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This is the poignant and compelling story of perhaps the most naturally gifted musical genius of all time. Copiously illustrated with examples of his music, it tells of Mozart's extraordinary childhood travelling the courts of Europe, and of how, after a brief period of fame in Vienna, his fortunes declined until his early death and last resting place in a pauper's grave...
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Wolfgang Amadeus Mozart, the most astonishing child prodigy in the history of music, is felt by many people to be the greatest composer who ever lived. Dominated and shaped by a highly intelligent but frustrated and ambitious father, his story sees the development of a unique genius, from precocious and often endearing childhood to liberated fulfilment, unexpected poverty, and a tragically early death. Generously illustrated by Mozart's music, from his fifth to his final year, this portrait-in-sound reveals a fascinating yet elusive character, drawing richly on the words of the composer himself and those who knew him. This is the ideal way to understand more about Mozart the man, and his music. Throughout his life, he wrote numerous letters - to his father and his friends and pupils - and his musical colleagues wrote about him.
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Découvrir informations, conseils et prix pour henle g nter wolfgang amadeus vendu 25.4 € , est placé dans la catégorie Bücher & Zeitschriften; ce produit est fabriqué par Henle, Günter et est vendu par Orellfuessli.ch
More than a few experts and aficionados count Mozart’s string trio in E-flat major K. 563 among his most magnificent compositions. This masterwork, entered into Mozart’s own catalogue of works on 27 September 1788 as a “Divertimento;” presents the Urtext editor with great challenges. The autograph manuscript has been lost since that time, and no other first-rate source texts exist. The most reliable, albeit clearly imprecise, source is the first edition, published two months after Mozart’s death. Many twentieth-century editions, however, unfortunately reprinted the musical text of Breitkopf & Härtel’s so-called “Alte Gesamtausgabe” (Old Collected Edition), which was edited by none other than the violinist Joseph Joachim on the basis of incorrect copies and is therefore completely corrupt. Even the “Neue Mozart-Ausgabe” (New Mozart Edition) is not error-free. The Henle edition essentially follows the first edition, though aided by numerous corrective interventions, described in the Critical Commentary. The edition’s Appendix presents the surviving fragment of the string trio movement in G major, K. Anh. 66 (562e). How unfortunate that Mozart never completed this equally wonderful music, which continues a little beyond the exposition and thus may quite aptly serve as a short encore. The individual parts (HN 625), available separately, offer optimal flow for reading and playing thanks to the artful apportioning of notes and provision of various foldout panels.
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EAN: 9790201896250
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Sie huschen durch die Nacht, Mantelmänner, Schattengestalten. Aus allen Teilen Wiens kommen sie zusammen, die Mitglieder einer geheimen Bruderschaft. Unter ihnen zwei der berühmtesten Männer der Stadt: Wolfgang Amadeus Mozart und Emanuel Schikaneder. Und alles was die Freunde bei den verschwiegenen Treffen im Tempel der Freimaurer erleben, wird zu Musik, wird Teil von Mozarts letzter, rätselhafter Oper "Die Zauberflöte", in der jede Figur ein Geheimnis birgt. Wer ist Sarastro wirklich? Was plant die sternflammende Königin? Warum muss Papageno schweigen? Zahlen, Symbole, Fragen. Und dann ist da auch noch dieser mysteriöse Fremde, der eines Nachts an Mozarts Tür klopft... Das Hörspiel lässt uns hinter die Fassade der geheimnisvollen Freimaurer blicken, erklärt Mozarts Gedankenwelt und verschafft uns damit einen Zugang zu Mozarts Meisterwerk. Auf CD 2 erklingen die schönsten Passagen der Zauberflöte noch einmal in voller Länge.
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EAN: 9783731399230
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Es ist eine Melodie, die wir alle im Ohr haben. Sie beginnt mit einem einfachen Dreiklang und ist einer der grössten Hits unserer Musikgeschichte. So leicht und unbeschwert dieses Thema auch sein mag, hinter dessen Heiterkeit steckt jedoch ein düsteres Geheimnis. Unsere Geschichte beginnt während des Wiener Faschings im Jahr 1787. Eines Abends macht Mozart die Bekanntschaft eines maskierten Mannes. Der rätselhafte Mann weiss um eine besondere Leidenschaft Mozarts: das Billard-Spiel. Der Unbekannte fordert Mozart zu einer Partie heraus, in der es bald um mehr geht als nur um Sieg oder Niederlage. Was sind die wahren Absichten des Mannes mit der Maske?
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EAN: 9783893533473
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As astonishing as it might sound, Mozart was already composing piano sonatas (K. 6–9) at the age of seven. It is wonderfully fresh and varied music. We have already published Urtext editions of these four sonatas in the version for piano and violin (HN 1077). As far as we are aware they have never been published solely as piano sonatas, even though Mozart described them thus in the title and they were assuredly played as such. Whilst the added violin provides tonal enrichment, it can be omitted without loss. A true treasure trove of easier, unknown original music by Mozart.
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EAN: 9790201810942
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Ever since Mozart encountered the clarinet in Mannheim in 1778 he loved the instrument’s warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orchestra in Vienna, prompted him to compose not only the Clarinet Concerto (K. 622) but also this “Quintet of Quintets”; which was written two years before his death. Like almost all his works for the clarinet, this Quintet was probably intended originally for the basset clarinet. However, it survives only in two posthumous prints, both of which call for a standard clarinet. These prints form the basis of our edition. As an added bonus, the appendix contains a fragmentary Allegro in Bb major for the same combination of instruments.
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EAN: 9790201897691
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It is hardly imaginable today, but the Viennese public of Mozart’s time was unable to appreciate the beauties of Mozart’s Piano Quartet K. 478. It was not accustomed to the dramatic g minor character – especially of the first movement – coming from this composer. And thus it came about that the publisher Hoffmeister refused to print any further quartets; after K. 478, Mozart wrote only the E flat major Quartet K. 493, although a series of six works had originally been planned. What a pity! Today the two piano quartets rank among the landmarks of Mozartian chamber music and continue to enjoy a great status.
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EAN: 9790201801964
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Each of these four-movement works is a real jewel. Mozart worked hard on these six string quartets, and dedicated them to none other than the “inventor” of the genre himself: Joseph Haydn. They were first published in 1785, and have since then been reprinted innumerable times. Wolf-Dieter Seiffert, the editor of this new Henle Urtext edition, already penned the Critical Report for these Haydn Quartets in the New Mozart Edition, 25 years ago. He is now presenting this core repertoire in an edition of its own. This Urtext edition clarifies numerous inaccuracies in other editions, especially with regard to dynamics and articulation, and even corrects a few wrong notes that had gone unnoticed up to now. Special attention has here been paid to making the music as easy-to-read as possible, with ideally placed page turns. The Armida Quartet provided artistic input for this edition. Read more about this edition in the Henle Blog.
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EAN: 9790201811222
Découvrir informations, conseils et prix pour henle g nter wolfgang amadeus vendu 42.9 € , est placé dans la catégorie Bücher & Zeitschriften; ce produit est fabriqué par Henle, Günter et est vendu par Orellfuessli.ch
No serious musician and no serious orchestra can ignore this new Urtext edition of a major work of concerto literature, since the music text frequently diverges from that of previous editions. All the sources were meticulously examined, text-critically evaluated and documented for the very first time. The editing and marking of the solo parts by Tabea Zimmermann and Frank Peter Zimmermann are a crowning point in this co-production with Breitkopf & Härtel.
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EAN: 9790201807980
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When Maria Anna Mozart, known as Nannerl, was to receive piano lessons, her father gave her a music book in which he and others gradually wrote down little recital pieces. Her brother Wolfgang Amadeus soon acquired the book from his older sister. From an early age he displayed a particular talent for composing whereupon his father also wrote down his son’s first works in this music book. The “Nannerl Music Book” thus contains 17 pieces written by Mozart when he was between the ages of five and eight, all of which are easy to play – ideal pieces for beginners. Our edition is taken from the complete volume of Mozart’s Piano Pieces, HN 22, and contains a new preface by the editor Ullrich Scheideler especially written for beginners.
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EAN: 9790201812366
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Leopold Mozart was only able to understand his son’s musical genius in terms of it being a God-given wonder: “That my boy […] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it”. In 1764 Wolfgang composed six sonatas in London – possibly after the model of Johann Christian Bach’s “Opus 2” – that can either be played as piano trios, as violin sonatas or simply on the piano. “Royal” sources were consulted for the edition: the copy in the British Library bears the handwritten note: “This Volume belongs to the Queen 1788”.
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EAN: 9790201810782
Découvrir informations, conseils et prix pour henle g nter wolfgang amadeus vendu 33.4 € , est placé dans la catégorie Bücher & Zeitschriften; ce produit est fabriqué par Henle, Günter et est vendu par Orellfuessli.ch
Flötenstimme: Die Edition besorgte einer der renommiertesten Flötisten unserer Zeit: András Adorján. Seine Edition gibt den Text der Quelle wieder, wohlwissend, dass die Quellenbasis – Mozarts Autograph ist verschollen – dürftig ist. Eindeutige Fehler und Flüchtigkeiten der Quelle werden verbessert und durch Fussnoten oder Klammerung kenntlich gemacht.– Kadenzen und Eingänge: Sie stammen von einem der arriviertesten Mozart-Kennern, dem Musikwissenschaftler und Pianisten Robert D. Levin. Die vorgeschlagenen Kadenzen und Eingänge zeichnen sich dadurch aus, dass sich der Musizierende dank eines ausgeklügelten Verweissystems aus dem angebotenen Material immer wieder neue, "eigene" Kadenzen zusammenstellen kann; damit kommen Levin’s Vorschläge dem Improvisationscharakter von Kadenzen und Eingängen sehr nahe.Achtung: Die Kadenzen und Eingänge unterliegen dem Urheberrecht und sind weltweit geschützt (GEMA); bitte melden Sie ihre Benutzung in Aufführungen und Aufnahmen dem Verlag bzw. der GEMA. – Klavierauszug: Ihn hat der profunde Mozart-Kenner und renommierte Generalbassspezialist Siegfried Petrenz geschrieben. Er strebt einen gut klingenden, technisch nicht allzu anspruchsvollen Klaviersatz an, der sich deutlich von den verbreiteten, am Orchestersatz orientierten Klavierauszügen abhebt. Dadurch wird auch der typischen Unterrichtssituation Rechnung getragen, in der nicht unbedingt immer ein professioneller Korrepetitor die Flöte begleitet.
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EAN: 9790201806747
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There is no other chamber-music genre for which Mozart produced so many works – see the sonatas and variations – than that of the duos for piano and violin. He spent a considerable amount of time with the sonatas, probing every sound and every thematic limit and combination. He also explored the possibility of pairing off the two instruments, thus creating music of pure, timeless beauty bound with dramatic power, elegance and emotional depth. Volume II contains the six sonatas which Mozart had selected for publication in 1781 as Opus II by Artaria in Vienna. They are dedicated to his pupil Josepha Barbara Aurnhammer, a talented pianist.
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“Because I only need four parts to express everything” – Haydn is said to have replied thus when asked why he had not composed a string quintet. Mozart saw things differently. He applied himself to this genre six times, even giving important parts to the two violas. Following Volume II, which contains the three most often played quintets, we now warmly recommend Mozart’s first Quintet K. 174 to ensembles, before in 2008 the 3rd and final volume will be published. The editors were able to refer to the autograph, which is once again accessible. It shows Mozart’s intensive compositional work, resulting in the fact that he composed the minuet and finale of the work a second time. The first version of both movements is included in the appendix of our edition, enabling insightful comparisons.
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EAN: 9790201807775
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After moving to Vienna in 1781, Mozart returned only once to his hometown of Salzburg, and that was from the end of July to the end of October 1783 in the company of his young wife Constanze. Just as we know little for certain about the events of those months, Mozart also seems to have composed equally little there. Just these two exquisite duos for violin and viola come from this period, and even they were apparently written as a friendly favor for Salzburg composer Michael Haydn (younger brother of the great Joseph Haydn), who for reasons of acute ill health was unable to complete a commissioned composition. Henle’s Urtext edition is based on the carefully notated autograph manuscripts; the first edition appeared only in 1792, shortly after Mozart’s death, making its value as a source debatable. In addition to a complete score of this wonderfully intimate chamber music, foldout instrumental parts are included, facilitating comfortable performance.
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EAN: 9790201806242
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We not only owe three of Mozart’s horn concertos to his friendship with Ignaz Leutgeb; the solo part of this unusual chamber music work was also written especially for him. Instead of having two violins, the accompanying string quartet has two violas, which complement the dark and warm timbre of the horn and lend the work a unique tonal effect. Echoes of motives from the “Abduction from the Seraglio” allow us to suppose that it was composed around the same time as the Singspiel. As the autograph is missing, this edition is based on the first edition. In addition the critical apparatus provides a careful evaluation of the secondary sources, affording important insights into Mozart’s intentions.
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EAN: 9790201808260
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“I wish to do it to reflect the character of Mad:selle Rose;” Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it “excellently”. So that a great many other pupils might follow in her footsteps, we are now publishing this small gem that shows Mozart‘s great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN 1 and 3). More information
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EAN: 9790201810652
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Though 18 piano sonatas is a respectable amount for any composer, Mozart also left almost as many – namely 15 – variation cycles. Variations on popular themes, but also on original tunes, were a kind of fashion craze back then, and Mozart made his contribution in this field as well. Certainly, financial considerations played a role here; after all, fashionable items sell well. Thus Mozart’s variations, in contrast to his piano sonatas, were all published during his lifetime. The fact that these were articles of taste did not mean that they were not of the finest quality, especially with Mozart. In these variations, a wealth of imagination and stylish elegance come together for joyful music-making. One should not underestimate them, but simply take pleasure in these wonderful works.
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EAN: 9790201801162
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No chamber-music genre was honored with so many works as Mozart’s duos for piano and violin. As well as the 16 sonatas they include two variation cycles which Mozart composed in 1781, thus in his first Viennese year, and were most likely intended for his various pupils and students.The combination of duo/duet and variation was to make the two works especially well known. Both cycles, especially the second one in g minor, are finest Mozart.
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EAN: 9790201801810