from the second Partita, which achieves great musical density while presenting the violinist with previously unheard-of technical challenges.

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henle g nter wolfgang amadeus

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Besides being Mozart’s most popular and frequently played violin sonata, it is also the only one set in a minor key. He wrote it in Mannheim and Paris in 1778 along with a few other sonatas, choosing a somewhat unusual two-movement layout. As all lovers of domestic music-making know, this profound and beautiful piece is not all that difficult to play. Our edition is extracted from volume 1 of the complete violin sonatas and includes a preface and the requisite critical commentary.

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henle g nter johannes brahms

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Between 1859 and 1885 Johannes Brahms, with his four symphonies, two piano concertos, violin concerto, dances, variations and overtures, became the representative of large-scale orchestral music. In 1887he chose the violin and violoncello as solo instruments for his Double Concerto in a minor op. 102, since he had outstanding soloists at his disposal. After the premiere of Brahms’s second cello sonata, cellist Robert Hausmann had requested a concert piece; while the renowned violinist Joseph Joachim was Brahms’s friend and had premiered his Violin Concerto, among other things. After the dark-hued Fourth Symphony this concerto comes across as strikingly optimistic and conciliatory. We now offer the score, also published as part of our New Complete Edition, in a convenient study edition.

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EAN: 9790201898520

henle g nter violinmusik italienische

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Instrumental virtuosity and the new impulses of baroque thought are to be found in the solo sonatas that came into being in Italy from the early decades of the 17th century. Both aspects have been taken into account when selecting pieces for this interesting collected edition of Italian violin music of the baroque era. The first volume concentrates on two groups: on the one hand on Corelli in Rome, Torelli in Bologna and Veracini in Florence; and on the other, on the three famous representatives of the last generation of Italian baroque composers – Geminiani, Tartini and Locatelli – whose sphere of influence extended from Padua via Amsterdam to England. All the works have been edited on the basis of the original sources, and therefore provide, in the tried and tested Urtext manner, a clear view of these baroque treasures. The preface gives explanatory notes on performance practice and basso continuo realization, and a list of variant readings rounds off this well-researched Urtext edition.

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henle g nter italienische violinmusik

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Solo sonatas written in Italy in the early decades of the 17th century dazzle with originality, imaginative impulses and instrumental virtuosity – aspects that have all been taken into consideration when choosing pieces for this attractive compilation of Italian Baroque violin music. Along with violin sonatas by Italian maestri Arcangelo Corelli, Antonio Vivaldi and Tomasi Albinoni, this volume offers the chance to get to know lesser-known composers of this genre such as Carlo Farina and Michele Mascitti, who introduced Italian violin music to Germany and France. Our Urtext edition glows with a variety of Baroque gems from that era.

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henle g nter robert schumann

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As with most of Schumann’s duos for solo instrument and piano, the “Pieces in Folk Style”; originally for violoncello and piano, were also published for an alternative instrument. The publisher expected greater circulation and a higher turnover with an additional edition for violin. Apart from a few changes necessitated by the instrument, there was a series of substantial ones in nos. 1 and 5, which partly also concern the piano part. Thus we can be confident that the version for violin was undertaken by Schumann.Now it is available in an Urtext edition for the very first time! Ernst Schliephake has provided practice-orientated fingerings and it is thus excellently suited for the teaching of pupils of medium ability upwards.

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henle g nter nicol paganini

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Nicolò Paganini numbers among the few musicians who attained fame by playing and writing for only a single instrument. His works for violin solo are unique, and his appearances as virtuoso fascinated audiences from the very beginning. Yet, in addition to the violin, Paganini also learned to play the guitar as a child. And before travelling throughout the world he must have got to know the Genoese song “Barucaba” in his hometown of Genoa, writing his op. 14 Variations for violin and guitar upon this song in 1835. We were able to engage musicologist Alberto Cantù and violinist Renato De Barbieri as editors of our Urtext edition of this chamber music work. Barbieri’s helpful fingerings in the violin part round off the edition.

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henle g nter wolfgang amadeus

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For years Henle has been issuing urtext piano reductions of Mozart‘s works for violin and orchestra at six-month intervals. Now the time has come for the three single movements. These incomparable treasures of the violin literature are too well-known to require special praise here. Each solo part appears in an impeccable urtext edition accompanied by cadenzas, improvised lead-ins (Eingänge), fingering, and bowing marks. The piano reduction sounds beautiful and is easy to play -- or, to quote Mozart‘s own words, "it comes off as smooth as silk."

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EAN: 9790201807072

boosey hawkes classical violinist

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Period repertoire specially selected by the world famous teacher Sheila Nelson. Includes a wide spectrum of composers, from the well known to less familiar names and a lively variety of unaccompanied, solo pieces and duets. Instrumentation: violin and piano

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EAN: 9790060102035

henle g nter johann sebastian

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For the editor of an Urtext edition, Bach’s A minor violin concerto BWV 1041 presents few problems; cleanly-written original parts exist from Bach’s Köthen (or early Leipzig) period. But beyond the guarantee of a reliable musical text, the Henle edition scores points in terms of text layout; thanks to a foldout solo part, turning pages is made comfortable, something that was previously a challenge because of the literally non-stop, continuous sixteenth notes in the opening movement. Other publishers have since copied this idea. Only the piano reduction from Henle – in all three of Bach’s violin concertos – can be effortlessly performed off the page, even by the lay musician.

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EAN: 9790201806716

henle g nter ludwig van

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Ludwig van Beethoven’s two Romances for violin and orchestra in G major op. 40 and F major op. 50 are rewarding solo pieces that demand virtuoso technique and artistic sensitivity. Their simple structure, with noble melodies and subsequent virtuoso embellishments, already made them popular during Beethoven’s lifetime. The piano score of this edition is based on the Urtext of the Beethoven Complete Edition. In his preface to our Henle Urtext Edition, Ernst Herttrich offers many interesting details about the genesis and conception of the two romances. The fingerings are by violin virtuoso Wolfgang Schneiderhan; an unfingered part is also included.

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EAN: 9790201803241

henle g nter ferruccio busoni

Découvrir conseils, opinions et fonctionnalités sur henle g nter ferruccio busoni vendu 23.4 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Henle, Günter et est vendu par Orellfuessli.ch

Who isn’t familiar with Johann Sebastian Bach’s Chaconne, the final movement in his Partita in d minor for Violin solo? Time and again composers have been inspired to make this exceptional piece accessible for other instruments. Perhaps the best-known arrangement is by Ferruccio Busoni. Without distancing himself too greatly from Bach’s original, he endeavours to transpose the virtuosity of the string writing onto the piano. Thus Busoni wrote for the piano in a way that congenially makes the most of the capabilities of the modern piano. Our Urtext edition not only takes into account the traditional sources but also meticulously analyses a piano roll in great depth on which Busoni himself can be heard. The fingerings were provided by none other than Marc-André Hamelin.

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EAN: 9790201805573





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