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Mozarts sauberes Autograph bietet eine sichere Basis für diese Urtextausgabe, die kleinere Feinheiten und Abweichungen Mozarts an Parallel- und Wiederholungsstellen bewusst nicht einebnet. Die Hornstimmen enthalten bequeme Wendestellen und bieten zweifache Kadenzvorschläge für den 1. Satz sowie Eingänge, ebenfalls alternativ, für Takt 22 und 196 im dritten Satz. Wie auch in seinen Kadenzen für Mozarts Flötenkonzerte (HN 673, 674, 675) der bekannte Mozart-Spezialist Robert D. Levin vielfach verknüpfbare Motiv- und Melodieteile, aus denen sich jeder Hornist seine eigene Kadenz zusammenstellen kann. Dabei werden die Möglichkeiten des Naturhorns beachtet. Die Kadenzen sind urheberrechtlich geschützt.
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EAN: 9790201807034
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Johann Aloys Schlosser: Wolfgang Amadeus Mozart. Eine begründete und ausführliche Biographie desselben Erstdruck: Prag (Büchler, Stephani und Schlosser) 1828. Vollständige Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2014. Textgrundlage ist die Ausgabe: Johann Aloys Schlosser: Wolfgang Amad. Mozart. Eine begründete und ausführliche Biographie desselben. Herausgegeben zur Gründung und Errichtung eines Monuments für den Verewigten von Joh. Aloys Schlosser. Prag: Büchler, Stephani & Schlosser, 1828 [Nachdruck Prag: Edito Resonus, 1993]. Die Paginierung obiger Ausgabe wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Barbara Krafft, 1819. Gesetzt aus Minion Pro, 11 pt.
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EAN: 9783843045421
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Did Mozart intend this work to be a duo for two bass instruments, or – as the simple basso-like manner of the second part suggests – a sonata for bassoon and keyboard instrument? We will probably never know the answer because the autograph has gone missing. Our edition allows different instrumentation; it not only contains scores for the duo version but also one so it can be performed as a solo bassoon sonata, following the style of the time with a figured bass realization. And cellists – who are not blessed with many works by Mozart – will appreciate the version of this endearing work for cello and figured bass.
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EAN: 9790201808277
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Online-tutorial available at Henle Masterclass This piano concerto by Mozart presented here inaugurate an ambitious project at Henle Publishers: in the coming years many of the Salzburg master’s 23 piano concertos will be published in completely new Urtext editions. And none other than András Schiff is collaborating with us. His piano reductions are aimed at amateurs rather than professionals; his fingerings for Mozart’s solo part have been exquisitely fine-tuned and are inspiring; and where Mozart’s original cadenzas are missing, Schiff’s stylistically perfected ones have been included. In so doing we aspire to set a new precedent. The quality is not only guaranteed by András Schiff, but also by the Mozart scholars to whom Henle Publishers have entrusted their Urtext editions. Each work is edited by a specialist, according to predetermined editorial guidelines. First and foremost Mozart’s handwritten scores have been consulted, being the most important sources. In some cases these had not yet been available when preparing previous editions. Moreover, we know today that in addition to Mozart’s own manuscripts, early copies in parts and prints also contain important information regarding the musical text. A co-production with Breitkopf & Härtel, Mozart’s piano concertos are not only available as attractive and affordable piano reductions, there are also an accompanying Urtext conductor’s score, orchestral parts and a study score. This will ensure that this lavish new edition can be used in many different contexts: whether studying the solo part in a definitive Urtext edition, which reflects the latest research findings; or playing together with a second pianist, providing a piano reduction which not only sounds superb but is also easy to play; or studying and reading the pocket score and finally performing with an orchestra, using newly-prepared material.
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EAN: 9790201807676
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The most beautiful and significant clarinet concerto in the history of music is now appearing in a Henle urtext edition. The piano reduction is accompanied by two separate parts: an urtext edition of the original clarinet part as found in the early prints, and a reconstruction for basset clarinet, the instrument for which the work was originally written. The editor, Henrik Wiese, provides a preface and commentary with an in-depth discussion of the work’s unusual source materials. Mozart’s concerto has become the indispensable audition piece. As a special bonus, this edition also includes the text of the autograph fragment for basset horn in G.
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EAN: 9790201807294
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Automata of all types, including musical automata, had their moment of fame in the 18th century, in “art cabinets” that exhibited, inter alia, musical clocks equipped with a wind-up cylinder and a bellows mechanism. Clockmakers often invited celebrated composers to write pieces for such a clock. This led to the composition of little works by Carl Philipp Emanuel Bach, Haydn, Mozart and many others. Mozart’s three works for the Flötenuhr K. 594, 608 and the Andante K. 616 are nothing less than pearls of this literature, which also includes the arrangement for piano presented here.
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EAN: 9790201802329
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Whoever has experienced a major pianist performing this sonata live (the slow “Andante cantabile” middle movement is occasionally played as an encore) knows the grandeur and effect of this C major work, which is only apparently modest in scope. It appeared in print during the summer of 1784, along with the famous sonata in A major (“alla turca”) K. 331 and the lyrical, technically quite challenging sonata in F major K. 332. The three sonatas were probably composed only shortly before printing, countering the assumption of earlier Mozart scholars. This first edition is editorially significant because numerous details deviate so markedly from Mozart’s manuscript that they could only have come from their creator himself. In the C major sonata K. 330 this particularly applies to the slow movement, the final bars of which, with their doleful farewell, are not to be found in the autograph. More information
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EAN: 9790201806020
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Each of these four-movement works is a real jewel. Mozart worked hard on these six string quartets, and dedicated them to none other than the “inventor” of the genre himself: Joseph Haydn. They were first published in 1785, and have since then been reprinted innumerable times. Wolf-Dieter Seiffert, the editor of this new Henle Urtext edition, already penned the Critical Report for these Haydn Quartets in the New Mozart Edition, 25 years ago. He is now presenting this core repertoire in an edition of its own. This Urtext edition clarifies numerous inaccuracies in other editions, especially with regard to dynamics and articulation, and even corrects a few wrong notes that had gone unnoticed up to now. Special attention has here been paid to making the music as easy-to-read as possible, with ideally placed page turns. The Armida Quartet provided artistic input for this edition. Read more about this edition in the Henle Blog.
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EAN: 9790201811222
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There is no other chamber-music genre for which Mozart produced so many works – see the sonatas and variations – than that of the duos for piano and violin. He spent a considerable amount of time with the sonatas, probing every sound and every thematic limit and combination. He also explored the possibility of pairing off the two instruments, thus creating music of pure, timeless beauty bound with dramatic power, elegance and emotional depth. Volume II contains the six sonatas which Mozart had selected for publication in 1781 as Opus II by Artaria in Vienna. They are dedicated to his pupil Josepha Barbara Aurnhammer, a talented pianist.
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EAN: 9790201800783
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Wolfgang Amadeus Mozart (1756-1791) – sein epochales Werk wurde in vollem Umfang erst lange nach seinem Tod bekannt. Der Verlag Breitkopf & Härtel trug in engem Kontakt mit der Witwe Constanze Mozart durch die 16bändige Ausgabe „Oeuvres completes“ (1798-1806) schon früh zur Verbreitung der Klavierwerke, Lieder und Kammermusik bei. Selbst die erste Gesamtausgabe „Wolfgang Amadeus Mozarts Werke“ (1877-1883), ebenfalls bei Breitkopf & Härtel erschienen, enthielt noch zahlreiche Erstdrucke. Das grosse „Köchel-Verzeichnis“ von Ludwig Ritter von Köchel (1800-1877) kann der beliebte Kleine Köchel nicht ersetzen. Er bietet jedoch im Hauptteil zu allen Mozart-Werken: - den genauen Titel mit Angaben zur Besetzung - die KV-Nummer, die in vielen Fällen nach der 6. Ausgabe von 1964 eine Doppelnummerierung und damit eine präzisere chronologische Zuordnung erfahren hat - das vermutliche Entstehungsjahr Im zweiten Teil des Handbuchs sind Mozarts Werke in systematischer Ordnung nach Besetzungen (Gattungen) aufgelistet. Ein Anhang mit ausgewählten Notenincipits erleichtert die Identifizierung der Werke mit gleichem Titel und gleicher Tonart und schliesst den Kleinen Köchel ab.
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EAN: 9783765100208
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It is said that in a recital given on 23 March 1783 with the celebrated composer Christoph Willibald Gluck most likely in attendance, Mozart improvised variations on the song “Unser dummer Pöbel meint” from Gluck’s Singspiel “Die Pilgrime von Mekka”. He later put them to paper and had them printed three years later. It is quite possibly Christoph Willibald Gluck’s celebrity that was responsible for K. 455 being one of Mozart’s musically most demanding variation cycles.
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EAN: 9790201801896
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Mozart wrote all of his piano concertos for himself “or for a small circle of amateurs and connoisseurs”; which resulted in the fact that – excepting a few – they were not published during his lifetime. Even K. 503, his longest piano concerto, was only published posthumously by Constanze at her own expense. Mozart’s particular fondness for this work can be seen from a sketch leaf for the first movement, on which he thoroughly honed the composition. The piano reduction for our edition was prepared by the world-famous pianist András Schiff, to whom we also owe the reductions for the concertos K. 453, 467 and 488. In addition he also supplied the fingerings for the solo part as well as the cadenza.
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EAN: 9790201808253
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The Six Sonatas K. 279–284 were probably written around the beginning of 1775. Mozart refers to them in letters that he sent to his father from his trip to Paris (1777–79). In these letters he often refers to them as the “difficult sonatas” – probably alluding to the special interpretative demands. He thus provided these works with rich dynamic and articulative markings, advising a reserved tempo for their performance. The Sonata K. 280, which has a special place amongst the early sonatas due to ist melancholy middle movement in f minor, is now also available as a practical and reasonable single edition, which has been taken from our edition of the complete Mozart sonatas. More information
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EAN: 9790201810409
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The great pianist Paul Badura-Skoda counts the first movement of this B-flat major sonata K. 333 as “among the most beautiful … in the piano literature.” And who would want to contradict him? What a pyrotechnic display of wonderful and freely vibrant melodies in the first movement, artfully coupled with pianistic runs and flourishes! The sublime slow movement (“Andante cantabile”) could pass as the piano reduction of a string quartet, while the concluding “Allegretto grazioso” is like the jaunty but subtle dance finale from an opera buffa. As we know today, Mozart composed this miraculous sonata in 1783 – previous Mozart scholarship missed the mark entirely with its much earlier date. It appeared in print a year later, interestingly in combination with the (relatively) early piano sonata K. 284 and the grandiose violin sonata K. 454. More information
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EAN: 9790201803975
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Finally, the time has come: over the next few years all of Mozart’s 26 string quartets will be published by Henle in an Urtext edition of both score and parts. All previous editions have left much to be desired, for example as concerns the correct placement of dynamic markings. Our edition, made with the artistic collaboration of the Armida Quartet, draws upon the large body of modern knowledge concerning Mozart philology and performance practice. We begin with what are, chronologically speaking, the final four quartets: the so-called “Hoffmeister” Quartet, K. 499, and the three “Prussian” Quartets K. 575, 589 and 590. It is possible that the impulse behind the composition of these last three works was the Prussian King Friedrich Wilhelm II, who was an excellent cellist. Modern cellists will find many beautiful melodies to enjoy in them.
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EAN: 9790201811239
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– Flötenstimme: Die Edition besorgte einer der renommiertesten Flötisten unserer Zeit: András Adorján. Seine Edition gibt den Text der Quelle wieder, wohlwissend, dass die Quellenbasis – Mozarts Autograph ist verschollen – dürftig ist. Eindeutige Fehler und Flüchtigkeiten der Quelle werden verbessert und durch Fussnoten oder Klammerung kenntlich gemacht.– Kadenzen und Eingänge: Sie stammen von einem der arriviertesten Mozart-Kennern, dem Musikwissenschaftler und Pianisten Robert D. Levin. Die vorgeschlagenen Kadenzen und Eingänge zeichnen sich dadurch aus, dass sich der Musizierende dank eines ausgeklügelten Verweissystems aus dem angebotenen Material immer wieder neue, "eigene" Kadenzen zusammenstellen kann; damit kommen Levin’s Vorschläge dem Improvisationscharakter von Kadenzen und Eingängen sehr nahe. Achtung: Die Kadenzen und Eingänge unterliegen dem Urheberrecht und sind weltweit geschützt (GEMA); bitte melden Sie ihre Benutzung in Aufführungen und Aufnahmen dem Verlag bzw. der GEMA. – Klavierauszug: Ihn hat der profunde Mozart-Kenner und renommierte Generalbassspezialist Siegfried Petrenz geschrieben. Er strebt einen gut klingenden, technisch nicht allzu anspruchsvollen Klaviersatz an, der sich deutlich von den verbreiteten, am Orchestersatz orientierten Klavierauszügen abhebt. Dadurch wird auch der typischen Unterrichtssituation Rechnung getragen, in der nicht unbedingt immer ein professioneller Korrepetitor die Flöte begleitet.
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EAN: 9790201806730
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The volume with a selection of Mozart’s piano pieces was prepared using the musical text from the complete volume (HN 22 and 9022). It contains his best-loved single piano pieces in Henle Urtext.
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EAN: 9790201801339
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Bassoonists are eagerly awaiting the new Urtext edition of this work, which is widely beloved for its virtuoso passages and inventive richness. Not only does this edition offer a carefully prepared text; it also features cadenza suggestions by Robert Levin as creative stimuli for the performer.
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EAN: 9790201808017
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“Wind music of a very special nature on a large-scale, a composition by Hr. Mozart” – this was the way the “Wiener Blättchen” announced the concert in the National Court Theatre, in which the clarinettist Anton Stadler was to hold his academy. There were twelve wind instruments supported by a doublebass, which was a very unusual combination of instruments, and the contemporary critics raved about it, “Oh; what an effect it made – glorious and grand, excellent and exquisite!”. The title “Gran Partita”; which was added to the autograph in an unknown hand, also bears witness to admiration and respect. Our edition is based on the autograph which has changed hands many times and is today held in Washington.
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EAN: 9790201898094
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In his letters Mozart described his early Piano Sonatas K. 279-284 as being "difficult sonatas". He was probably referring less to the refinements of performance and more to the demands of aesthetics and interpretation, as he also gave these works unusually rich markings as far as dynamics and articulation were concerned. The tempo marking "Andante amoroso", rather untypical for Mozart, for the middle movement of his Sonata in B flat major K. 281 is striking - but is there a better way to describe this tender, lyrical music? Up to now this lovely sonata was only contained in the larger complete volume (HN 1), but now it is offered in an inexpensive single edition. More information
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EAN: 9790201810539