outhere music fr cnt op Classement 2024

universal music vertrieb a division

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Die dreifache Grammy-Gewinnerin Hilary Hahn präsentiert ihre neue Aufnahme von Eugène Ysaÿes sechs Sonaten für Violine solo op. 27. Inspiriert durch J.S. Bach schrieb der legendäre belgische Geiger und Komponist Eugène Ysaÿe im Juni 1923 das erste Werk eines Zyklus aus sechs Sonaten. 100 Jahre später hat Hilary Hahn, „eine der wichtigsten Geigerinnen unserer Zeit“ (The New York Times), diesen Zyklus aufgenommen – angetrieben vom bevorstehenden 100-jährigen Jubiläum. „Ich staune immer wieder über mein Glück, in dieser musikalischen Traditionslinie zu stehen“ sagt Hahn. „Vor 20 Jahren waren mir diese Stücke irgendwie fremd, sie schienen Geheimnisse zu enthalten, die ich niemals enträtseln würde. Jetzt denke ich, ich kann diese Sonaten in seinem Geiste spielen und mir dabei trotzdem absolut treu bleiben.“ Eugène Ysaÿe (1858-1931), der weithin als einer der ersten modernen Geiger gilt, schuf technische und künstlerische Massstäbe für sein Instrument, die bis heute gelten. Koryphäen wie Franck, Debussy und Chausson komponierten bedeutende Werke für ihn. Im letzten Jahrzehnt seines Lebens konzentrierte sich Ysaÿe mehr auf das Komponieren. Er begann mit dem Schreiben der sechs Sonaten für Violine solo, nachdem er den ungarischen Virtuosen Joseph Szigeti Bachs Partiten und Sonaten für Solovioline spielen hörte. Hilary Hahn fasst ihre Bedeutung zusammen und beschreibt sie als „legendär; sie haben Generationen von Geigern geprägt und sind eine wunderbare Hommage an das Instrument“.

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note 1 music gmbh cherubini

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Luigi Boccherinis 1782 veröffentlichten Sinfonien Op.35 führen zwar Bläser in der Besetzung auf, bei näherer Betrachtung sind diese allerdings nicht als obligat zu betrachten, und die Stücke auch in einer reinen Streicherbesetzung ausführbar. Hintergrund ist ihre Entstehung für die Hauskapelle von Don Luis de Borbón, dessen Musik-Ensemble normalerweise lediglich aus einem von Boccherini angeführten Streichquintett bestand. Unter der Leitung von Marc Destrubé führt das Orchestra of the Eighteenth Century die reizvollen Stücke hier in ihr ursprüngliches Klangbild zurück.

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arts music l arte del

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Concertos pour violon N°10 à N°12

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alfred music publishing scenes from

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Scenes of childhood Opus 15 Composer: Schumann, Robert

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universal music vertrieb a division

Découvrir conseils, opinions et fonctionnalités sur universal music vertrieb a division vendu 33.4 € , ce produit est placé dans la catégorie Musik, fabriqué par Universal Music Vertrieb - A Division of Universal Music GmbH et est vendu par Orellfuessli.ch

Auf seinem ECM New Series Debütalbum spielt das Parker Quartet aus Boston, das von der Washington Post für seine "Meisterschaft und phantasievolle Interpretationskunst" gelobt wird, Werke von György Kurtág sowie von Antonín Dvorák - letzteres gemeinsam mit der früheren Mentorin des Quartetts, der Bratschistin Kim Kashkashian. In diesem kraftvollen Programm der Kontraste wird Dvoráks Streichquintett Nr. 3, das 1893 in Amerika komponiert wurde, von zwei konzentrierten, akribisch geformten Werken Kurtágs eingerahmt - den Six Moments musicaux (2005) und dem Officium breve in memoriam Andreae Szervánszky (1988/89). Das besondere Gespür für Kurtágs singuläre Musiksprache ist nicht zuletzt das Ergebnis einer intensiven Zusammenarbeit mit dem ungarischen Komponisten. Das Album wurde im Studio des Radio DRS in Zürich aufgenommen.

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EAN: 0028948559848

rough trade distribution slitch music

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Disc Side One: Slitch 16mm film, color, 23 min. Disc Side Two: Slitch Music - The Movie Soundtrack written & performed vy the Continental OP 8 Songs

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EAN: 0781484019596

henle g nter johannes brahms

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Between 1859 and 1885 Johannes Brahms, with his four symphonies, two piano concertos, violin concerto, dances, variations and overtures, became the representative of large-scale orchestral music. In 1887he chose the violin and violoncello as solo instruments for his Double Concerto in a minor op. 102, since he had outstanding soloists at his disposal. After the premiere of Brahms’s second cello sonata, cellist Robert Hausmann had requested a concert piece; while the renowned violinist Joseph Joachim was Brahms’s friend and had premiered his Violin Concerto, among other things. After the dark-hued Fourth Symphony this concerto comes across as strikingly optimistic and conciliatory. We now offer the score, also published as part of our New Complete Edition, in a convenient study edition.

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EAN: 9790201898520

henle g nter max reger

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Max Hehemann stated once, “Reger just simply happens to be complicated”. This sums up the usual and for the main part accurate assessment that is prevalent in the music world of the works of one of the most important German composers at the turn of the twentieth century. The Piano Sonatinas op. 89 are a marked exception to the Reger rule. Reger, whose writing for the piano was often virtuosic and dense, greatly retracted this here, favouring instead a wonderful airiness and transparency. Nevertheless, unlike a sonatina by Clementi for instance, these four Reger Sonatinas are not easy to play (according to our levels of difficulty, the easiest, the Sonatina in D major [No. 2], is considered 5/6 – that is medium level of difficulty.)

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EAN: 9790201804699

henle g nter fr d

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“Chopin was probably the first to apply the word ‘ballade’ to music”; Robert Schumann once wrote. He and his contemporaries were only familiar with the term “ballad” as a literary generic concept. Poems by Chopin’s compatriot Adam Mickiewicz are said to have inspired the composer’s ballades, although there is no concrete evidence to support this. However, the dramatic narrative gesture of the literary ballad can clearly be seen in this new genre, as in Ballade no. 3 op. 47 which is now available as a single edition following a revision of the complete volume (HN 862).

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EAN: 9790201809373

henle g nter franz schubert

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Schubert composed the Wandererfantasie in November 1822. Though generally designated as a year of crisis, an entire series of Schubert’s important works were created precisely at this time, when the Wandererfantasie, for example, but also the Symphony in B minor, the “Unfinished;” began to cast their spells on music lovers all over the world. There were several precursors, in particular the fantasias of Carl Philipp Emanuel Bach and Mozart. Nevertheless, Schubert continued to develop the genre in this masterpiece. He combined the principle of the fantasia with that of the sonata cycle, by dividing the whole into four large sections (movements) that flow seamlessly into one another, whereby he derived the thematic material from a core which – not surprisingly – consisted of measures borrowed from the song Der Wanderer in the second movement. This work was one of the few instrumental works of Schubert’s to have appeared in print during his lifetime, and was already receiving encomiums from the critics back in its day. It still ranks today among the most often played yet technically and musically highly challenging works of this composer. Read more about this edition in the Henle Blog.

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EAN: 9790201802824

henle g nter alexander skrjabin

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Scriabin’s ideal of music as part of a synthesis of the arts, raising people to a higher level of consciousness, is particularly apparent in his late work "Vers la flamme" op. 72. The poème opens with static, rough chords, and then slowly but steadily rises from the depths to the bright light above. Diverse levels of sound in changing rhythms gradually move above one another and create a suction-like tension. At the close, tremolos and fanfares tower up to a blazing conflagration of orchestral intensity.The Scriabin expert Valentina Rubcova knowledgeably sheds light on this suggestive work in the accompanying texts to our Urtext edition.

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EAN: 9790201810157

henle g nter felix mendelssohn

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The string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All later quartet composers had to measure themselves against the works of these three masters. This applies first and foremost to Mendelssohn, who has always been called a “classical romantic.” His Quartet in a minor op. 13 in particular is said to have strong Beethovenian stylistic traits. It was composed in late summer and fall 1827, shortly after Beethoven’s late quartets appeared in print, works that Mendelssohn was no doubt familiar with. The Quartet in E flat major op. 12 was written two years later, during Mendelssohn’s first tour of England.

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EAN: 9790201892702

henle g nter felix mendelssohn

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A short while ago Henle issued Mendelssohn’s second Violoncello Sonata, op. 58. Now the first Sonata, op. 45, is available for the first time as Urtext edition with a flawless music text. A preface and critical commentary provide detailed information on this major contribution to the romantic violoncello repertoire.

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EAN: 9790201806679

henle g nter fr d

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When Chopin gave his Opus 23 the title “Ballade” in the mid 1830s, he established the piano ballade as a new musical genre which was subsequently taken up by others, including Brahms, Liszt and Grieg. The idea of transforming a fictional, dramatic and mystical event into music particularly suggested itself to the Romantic Schumann. He was enthusiastic about this work: “I have a new Ballade by Chopin. It seems to me to be one of his most brilliant (not most inspired) works.” This has been taken from the revised edition of the “Ballades” (HN 862). Detailed information on the genesis of this work and an evaluation of the sources can be downloaded free-of-charge.

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EAN: 9790201808673

henle g nter edvard grieg

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Grieg’s Third Violin Sonata is one of his major creations and stands alongside the sonatas of Johannes Brahms and César Franck at the pinnacle of late nineteenth century chamber music. One small measure of the work’s renown is its occurrence in Thomas Mann’s novel "Doktor Faustus". The sonata has been growing more popular ever since its first publication, and it is now high time for it to appear in an urtext edition from Henle. A preface and detailed editorial notes provide interesting background material on the work’s source tradition.

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EAN: 9790201807003

henle g nter franz schubert

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Franz Schubert transformed five song melodies from his rich output of Lieder into instrumental music. The song “The Trout” from 1817 served as a theme for the variations in his Quintet D. 667 for piano, violin, viola, violoncello and double bass, one of chamber music’s most popular works. The piece’s sunny mood – it sounds much more cheerful than Schubert’s other chamber music – comes across like an echo of the felicitous summer months of 1819. The then twenty-two-year-old Schubert passed these in convivial company at Steyr in Upper Austria, and subsequently set to work composing. The present Urtext edition largely follows the Viennese first edition, which likely reproduces the original version of the now lost autograph. In addition, it takes into account the only manuscript source of this work, a copy by Schubert’s friend Albert Stadler. Musicians everywhere will appreciate the optimally-placed page turns in the individual parts!

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EAN: 9790201804637

henle g nter fr d

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Chopin’s Polonaise in A major op. 40 no. 1 is better known as the “Military Polonaise”. Indeed, the brisk rhythm, the “drum roll” in the middle section and the heroic demeanour of the work in general all evoke the world of military music. A favourite for many generations now, the work has nevertheless faced a complex source situation; the editor must deal with two strands of sources that diverge considerably from one another. Our separate publication of the piece solves this problem masterfully; it is based on the musical text of the Chopin anthology of Polonaises (HN 217), and thus offers the typically high-quality and reliable Urtext of G. Henle Verlag.

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EAN: 9790201806617

henle g nter franz schubert

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Schubert only took ten days to write his String Quartet in G major, one of his truly monumental chamber music works. With its almost symphonic dimensions, this late quartet is reminiscent of his great String Quintet in C major. As divulged in a letter, Schubert actually wanted to “pave the way for the large symphony” with this quartet and several other chamber music works that he composed around the same time. Written in 1826, the quartet was not performed in public during the composer’s lifetime; and it was only published long after his death. Our Urtext edition with its accompanying study edition is therefore based on the surviving autograph.

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EAN: 9790201898506

henle g nter max reger

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“For me, Sebastian Bach is the be-all and end-all of music; true progress lies and resides in him alone.” It was with these programmatic words that Max Reger prefaced his answer to a survey “What does Johann Sebastian Bach mean to me, and what is his significance for our time?”; posed by the editors of a magazine in 1905. Reger had already proven his adoration of Bach with his magnificent homage to the composer, written and published in 1900 and probably the best-known of his works for organ. It is an established work in the concert repertoire of well-known virtuosi, but is also increasingly being performed by ambitious church musicians. Henle has now published this sea of notes and performance directions in an edition with a particularly clear and readable text.

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EAN: 9790201807607

henle g nter ludwig van

Découvrir informations, conseils et prix pour henle g nter ludwig van vendu 42.9 € , est placé dans la catégorie Bücher & Zeitschriften; ce produit est fabriqué par Henle, Günter et est vendu par Orellfuessli.ch

It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture, demand declined for buoyant serenades and divertimenti intended for court circles – a genre that Beethoven had reservations about as it was. Composed in 1795 with no known occasion in mind, his Sextet op. 81b is thus all the more remarkable, standing out on account of the unusual virtuosity of the horn parts. Our edition is the first to provide the bass part as originally intended by Beethoven: for violoncello supported by a double bass. In addition to the original horn parts in E flat, it also contains transposed parts in F. Read more about this edition in the Henle Blog.

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EAN: 9790201809557



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