diapason trio piano dolly sonates Classement 2024

universal music vertrieb a division

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Nach der erfolgreichen 2CD Einspielung der Klaviertrios von Wolfgang Amadeus Mozart zeigt das Trio um Daniel Barenboim (Klavier), Michael Barenboim (Violine) und Kian Soltani (Cello) erneut, dass sie eine Klasse für sich sind. Ihre mitreissende Spielfreude und die einzigartige Harmonie zeugen von dem reichen Erfahrungsschatz des Ensembles, das bereits auf eine Vielzahl an gemeinsamen Livekonzerten zurückblicken kann. Das 3 CD Album, eingespielt live in mehreren Konzerten im ausverkauften Pierre-Boulez Saal im Dezember 2019, zeigt, welch erfahrener Beethoven-Interpret Daniel Barenboim ist.

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henle g nter wolfgang amadeus

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As astonishing as it might sound, Mozart was already composing piano sonatas (K. 6–9) at the age of seven. It is wonderfully fresh and varied music. We have already published Urtext editions of these four sonatas in the version for piano and violin (HN 1077). As far as we are aware they have never been published solely as piano sonatas, even though Mozart described them thus in the title and they were assuredly played as such. Whilst the added violin provides tonal enrichment, it can be omitted without loss. A true treasure trove of easier, unknown original music by Mozart.

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henle g nter franz schubert

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Schubert’s 22 piano sonatas sketch a most illuminating picture of the prematurely departed composer and of his compositional path. From the first attempts of the gifted 16- to 19-year- old musician one can trace a continuous development leading to the five great sonatas which he wrote in the years 1823 and 1826, and finally to the three masterworks written shortly before his death, which place him on a level with Beethoven as a composer of sonatas.The intensity with which Schubert approached the genre of the piano sonata meant that he left a large number of piano sonatas incomplete. Volume III of the three-part Henle Urtext edition contains – next to the early sonatas from the years 1815-1818 – the fragments completed by Paul Badura-Skoda, whose completions are highlighted each time by small cue notes. The Critical Report in the Appendix also provides precise information about the genesis of the individual works.

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henle g nter wolfgang amadeus

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The Six Sonatas for Piano K. 26–31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were dedicated to Princess Caroline von Nassau-Weilburg. These jewels by the “Wunderkind” Mozart have only been known in the form of violin sonatas up to now (also see Henle Urtext edition HN 1079). Our edition for solo piano, the first time it has ever been printed in this form, is now available for piano teachers to make use of in their lessons, as well as for all lovers of Mozart.

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henle g nter ludwig van

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In a span of only eight years, between 1794–1802; Beethoven composed twenty piano sonatas, among them his so-called “Grande Sonate Pathétique” op. 13. It marks the consummation of his Classical style, yet also already alludes to his Heroic Period with its intensely Romantic characteristics. Composed in the “tragic” key of C minor, it foreshadows the expressive drama of later masterworks such as the Fifth Symphony or the Coriolan Overture. Of the famous sonatas, this one is the most technically manageable and thus proves immensely popular with advanced piano students. The Urtext edition from G. Henle Publishers hails from the successful Beethoven collaboration between Norbert Gertsch and Murray Perahia, as usual with fingering and interpretive suggestions from the great pianist.

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henle g nter joseph haydn

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Haydn’s last piano work is also considered to be his most famous single work for this instrument. The minor theme is filled with emotional depth: “a melancholy andante in f minor, with variations, as only a genius can do them, that almost sounds like a free fantasia” (thus described in a review of the time). The form is also demanding: not merely one theme but two – one in a major key, the other in a minor one – are varied in turn. The autograph gives one to believe that the work was originally intended to be the first movement of a sonata. This single edition has been taken from the recently revised volume of “Piano pieces” (HN 224) and furnished with a detailed commentary.

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henle g nter franz schubert

Découvrir conseils, opinions et fonctionnalités sur henle g nter franz schubert vendu 41.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Henle, Günter et est vendu par Orellfuessli.ch

Schubert’s 22 piano sonatas sketch a most illuminating picture of the prematurely departed composer and of his compositional path. From the first attempts of the gifted 16- to 19-year-old musician one can trace a continuous development leading to the five great sonatas which he wrote in the years 1823 and 1826, and finally to the three masterworks written shortly before his death, which place him on a level with Beethoven as a composer of sonatas.The intensity with which Schubert approached the genre of the piano sonata meant that he left a large number of piano sonatas incomplete. Volume III of the three-part Henle Urtext edition contains – next to the early sonatas from the years 1815-1818 – the fragments completed by Paul Badura-Skoda, whose completions are highlighted each time by small cue notes. The Critical Report in the Appendix also provides precise information about the genesis of the individual works.

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henle g nter wolfgang amadeus

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At the time, Mozart’s genius – recognised at an early age – could only be explained as being God-given. Wolfgang Amadeus and his sister Maria Anna, older by five years, were admired as being “Wunderkinder” (prodigies) on their travels through Western Europe between 1763 and 1766. The piano sonatas “with a violin accompaniment” K. 6–9 were composed in Paris. It is wonderfully fresh and varied music. The piano is joined by a violin that adds colour, but not as an equal partner unlike in the later, great violin sonatas (see HN 77–80). This music is not only ideally suitable for piano and violin teaching purposes but will also allow musicians who already know “everything” to discover some treasures. Audio example: Benjamin Schmid, Ariane Haering: KV 9, Menuett Oehms Classic OC 335

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henle g nter wolfgang amadeus

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In autumn 1765 Mozart’s family was in Holland, not least at the request of Princess Caroline von Nassau-Weilburg. The fame of the prodigy Wolfgang Amadeus had already reached her so that she “had an extraordinary desire to see this child” (according to Leopold Mozart). The Sonatas for Piano K. 26–31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were naturally dedicated to the princess. An early copy which has nothing to do with Mozart was consulted by the New Mozart Edition as a primary source alongside the first edition. Our Urtext edition revises the musical text, deleting the misleading additions from this source.

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henle g nter johannes brahms

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Brahms‘ first piano works deal with the classical form of the sonata. The Scherzo op. 4 belongs to this context inasmuch as it can be considered as an independent sonata movement. However, with the melody of the Old German Minnelied “Verstohlen geht der Mond auf” used for the slow movement of the first sonata, and the lines from a poem by Sternau that preface the second movement of the Sonata op. 5, Brahms also proclaims his allegiance to Romanticism. The push-and-pull between Classicism and Romanticism then becomes clearly audible in the opp. 1, 2, 4 and 5. – In contrast, the Ballades op. 10, written just barely a year after the Sonata op.5, are thorougly romantic piano pieces. The best known is certainly no. 1, based on the Scottish ballad Edward from Herder’s “Stimmen der Völker.”

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musikverlag c f peters sonaten

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Solo Piano Contents: K331, 332, 333, 457 (with Fantasia K475), 533(with Rondo K494), 545, 547a, 570, 576

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musikverlag zimmermann trio d moll

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This Trio op. 49 for violin, violoncello and piano was composed in 1839. In a letter dated March 21, 1840 to Ignaz Moscheles, Mendelssohn mentioned an inquiry by the publisher Ewer in London to arrange this trio for flute instead of violin. It is assumed that Mendelssohn either arranged the trio accordingly or at least authorised such an arrangement. Transforming the violin part into a flute part is quite astounding and was handled so freely and ingeniously in a variety of aspects that we can only assume that the composer himself could dare to come up with the solutions in question. Interesting information as to the history and development of this edition is given in the preface.Instrumentation:flute, cello and pianoop. 49

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alfred music flex ability classics

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The Flex-Ability series is ideal for solos, duets, trios, quartets, or any size ensembles, including woodwinds, brass, strings and percussion. Players of various abilities, levels 1?3, can play together. An optional play-along CD is available separately. The 11 "classical" themes come from opera, symphony, piano and lute compositions, but are arranged in rock, jazz, swing and other contemporary styles. Here is a fun way to learn about these classics. Composer biographies and program notes are included. Titles: Overture from the opera The Barber of Seville * Bour?e from Lute Suite No. 1 * Haba?era from the opera Carmen * Theme from Hungarian Dance No. 5 * Minuet from Anna Magdalena Bach Notebook * Theme from The New World Symphony * Ode to Joy from Symphony No. 9 * Theme from Pomp and Circumstance * Prince of Denmark's March * Toreador from the opera Carmen * Overture from the opera William Tell.

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alfred pubn suzuki piano school

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The newly recorded CD for the New International Edition of Suzuki Piano School, Volume 7, is performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. Titles: Sonata in A Major (Andante grazioso; Minuetto and Trio; Alla turca), K. 331 (300i) (W. A. Mozart) * Prelude & Fugue in D Major, BWV 850, from The Well-Tempered Clavier, Book 1 (J. S. Bach) * Nocturne in C-sharp Minor, Op. posthumous (Chopin) * The Harmonious Blacksmith, from Suite No. 5 in E Major (Handel) * La fille aux cheveux de lin, from Pr?ludes, Book 1, L. 117:8 (Debussy) * Romanian Folk Dances, Sz. 56 (1. Joc cu B?ta; 2. Br?ul; 3. Pe loc; 4. Buciumeana; 5. Poarga Rom?neasca; 6. Maruntelul) (Bart?k). This CD correlates with Volume 7 (0444SX).

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universal music vertrieb a division

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Auf ihrem sechsten Album für ECM beschäftigen sich der italienische Pianist und sein Trio mit der Musik des amerikanischen Komponisten Alec Wilder (1907 - 1980). "Ich kam in den frühen 90er Jahren erstmals intensiver mit Alec Wilders Musik in Berührung, als ich seine Sonate für Oboe und Klavier und die Sonate für Horn und Klavier in Konzerten spielte", erinnert sich Battaglia. "Ich kannte damals bereits einige seiner populären Songs wie 'While We're Young', 'Blackberry Winter' und 'Moon and Sand' von den intensiven Interpretationen Keith Jarretts. Doch nach der Beschäftigung mit Wilders Kammermusik wollte ich eine noch tiefere Verbindung zu seinem faszinierenden musikalischen Kosmos entwickeln, und stiess auf einen versteckten Schatz von gewaltigem Ausmass." Fast drei Jahre nach ihrem letzten ECM-Album Songways zeigen Battaglia und seine Partner Salvatore Majore (Kontrabass) und Roberto Dani (Schlagzeug) auf In The Morning - einer Live-Aufnahme vom April 2014 aus dem Teatro Vittorio in Turin - ein geradezu telepathisch anmutendes Spielverständnis.

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warner music live in paris

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"Aufnahme" Recorded live at the Theatre des Champs-Elysees, 4 November 2002 "Werke" - Ludwig van Beethoven: Sonate No. 9 in E major - Ludwig van Beethoven: Sonate No. 10 in G major - Ludwig van Beethoven: Sonate No. 15 in D major "Pastoral" - Komitas Vardapet: Six Dances for Piano - Serguei Prokofiev: Sonata No. 7 in B flat major - Frederic Chopin: Mazurka in C sharp minor - Frederic Chopin: Mazurka in F minor - Francois Couperin: Soeur Monique - Jean-Sebastien Bach: Prelude in B minor (after BWV855a) A dim light picks out the outlines of the hall. Suddenly a massice shadow appears and moves swiftly over to the keyboard. There follows the vaguest of unsmiling acknowledgements in the general direction of the audience, and then the music begins. Throughout the next two hours, this music will keep its listeners enthralled with its extraordinary intensity as the audience senses the formidble physical, pianistic, musical and emotional presence of this most secretive of present-day pianists, Grigory Sokolov.

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henle g nter ludwig van

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Online-tutorial available at Henle Masterclass The two piano sonatas op. 49, described in their first publication as “Sonates faciles”; are often the first-ever Beethoven sonatas with which advanced piano pupils can demonstrate their ability. Their relatively high opus number is misleading, however, for both these two-movement works were composed at roughly the same time as the piano sonatas op. 10, between 1796 and 1798. The fact that they were actually published seven years later is presumably thanks to the business dealings of Beethoven’s brother Carl, who initially offered them to several publishers without success. Finally, in 1805, a Viennese publisher relented and accepted them – not yet aware of the treasures that had fallen into his lap. These little masterpieces, cast in an easily manageable format, soon became highly popular. This Henle Urtext edition continues our successful revised series of Beethoven’s sonatas under the auspices of Murray Perahia and Norbert Gertsch.

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sony music entertainment durch einander

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Noch nie hat man Max Mutzke so gehört. Begleitet nur von einem Trio aus Piano, Bass und Drums, zeigt er auf seinem neuen Album DURCH EINANDER eine völlig neue Facette von sich. Produziert und arrangiert vom Erfolgsproduzenten Wolfgang Haffner, singt Max Mutzke auf beeindruckende Weise eine abwechslungsreiche Mischung aus bekannten Pop-Songs, Jazz-Standards und eigenen Songs.UnterstÌtzt wird er dabei von einem einzigartigen Star-Aufgebot wie: Thomas D, Cassandra Steen, Nils Landgren, Wigald Boning, Götz Alsmann, Klaus Doldinger, Sebastian Studnitzky, Menzel Mutzke, Bruno MÌller; Christian Neander.

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bbc jaqueline pre in portrait

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Includes the documentaries Jacqueline du Pre; the Elgar Concerto; and The Ghost. Also contains the full performances of Elgar's Cello Concerto in E Minor OP 85 and Beethoven's Piano Trio No 5 in D Major OP 70 No 1.

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warner music jazz legends

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Produktionsjahre 2010-2020 DVD 1 Sarah Vaughan and Trio, Recording from 1974, Marni Hall, Brussels, directed by Lucien Bastin Sarah Vaughan Carl Schroeder piano · John Gianelli bass · Jimmy Cobb drums Foggy Day in London Town (1:39) The Summer Knows (5:40) On a Clear Day (1:45) Round Midnight (6:25) I'll Remember April (4:38) Over the Rainbow (7:10) I Cried for You (2:51) Rainy Days and Mondays (6:38) Sassy's Blues (7:53) Tonight (1:46) I Remember You (7:40) I'm Just Gigolo (3:28) Interlude (4:37) Summertime (4:39) There Will Never Be Another You (2:59) Misty (3:52) Tonight (3:14) Tenderly (2:55) DVD 2 Count Basie, Recording from 1961, Palais des Beaux-Arts, Charleroi, directed by Serge Leroy Count Basie piano Snooky Young trumpet Frank Wess flute Joe Williams voice Joe Newman trumpet Eddie Jones bass Freddie Green guitar Sonny Payne drums Who, me? (3:53) The midgets (9:08) Gee Baby Ain't I Good To You (2:26) Hallelujah I Love Her So (2:23) Lil' Darlin' (3:45) How high the moon (3:47) H.R.H. (2:47) A pack of bones (2:30) Blues in Frankie's flat (5:14) Whirly Bird (3:59) Midnight sun never sets (3:23) Old man river (6:50) DVD 3 Thelonious Monk Quartet, Recording from 1963, Palais des Beaux-Arts, Brussels, directed by Serge Leroy Thelonious Monk piano · Charlie Rousesax sax-tenor John Ore double bass · Frankie Dunlop drums Monk's Dream (7:25) Drums Solo (4:22) Criss Cross (5:34) Rhythm-a-Ning (6:04) Epistrophy (1:23) Evidence" (6:54) Ruby, My Dear (8:13) Bright Mississippi (9:45) DVD 4 & 5 Modern Jazz Quartet, Recordings from 1961 Palais des Beaux-Arts, Brussels, from 1987 Music Festival Freiburg and 1992 Jazz Gipfel Stuttgart John Lewis piano · Milt Jackson vibraphone Percy Heath bass · Conny Kay drums 35th Anniversary Concert from Music Festival Freiburg, 1987, directed by Hans-Klaus Petsch Rockin' in Rythm (6:54) Echoes (7:36) The Kansas City Bricks (5:59) Django (7:17) Summertime (3:54) Bags groove (6:12) A Day in Dubrovnik (16:28) Modern Jazz Quartet live from 1961, Palais des Beaux-Arts Part, Brussels, directed by Serge Leroy Ralph's New blues (6:24) Fugato from original sin (3:33) How high the moon (6:32) Pierrot (4:15) Django Part II (6:13) Lonely woman (7:00) Animal dance final (5:22) Columbine (5:19) Concorde (4:20) Bags groove (5:16) DVD 6 & 7 Spirits of Music, 2002, live from Leipzig Market Square, directed by Henning Kasten Bobby McFerrin vocals Nigel Kennedy violin Gewandhausorchester Leipzig The Kroke-Kennedy-Quartet Charpentier: Te Deum: Prelude (1:42) Mendelssohn: A Midsummer Night's Dream, Op. 61: Scherzo (5:11) Ride On (4:57) Hold On (6:04) MOZART: Exsultate, jubilate, K. 165 Tapan Bie (4:21) Bach: St. Matthew Passion, BWV 244: "Erbarme dich" (6:50) In the Gardens of Eden (8:09) The Kroke-Kennedy-Quartet Monti: Csárdás (9:54) Ravel: Pavane pour une infante defúnte (6:56) Kalimankou Denkou (9 04) Vivaldi: Concerto for 2 Cellos and Orchestra in G minor, RV 531 Ensemble AI-Kindî & The Whirling Dervishes of Damascus (8:01) Un son pa'...

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