ondine concerto piano Classement 2024

naxos friedrich gulda mozart piano

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"Aufnahme" A concert from the Münchner Klaviersommer 1986 "Musik" Orchester - Münchner Philharmoniker Dirigent - Friedrich Gulda In keinem seiner Klavierkonzerte Mozarts scheint der Ton offener und direkter als in der Nr. 20 d-Moll, KV 466. In ihm verarbeitet er vermutlich das zwiespältige Verhältnis zu seinem Vater Leopold. Das D-Dur Konzert, KV 537 erklingt dagegen stärker in der Tradition seiner früheren Konzerte. Im Jahr 1790, zwei Jahre nachdem Mozart die Komposition beendet hat, wurde es zur Kaiserkrönung Leopolds II. in Frankfurt gespielt. Zwei Klavierkonzerte, die unterschiedlicher nicht sein könnten. Beim Münchner Klaviersommer 1986 macht Friedlich Gulad jenen Kontrast zwischen dem "Krönungskonzert" und dem d-Moll-Konzert zum zentralen Thema und verstärkt diesen Eindruck durch den Wechsel seiner Kleidung. weiss für D-Dur und schwarz für d-Moll. Dabei fungiert Gulda in der Doppelrolle als Solist und Dirigent der Münchner Philarmoniker.

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universal music vertrieb a division

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Rudolf Buchbinder, einer der grössten Beethoven-Interpreten unserer Zeit, hat sich mit diesem Projekt der 5 Klavierkonzerte einen lang gehegten Traum erfüllt. 5 Dirigenten, mit denen er eine sehr enge Zusammenarbeit pflegt und "deren" Orchester spielen mit ihm jeweils eines der berühmten Klavierkonzerte von Ludwig van Beethoven live im Musikverein Wien. Mit allen Beteiligten verbindet Rudolf Buchbinder eine lange musikalische Beziehung und Freundschaft. 4 der Konzerte konnten in Wien stattfinden, das Konzert mit der Staatskapelle Dresden unter Christian Thielemann fand in Dresden statt. Entstanden ist eine unglaubliche Einspielung der Klavierkonzerte in einer absoluten Traum-Besetzung. Mit der Staatskapelle Dresden, Christian Thielemann, den Münchner Philharmonikern, Valery Gergiev, dem Gewandhausorchester Leipzig, Andris Nelsons, dem Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons (in seiner letzten Aufnahme) und den Wiener Philharmonikern unter Riccardo Muti.

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universal music vertrieb a division

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Genau vor einem Jahr gewann Seong-Jin Cho den ersten Preis beim renommierten internationalen Chopin Klavierwettbewerb in Warschau. Mit dem Gewinn des ersten Preises fügt er sich in eine Reihe von Pianisten bei der Deutschen Grammophon ein, deren Namen in den Ohren eines jeden Klassikliebhabers klingen: Martha Argerich, Maurizio Pollini, Rafal Blechacz, Yundi und weitere. Das direkt nach dem Gewinn des Wettbewerbs veröffentlichte Album war das bestverkauft Klassikalbum weltweit in 2015, dreifach Platin in Korea innerhalb einer Woche, Nr. 1 der Popcharts nur durch Vorbesteller, Gold in Polen. Die nun vorliegende erste Studioaufnahme des jungen Koreaners überhaupt enthält das erste Klavierkonzert von Frederic Chopin mit dem London Symphony Orchestra unter Gianandrea Noseda, und Chopins 4 Balladen. Zuletzt verfolgten 250000 Zuschauer einen Live-Stream der Berliner Yellow Lounge, der über das Facebook-Profil der Welt/N24 Gruppe übertragen wurde. Cho kommt im Frühjahr 2017 auf eine ausführliche Tournée.

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note 1 music gmbh romantic

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Der aus einer musikalischen Familie stammende Pianist und Komponist William Sterndale Bennett studierte bei namhaften Kapazitäten wie Cipriano Potter oder William Crotch. Besonders anziehend war für ihn aber die Musikszene in Deutschland, und häufig besuchte er das europäische Festland, um sich von Mendelssohn und Schumann inspirieren zu lassen. So verwundert es nicht, wenn in Bennetts Kompositionen immer wieder Anklänge an seine grossen Vorbilder zu hören sind. Die verdienstvolle HYPERION-Reihe Das Romantische Klavierkonzert widmet sich in der 74. Folge dem englischen Komponisten und konnte dazu erneut Howard Shelley am Klavier gewinnen.

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universal music vertrieb a division

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Krystian Zimerman, Simon Rattle und das London Symphony Orchestra präsentieren Beethovens 5 Klavierkonzerte. Der polnische Ausnahmepianist Krystian Zimerman hat bereits vor über 30 Jahren (1989) gemeinsam mit Bernstein eine herausragende Referenzeinspielung von Beethovens Klavierkonzerten Nr. 3, 4 & 5 vorgelegt. Beide waren sich damals in ihrem Engagement für die Musik einig - in Geist, Herz und Seele - was zu einer aussergewöhnlichen Aufnahme führte. Leider starb Bernstein, bevor der Zyklus abgeschlossen war. Zimerman dirigierte 1991 die restlichen Konzerte Nr. 1 und 2 selbst vom Klavier aus. »Bernsteins Art zu Musizieren hinterliess einen deutlichen Eindruck bei mir«, sagte Zimerman. »Er gab mir den Mut und auch das Selbstvertrauen, in meinen Interpretationen etwas zu wagen, gänzlich neue musikalische Ideen zu erproben. [...] Nur bei einem einzigen Dirigenten, da war es ähnlich - bei Simon Rattle." Jetzt, 30 Jahre nach seiner ersten Aufnahme, kehrt Zimerman zu Beethovens Klavierkonzerten zurück. Er bietet eine aussergewöhnliche Neuinterpretation, aufgenommen mit Rattle und dem London Symphony Orchestra im LSO St. Luke's im Dezember 2020. Damit wird dieses Album zum Höhepunkt des Beethoven-Jahres 2020 und ein weiterer Meilenstein in der Reihe der grossen Beethoven-Aufnahmen. Das Album ist als 3-CD Digipack, einer hochwertigen Vinyl-Box sowie als Download und Stream erhältlich. Ende 2021 ist auch eine Deluxe Edition mit dem gesamten Konzerterlebnis als Video auf BluRay geplant.

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universal music vertrieb a division

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My enthusiasm for Brahms goes back to my youth, and the piano concertos are largely responsible for it,? writes Sir András Schiff in a liner note for this remarkable new recording. It finds the great pianist reassessing interpretive approaches to Brahms in the inspired company of the Orchestra of the Age of Enlightenment. To fully bring out the characteristics of Brahms's music Schiff's choice of instrument is a Blüthner piano built in Leipzig around 1859, the year in which the D minor concerto was premiered. The historically informed Orchestra of the Age of Enlightenment plays with the flexibility, attitude, and responsiveness of a chamber music ensemble, as they work without a conductor, listening attentively to each other. András Schiff's collaboration with the orchestra in a series of concerts was widely acclaimed: 'Brahms's First Piano Concerto was reborn thanks to the OAE's incisive playing and András Schiff's characterful phrasing?, The Guardian exclaimed. The musicians' mutual wish to recapture the experience led to the present double album, recorded in London in December 2019. An extensive CD booklet includes liner notes by András Schiff and Peter Gülke in English and German.

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omnibus press the essential collection

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This fine selection features the most famous masterpieces by Antonio Vivaldi, including his celebrated Violin Concertos and, of course, movements from the Four Seasons. Contains both sheet music and full audio on CD.

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mconnexion gmbh richter klavier konzerte

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CD 1 JOHANN SEBASTIAN BACH Keyboard Concerto No.1 in D minor BWV1052 Keyboard Concerto No.3 in D BWV1054 Keyboard Concerto in G minor BWV1058 CD 2 W. AMADEUS MOZART Piano Concerto No.9 in E flat K271 Piano Concerto No.17 in G K453 CD 3 W. AMADEUS MOZART Piano Concerto No.20 in D minor K466 Piano Concerto No.27 in B flat K595 CD 4 W. AMADEUS MOZART Piano Concerto No.14 in E flat K449 L. VAN BEETHOVEN Piano Concerto No.3 in C minor Op.37 CD 5 ROBERT SCHUMANN Piano Concerto in A minor Op.54 PYOTR ILYICH TCHAIKOVSKY Piano Concerto No.1 in B flat minor Op.23 CD 6 JOHANNES BRAHMS, Piano Concerto No.2 in B flat Op.83 RICHARD STRAUSS Burleske in D minor 19'11 CD 7 FRÉDÉRIC CHOPIN Piano Concerto No.2 in F minor Op.21 CÉSAR FRANCK Les Djinns 11'38 JOSEPH HAYDN Piano Concerto in D Hob.XVIII/11 CD 8 ANTONÍN DVORÁK Piano Concerto in G minor Op.33 SERGEI PROKOFIEV Piano Concerto No.1 in D flat Op. 10 CD 9 BELA BARTOK Piano Concerto No.2 in F minor Op.21/Sz95 BENJAMIN BRITTEN Piano Concerto No.1 in D Op. 13 CD 10 ALBAN BERG Chamber Concerto for piano, violin and 13 wind Instruments PAUL HINDEMITH Kammermusik No.2

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seyffert production essential classics 99

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1. Piano Concerto No. 1 in B-flat minor, op 23: allegro non troppo and very impressive (Excerpt); 2. Hungarian Dance No. 5, Allegro molto; 3. The Four Seasons op. 8 - The summer, concerto in G minor, RV 315: Presto; 4. Symphony No. 5 in C minor, Op. 67, Allegro con brio; 5. Toccata and Fugue in D minor, BWV 565; 6. Rigoletto: La Dona e mobile; 7. Waltz No. 6 op. 64 (Minute waltz); 8. Carmen Suite No. 1, The Toreador; 9. Sylvia, Act 3, No. 20: Variation dansée (Pizzicati); 10. La Traviata: Libiamo ne' lieti calici (Brindisi); 11. Egmont overture, op. 84; 12. Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2 "Moonlight Sonata", Adagio sostenuto ; 13. The Wedding March to "Lohengrin"; 14. For Elise; 15. Piano Concerto No. 4 in G major, Op. 58, Allegro moderato; 16. Love Dream; 17. Nocturne No. 3 in G minor, op. 15; 18. Slavonic Dance No. 1 in C major; 19. Overture to "The Marriage of Figaro"; 20. Sleeping Beauty - Introduction; 21. A Faust Overture, in D minor; 22. Radetzky-March; 23. Prelude; 24. Suite No. 3 in D major, BWV 1068, Air; 25. Emperor Waltz, Op. 437; 26. Aida: Se quel guerner io fossi...Celeste Aida; 27. Nocturne in B major, op. 32; 28. Concerto in G minor; 29. Etude No. 12 op.10 - etude of the revolution; 30. Water Music, Andante - Allegro; 31. Symphony No. 1 in C major, Op. 21, Andante cantabile con moto; 32. Ballet Music to Margaret; 33. Symphony No. 40 in G minor KV Molto allegro; 34. Ave Maria; 35. Concerto for Cello and Orchestra in G major, Allegro; 36. Concerto for Flute and Harp, Andantino; 37. Brandenburgisches Concerto No. 3 in G major, BWV 1048 - Allegro moderato; 38. Polonaise, opus 26, No. 1; 39. Symphony No. 88 in G major, Menuetto; 40. Symphony No. 9 in D minor - adagio. Slowly, solemnly; 41. Suite No. 1 in C major, BWV 1066, Bourrée ; 42. Piano Concerto No. 2 in B-flat major, Op. 19, Rondo - molto allegro; 43. Concerto in F minor; 44. Symphony No. 6 in F major, Op.

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naxos a tribute to hans

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Richard Wagner Tristan und Isolde, Vorspiel & Isoldes Liebestod Birgit Nilsson, Isolde Die Walküre, Erster Aufzug (Act One) Claire Watson, Sieglinde Fritz Uhl, Siegmund Josef Greindl, Hunding Ludwig van Beethoven Overture “Leonore III”; op.72a Concerto for Piano and Orchestra No. 4 in G major, op. 58 Wilhelm Backhaus, piano The Vienna Philharmonic Orchestra and Hans Knappertsbusch worked together for the fi rst time at the Salzburg Festival in 1929. Mozart’s Little Night Music, de Falla’s Nights in the Gardens of Spain and a Dance Suite by the composer Franckenstein formed the first half of the programme while Beethoven’s Eroica took up the second half. Although the orchestra and the conductor had never met before, Knappertsbusch rehearsed only the first part of the programme. He refused to rehearse Beethoven’s Eroica, saying, “You know the work, I know the score”. The violinist Otto Strasser remembers, “He radiated such confi dence on the evening of the concert that a rehearsal had indeed not been necessary”… This incident was characteristic for the relationship between the Vienna Philharmonic Orchestra and Hans Knappertsbusch, which lasted for 35 years, giving 210 concerts and playing for innumerable performances at the Vienna State Opera. Although Knappertsbusch was born near Wuppertal in Westphalia in 1888, the conductor felt particularly at home in Vienna. When the National Socialists removed the somewhat defi ant Musical Director of the Munich State Opera from his post in 1936 in the middle of a performance and forbade him to conduct any further performances or concerts, Knappertsbusch took up a position as conductor at the Vienna State Opera, where Bruno Walter was Artistic Director at the time. As a result he had a particularly close relationship with the Vienna Philharmonic Orchestra, which remained unchanged till the end of the war. After the Second World War Vienna continued to be the centre of his conducting activity - together with Munich and Bayreuth - and until shortly before his death in Munich in 1965, Knappertsbusch’s concerts were the annual highlights of the season not only for the orchestra but also for his many fans.

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naxos a tribute to hans

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Richard Wagner Tristan und Isolde, Vorspiel & Isoldes Liebestod Birgit Nilsson, Isolde Die Walküre, Erster Aufzug (Act One) Claire Watson, Sieglinde Fritz Uhl, Siegmund Josef Greindl, Hunding Ludwig van Beethoven Overture “Leonore III”; op.72a Concerto for Piano and Orchestra No. 4 in G major, op. 58 Wilhelm Backhaus, piano The Vienna Philharmonic Orchestra and Hans Knappertsbusch worked together for the fi rst time at the Salzburg Festival in 1929. Mozart’s Little Night Music, de Falla’s Nights in the Gardens of Spain and a Dance Suite by the composer Franckenstein formed the first half of the programme while Beethoven’s Eroica took up the second half. Although the orchestra and the conductor had never met before, Knappertsbusch rehearsed only the first part of the programme. He refused to rehearse Beethoven’s Eroica, saying, “You know the work, I know the score”. The violinist Otto Strasser remembers, “He radiated such confi dence on the evening of the concert that a rehearsal had indeed not been necessary”… This incident was characteristic for the relationship between the Vienna Philharmonic Orchestra and Hans Knappertsbusch, which lasted for 35 years, giving 210 concerts and playing for innumerable performances at the Vienna State Opera. Although Knappertsbusch was born near Wuppertal in Westphalia in 1888, the conductor felt particularly at home in Vienna. When the National Socialists removed the somewhat defi ant Musical Director of the Munich State Opera from his post in 1936 in the middle of a performance and forbade him to conduct any further performances or concerts, Knappertsbusch took up a position as conductor at the Vienna State Opera, where Bruno Walter was Artistic Director at the time. As a result he had a particularly close relationship with the Vienna Philharmonic Orchestra, which remained unchanged till the end of the war. After the Second World War Vienna continued to be the centre of his conducting activity - together with Munich and Bayreuth - and until shortly before his death in Munich in 1965, Knappertsbusch’s concerts were the annual highlights of the season not only for the orchestra but also for his many fans.

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edel burton g montreux 2002

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"Gary Burton & Makoto Ozone - Live at Montreux 2002" Tracklisting: 01 Afro Blues 02 Bags' Groove 03 Hole In the Wall 04 Opus Half 05 Le Tombeau De Couperin 06 Sonata K20 07 Excursions For Piano - Opus 20 - Number 1 08 Opus 32 - Prelude VIII 09 Milonga 10 Concerto in F 11 Bienvenidos Al Mundo

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naxos mariss jansons conducts

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Empfohlen für Hörer von 0 bis 99 Jahren. Beethoven wrote his Piano Concerto No. 3 around 1800, at a time in which the ambitious composer had created his first important works in Vienna, such as the “Pathétique” Sonata and the “Moonlight” Sonata – personal works full of power and passion, with which he distanced himself from his mentor and model, Haydn. This performance of Beethoven’s Piano Concerto No. 3 with the Symphonieorchester des Bayerischen Rundfunks under the direction of its principal conductor Mariss Jansons stars the distinguished pianist Mitsuko Uchida, who is known the world over for her outstanding interpretations of the piano works of Schubert, Mozart and Beethoven, as well as of 20th-century masters such as Schoenberg, Berg, Webern and Boulez. Richard Strauss wrote his tone poem for large orchestra “Ein Heldenleben” (“A Hero’s Life”) in 1898, shortly before he left Munich for the Berlin Court Opera, where he was appointed house conductor. In the imaginary hero whose eventful life is described in the work, the young Strauss apparently envisioned the freelance artist of his time, who was exposed to considerable hostility during the Wilhelminian era, just as Strauss himself in his early Munich period.

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bbc jaqueline pre in portrait

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Includes the documentaries Jacqueline du Pre; the Elgar Concerto; and The Ghost. Also contains the full performances of Elgar's Cello Concerto in E Minor OP 85 and Beethoven's Piano Trio No 5 in D Major OP 70 No 1.

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henle g nter ludwig van

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This volume contains all of Beethoven’s surviving cadenzas and lead-ins for piano concertos: both for his own concertos nos. 1–4; for his piano arrangement of the Violin Concerto op. 61 as well as for Mozart’s Concerto in d minor K. 466. They were in all probability not intended for his own use, as Beethoven’s improvisatory skills were legendary. His pupil and patron Archduke Rudolph of Austria, in whose library the unpublished autographs were kept for decades during the composer’s lifetime, might well have prompted him to do so. Our edition contains the musical text of the Beethoven Complete Edition that has been put into a new order and updated.

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EAN: 9790201811826

henle g nter robert schumann

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With the “Introduction and Concert Allegro”; composed in 1853 and dedicated to Johannes Brahms, we have completed our editions of Schumann’s works for piano and orchestra. The famous Piano Concerto in a minor (HN 660) and the exquisite Concert Piece op. 92 (HN 1141) are also available in top Urtext quality. Schumann’s original formal design is a particular feature: In opus 134 he streamlines the classical three movement form of the solo concerto – as he had already done in the Concert Piece op. 92 – into one single through-composed movement, and in so doing creates an atmospherically intense dialogue between the piano and orchestra.

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henle g nter ludwig van

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Ludwig van Beethoven composed his five large piano concertos over a period of twenty-five years. The Second Concerto in B flat major is presented here in a piano reduction. The edition, of our customary Urtext quality, is arranged for practical use and based on the Beethoven Complete Edition, for which Beethoven’s autograph served as the source. He probably wrote down a first version of this concerto as early as 1786–92; thus before the Piano Concerto No. 1, but it was not published until a few months after the first one, in December 1801. Beethoven, who regularly performed the B flat major Concerto on his concert tours, made repeated alterations to the work. These changes have left behind fascinating traces, which the editor – Beethoven scholar Hans-Werner Küthen – discusses in detail in his preface and in the subsequent section “About this edition”.

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EAN: 9790201898070

henle g nter die jahreszeiten

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As well as Tchaikovsky’s famous Piano Concerto, his extensive oeuvre for solo piano also makes an important contribution to romantic piano music. It includes “The Seasons” op. 37 – pleasant playable pieces that reflect a bygone bourgeois atmosphere and can therefore be assigned to the category of “domestic music”. These twelve intimate mood-pictures enable the pianist to plot the course of the twelve months of the year. No. 11, “Troika”; displays a Russian character particularly well, when in November the sleigh-bells and the cheerful singing of the passengers create an enchanting sound. Our edition is based on the autograph and the Russian first edition; moreover it contains Klaus Schilde’s highly regarded fingerings.

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EAN: 9790201806167

henle g nter wolfgang amadeus

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The most beautiful and significant clarinet concerto in the history of music is now appearing in a Henle urtext edition. The piano reduction is accompanied by two separate parts: an urtext edition of the original clarinet part as found in the early prints, and a reconstruction for basset clarinet, the instrument for which the work was originally written. The editor, Henrik Wiese, provides a preface and commentary with an in-depth discussion of the work’s unusual source materials. Mozart’s concerto has become the indispensable audition piece. As a special bonus, this edition also includes the text of the autograph fragment for basset horn in G.

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henle g nter ludwig van

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Very few musicians are aware of the fact that Beethoven arranged his violin concerto also as a piano concerto. It is only recently that some pianists have discovered this truly rewarding work. Clementi, the London composer and publisher, had heard about the première of the violin concerto and probably sensed its potential. He asked Beethoven for a piano version, which was actually also published in 1808, at the same time as the original. Several important cadenzas had been especially composed for it; the one for the first movement is accompanied by the timpani – a unique and original touch! Our edition (piano reduction and study score) contains the text from the recently published volume in the Complete Edition of Beethoven’s Works.

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EAN: 9790201898155



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