ondine brahms double concerto opus Classement 2024

universal music vertrieb a division

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My enthusiasm for Brahms goes back to my youth, and the piano concertos are largely responsible for it,? writes Sir András Schiff in a liner note for this remarkable new recording. It finds the great pianist reassessing interpretive approaches to Brahms in the inspired company of the Orchestra of the Age of Enlightenment. To fully bring out the characteristics of Brahms's music Schiff's choice of instrument is a Blüthner piano built in Leipzig around 1859, the year in which the D minor concerto was premiered. The historically informed Orchestra of the Age of Enlightenment plays with the flexibility, attitude, and responsiveness of a chamber music ensemble, as they work without a conductor, listening attentively to each other. András Schiff's collaboration with the orchestra in a series of concerts was widely acclaimed: 'Brahms's First Piano Concerto was reborn thanks to the OAE's incisive playing and András Schiff's characterful phrasing?, The Guardian exclaimed. The musicians' mutual wish to recapture the experience led to the present double album, recorded in London in December 2019. An extensive CD booklet includes liner notes by András Schiff and Peter Gülke in English and German.

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EAN: 0028948557707

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Ödön Racz spielt Kontrabasskonzerte! Auf diesem Album hört man selten aufgenommene Werke für Kontrabass und Orchester von Johann Baptist Vanhal, Carl Ditters von Dittersdorf und Giovanni Bottesini. Interpretiert werden diese Werke von dem Kontrabassisten Ödön Racz, der selbst ein Mitglied der Wiener Philharmoniker und der « The Philharmonics » ist und von keinem geringeren als Alois Posch unterrichtet worden. Begleitet wird er von dem Franz Lizst Chamber Orchester. Ödön Racz wird 2016 und 2017 durch Österreich, Deutschland, die Schweiz und Ungarn touren.

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henle g nter johannes brahms

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The cellist Robert Hausmann had actually requested a cello concerto - but Brahms paired the cello with a violin in his "Double Concerto". The unusual work has already been available as part of the new Brahms Complete Edition for several years. Using Brahms’ original piano reduction, Johannes Umbreit has produced a playable piano setting that optimally renders the colourfulness of the score. The fingerings and bowings for the string parts have been supplied by the experienced soloists Frank Peter Zimmermann and Heinrich Schiff. The orchestral parts, based on the Complete Edition, are available from Breitkopf & Härtel (PB/OB 16104).

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EAN: 9790201807157

henle g nter johannes brahms

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Between 1859 and 1885 Johannes Brahms, with his four symphonies, two piano concertos, violin concerto, dances, variations and overtures, became the representative of large-scale orchestral music. In 1887he chose the violin and violoncello as solo instruments for his Double Concerto in a minor op. 102, since he had outstanding soloists at his disposal. After the premiere of Brahms’s second cello sonata, cellist Robert Hausmann had requested a concert piece; while the renowned violinist Joseph Joachim was Brahms’s friend and had premiered his Violin Concerto, among other things. After the dark-hued Fourth Symphony this concerto comes across as strikingly optimistic and conciliatory. We now offer the score, also published as part of our New Complete Edition, in a convenient study edition.

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EAN: 9790201898520

henle g nter johannes brahms

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Brahms had already composed over 20 string quartets (he confessed to a friend that he had burnt all of that “stuff”) before he finally presented his Opus 51 to the public. In the end only three surviving works managed to withstand his high self-criticism. We are now publishing the two passionate dark Quartets op. 51 separately from the rather more lively Opus 67, about which a reviewer of the time wrote, “This time Brahms seems to have taken it upon himself to walk along a sunny path through a meadow”. The basis for this edition is the volume in the New Complete Edition of Brahms’ works, published in 2004 by Henle, for which previously missing sources in a Swiss bequest were consulted for the first time.

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EAN: 9790201800417

henle g nter johannes brahms

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Piano trios belong among the great genres of Classical chamber music, and Brahms, too, turned his attention to this genre early on. He wrote his opus 8 in fall and winter 1853/54, thus at the age of 20. The two other piano trios were created 28 years later, namely op. 87 in C major, and 32 years later, op. 101 in c minor. Brahms was working on another Trio, in E flat major, at the same time that he was working on the C major Trio; however, it seems to have been destroyed. He returned to his first piano trio in 1889 and revised it so thoroughly that he wrote to Clara Schumann: “I have re-written my B major trio.” The Henle Urtext edition reproduces the second version of the Trio op. 8 (published in 1891) first, then follows this up with a reprint of the first version in its Appendix.

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EAN: 9790201802459

henle g nter johannes brahms

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Having already published single volumes of our Urtext editions of opus numbers 76, 79 and 116–119 with the up-to-date musical text in the Complete Edition, we are now rounding off this Brahms project by publishing the revised volume of collected works, available as a classic paperbound, clothbound or handy study edition. An open invitation to all those who wish to immerse themselves in Brahms’ fascinating piano cosmos.

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EAN: 9790201805641

henle g nter johannes brahms

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Brahms had already composed over 20 string quartets (he confessed to a friend that he had burnt all of that “stuff”) before he finally presented his Opus 51 to the public. In the end only three surviving works managed to withstand his high self-criticism; numerous layers of corrections bear witness to his struggle with each detail. We are now publishing the two passionate dark Quartets op. 51 separately from the rather more lively Opus 67. The basis for this edition is the volume in the New Complete Edition of Brahms’ works, published in 2004 by Henle, for which previously missing sources in a Swiss bequest were consulted for the first time.

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EAN: 9790201800400

henle g nter johannes brahms

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Johannes Brahms’ summer sojourn in 1893 in Bad Ischl was productive. Alongside the pieces op. 118, he also wrote his last cycle of piano pieces, opus 119. The composer wrote to Clara Schumann of the opening work, saying that it was teeming with dissonances and that: “every measure and every note must sound like a ritardando, as if one wanted to suck the melancholy out of each single one, with lust and pleasure out of the aforementioned dissonances!” Yet opus 119 contains something for every mood: No. 3 surprises with its lively and light C major, and the cycle is completed with the defiant rhapsody in E flat major. Our revised edition, based on the Brahms Complete Edition, is an invitation to pianists to rediscover Brahms’ complex cosmos.

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EAN: 9790201812502

henle g nter johannes brahms

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As with the g minor Quartet op. 25, the origins of opus 26 reach back into the 1850s. However, it assumed its final shape only in summer and fall 1861. While in her first evaluation of the work Clara Schumann felt that the piece would “grow on the listener once he knows it perfectly and has often heard it;” Brahms’ friend Joseph Joachim wrote to him after a hasty perusal that he had “grown more and more favourable towards the A major Quartet. The tone of great intimacy and delicacy alternates beautifully with a fresh love of life.” With its use of a “brighter” key, opus 26 is clearly the more accessible of the two adjacent piano quartets.

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EAN: 9790201802756

henle g nter johannes brahms

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“No opus number” is what Brahms gave his astonished publisher to understand, when he offered him the Hungarian Dances for publication in 1869. He placed a great deal of importance on the fact that he had merely “set” popular Hungarian melodies and not composed new works as such. As true as this reservation is, it did not affect the success of these works. The Hungarian Dances are today without a doubt amongst Brahms’ best-known compositions. Brahms himself made an arrangement of the dances 1–10; originally for piano four hands, for solo piano. We are now publishing a revised version of these impressive pieces with the up-to-date text in the new Brahms Complete Edition. Rolf Koenen’s fingerings provide the best possible help for mastering these complex works.

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EAN: 9790201805603

henle g nter johannes brahms

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Piano trios belong among the great genres of Classical chamber music, and Brahms , too, turned his attention to this genre early on. He wrote his opus 8 in fall and winter 1853/54, thus at the age of 20. The two other piano trios were created 28 years later, namely op. 87 in C major, and 32 years later, op. 101 in c minor. Brahms was working on another Trio, in E flat major, at the same time that he was working on the C major Trio; however, it seems to have been destroyed. He returned to his first piano trio in 1889 and revised it so thoroughly that he wrote to Clara Schumann: “I have re-written my B major trio.” The Henle Urtext edition reproduces the second version of the Trio op. 8 (published in 1891) first, then follows this up with a reprint of the first version in its Appendix.

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EAN: 9790201892450

henle g nter johannes brahms

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Having already published single volumes of our Urtext editions of opus numbers 76, 79 and 116–119 with the up-to-date musical text in the Complete Edition, we are now rounding off this Brahms project by publishing the revised volume of collected works, available as a classic paperbound, clothbound or handy study edition. An open invitation to all those who wish to immerse themselves in Brahms’ fascinating piano cosmos.

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disponibilité: in_stock
le temps de livrer: in stock
EAN: 9790201805658

henle g nter johannes brahms

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Brahms’ only violin concerto was given a very warm reception by his contemporaries and has been an important piece in the violin repertoire ever since. It bears witness to Brahms’ fruitful collaboration with Joseph Joachim, who contributed a cadenza. The composer’s original and extremely demanding piano reduction has been carefully simplified for our edition by Johannes Umbreit. This Urtext edition follows the musical text of the new Brahms Complete Edition. The appendix also contains an alternative version of Joachim’s cadenza that to date has not been published in a practical edition. Alongside Joachim’s original fingerings and bowings there are also fingering suggestions by Frank Peter Zimmermann.

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EAN: 9790201808185

henle g nter johannes brahms

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Brahms hesitated for a long time over writing a solo concerto for an instrument whose technique he was not very familiar with. Therefore in 1877/78 his Concerto for violin and orchestra op. 77 came into being in close collaboration with his friend Joseph Joachim, who also contributed a cadenza for it. The work was quickly received with enthusiasm by Brahms’s contemporaries, and today is still considered a central piece in the repertoire, so an Urtext edition in a convenient small format is useful for study purposes. It is based on the musical text of the New Brahms Complete Edition, and likewise contains the cadenza by Joachim in two different variants, first in the original form, and second, in a very interesting, condensed variant that Brahms made later with the violinist Marie Soldat.

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EAN: 9790201898544

henle g nter johannes brahms

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Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: “... a second one will sound different”. Nevertheless, a good 20 years elapsed before that second concerto finally took form, and only in 1881 was he able to announce: “I wanted to tell you that I have written a very small piano concerto with a tiny little delicate Scherzo”. Our piano reduction of this anything-but-little symphonic concerto presents the solo part as it appears in the respective, recently published volume of the Brahms Complete Edition (HN 6020). Lars Vogt has succeeded in taming the opulent piano writing with his fingerings. The refined arrangement of the complex orchestral part for the accompanying second piano stems from Johannes Umbreit.

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EAN: 9790201812311

henle g nter johannes brahms

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Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: “... a second one will sound different”. Nevertheless, a good 20 years elapsed before that second concerto finally took form, and only in 1881 was he able to announce: “I wanted to tell you that I have written a very small piano concerto with a tiny little delicate Scherzo”. Our study edition of this by no means small symphonic concerto is based on the musical text in the recently published volume that is part of the Brahms Complete Edition (HN 6020). It is a companion to our piano reduction (HN 1231) and offers all those who wish to study the complex score of this great piano concerto an ideal, practical and affordable means of doing so.

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EAN: 9790201872315

henle g nter fr d

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When Chopin gave his Opus 23 the title “Ballade” in the mid 1830s, he established the piano ballade as a new musical genre which was subsequently taken up by others, including Brahms, Liszt and Grieg. The idea of transforming a fictional, dramatic and mystical event into music particularly suggested itself to the Romantic Schumann. He was enthusiastic about this work: “I have a new Ballade by Chopin. It seems to me to be one of his most brilliant (not most inspired) works.” This has been taken from the revised edition of the “Ballades” (HN 862). Detailed information on the genesis of this work and an evaluation of the sources can be downloaded free-of-charge.

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EAN: 9790201808673

henle g nter max reger

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With his clarinet quintet, begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in a strictly motivic way was to be Reger’s last opus. Shortly after he had sent it to his publisher, he died of heart attack in May 1916. The quintet was to become his swan song, first performed at a memorial for the composer on 6 November 1916. Almost one hundred years later, we are now publishing it for the first time in an Urtext edition, edited by the Reger scholar Michael Kube.

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EAN: 9790201811178

henle g nter max reger

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Just as Johannes Brahms had done with his Opus 120, Reger also provided parts for two alternative solo instruments for his Sonata op. 107: "I will also arrange the clarinet part for viola, so that the work can also be played thus" (letter to his publisher). He by no means wanted to leave the arrangement of the viola part to the publisher, as slurs had to be changed here and there as well as octave transpositions had to be made - "only I can do this work!" The viola’s sonorous mid range comes close to that of the clarinet, but lends the work its own timbre. Viola players will also value this Urtext edition on account of the practical fingerings and bowing marks.

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EAN: 9790201810997



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