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My enthusiasm for Brahms goes back to my youth, and the piano concertos are largely responsible for it,? writes Sir András Schiff in a liner note for this remarkable new recording. It finds the great pianist reassessing interpretive approaches to Brahms in the inspired company of the Orchestra of the Age of Enlightenment. To fully bring out the characteristics of Brahms's music Schiff's choice of instrument is a Blüthner piano built in Leipzig around 1859, the year in which the D minor concerto was premiered. The historically informed Orchestra of the Age of Enlightenment plays with the flexibility, attitude, and responsiveness of a chamber music ensemble, as they work without a conductor, listening attentively to each other. András Schiff's collaboration with the orchestra in a series of concerts was widely acclaimed: 'Brahms's First Piano Concerto was reborn thanks to the OAE's incisive playing and András Schiff's characterful phrasing?, The Guardian exclaimed. The musicians' mutual wish to recapture the experience led to the present double album, recorded in London in December 2019. An extensive CD booklet includes liner notes by András Schiff and Peter Gülke in English and German.
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EAN: 0028948557707
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Nach der erfolgreichen 2CD Einspielung der Klaviertrios von Wolfgang Amadeus Mozart zeigt das Trio um Daniel Barenboim (Klavier), Michael Barenboim (Violine) und Kian Soltani (Cello) erneut, dass sie eine Klasse für sich sind. Ihre mitreissende Spielfreude und die einzigartige Harmonie zeugen von dem reichen Erfahrungsschatz des Ensembles, das bereits auf eine Vielzahl an gemeinsamen Livekonzerten zurückblicken kann. Das 3 CD Album, eingespielt live in mehreren Konzerten im ausverkauften Pierre-Boulez Saal im Dezember 2019, zeigt, welch erfahrener Beethoven-Interpret Daniel Barenboim ist.
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EAN: 0028948384945
Découvrir conseils, opinions et fonctionnalités sur henle g nter johannes brahms vendu 44.9 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Henle, Günter et est vendu par Orellfuessli.ch
To this day, Brahms’ Hungarian Dances number among his most popular works – although he didn’t even write them! As he expressly noted on the title page of the first edition, he “only compiled them for piano duet.” What he meant was that he had taken Hungarian dance tunes, fused them into a larger entity and then had the results published, first in an arrangement for piano duet, since the performance of such duets was extremely popular back then. The first two volumes containing the Dances 1-10 were printed in 1869, and two further volumes with the Dances 11–21 were added by Brahms in 1880.
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EAN: 9790201800684
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This Trio’s unusual scoring for horn, violin and piano prompted speculation early on about a possible background to it that had no connection with music. Brahms’s biographer Max Kalbeck saw in it a lament for the composer’s mother, recently deceased, to whom he had supposedly played folk songs on the horn in his childhood. There is no doubt that Brahms loved the sound of the natural horn, and bestowed several of his most inspired melodies on the instrument. Horn players justifiably adore this Trio op. 40, and this Henle Urtext edition now offers an optimal basis for studying and performing this masterpiece. This edition follows the musical text of the New Brahms Complete Edition and thus guarantees the greatest fidelity to the sources and reflects the current state of research. The pianist Klaus Schilde has added helpful fingerings to the piano part. Extra parts are also provided for the alternative scoring authorised by Brahms (with viola or cello instead of horn). Read more about this edition in the Henle Blog.
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EAN: 9790201808116
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Piano trios belong among the great genres of Classical chamber music, and Brahms, too, turned his attention to this genre early on. He wrote his opus 8 in fall and winter 1853/54, thus at the age of 20. The two other piano trios were created 28 years later, namely op. 87 in C major, and 32 years later, op. 101 in c minor. Brahms was working on another Trio, in E flat major, at the same time that he was working on the C major Trio; however, it seems to have been destroyed. He returned to his first piano trio in 1889 and revised it so thoroughly that he wrote to Clara Schumann: “I have re-written my B major trio.” The Henle Urtext edition reproduces the second version of the Trio op. 8 (published in 1891) first, then follows this up with a reprint of the first version in its Appendix.
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EAN: 9790201802459
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Piano trios belong among the great genres of Classical chamber music, and Brahms , too, turned his attention to this genre early on. He wrote his opus 8 in fall and winter 1853/54, thus at the age of 20. The two other piano trios were created 28 years later, namely op. 87 in C major, and 32 years later, op. 101 in c minor. Brahms was working on another Trio, in E flat major, at the same time that he was working on the C major Trio; however, it seems to have been destroyed. He returned to his first piano trio in 1889 and revised it so thoroughly that he wrote to Clara Schumann: “I have re-written my B major trio.” The Henle Urtext edition reproduces the second version of the Trio op. 8 (published in 1891) first, then follows this up with a reprint of the first version in its Appendix.
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EAN: 9790201892450
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“No opus number” is what Brahms gave his astonished publisher to understand, when he offered him the Hungarian Dances for publication in 1869. He placed a great deal of importance on the fact that he had merely “set” popular Hungarian melodies and not composed new works as such. As true as this reservation is, it did not affect the success of these works. The Hungarian Dances are today without a doubt amongst Brahms’ best-known compositions. Brahms himself made an arrangement of the dances 1–10; originally for piano four hands, for solo piano. We are now publishing a revised version of these impressive pieces with the up-to-date text in the new Brahms Complete Edition. Rolf Koenen’s fingerings provide the best possible help for mastering these complex works.
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EAN: 9790201805603
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Online-tutorial available at Henle Masterclass The e minor Cello Sonata is the first work for one solo instrument and piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata “whose two instruments are both absolutely easy to play” – and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135), this early sonata is technically less demanding, yet musically more striking at the same time, so that it is a hit with amateurs and professionals alike. Our new edition is based on the new Brahms Complete Edition and thus boasts, besides in-depth comments, a musical text revised according to the latest scholarly findings; as always, the cello part is enhanced with additional markings.
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EAN: 9790201811345
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The cellist Robert Hausmann had actually requested a cello concerto - but Brahms paired the cello with a violin in his "Double Concerto". The unusual work has already been available as part of the new Brahms Complete Edition for several years. Using Brahms’ original piano reduction, Johannes Umbreit has produced a playable piano setting that optimally renders the colourfulness of the score. The fingerings and bowings for the string parts have been supplied by the experienced soloists Frank Peter Zimmermann and Heinrich Schiff. The orchestral parts, based on the Complete Edition, are available from Breitkopf & Härtel (PB/OB 16104).
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EAN: 9790201807157
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Between 1859 and 1885 Johannes Brahms, with his four symphonies, two piano concertos, violin concerto, dances, variations and overtures, became the representative of large-scale orchestral music. In 1887he chose the violin and violoncello as solo instruments for his Double Concerto in a minor op. 102, since he had outstanding soloists at his disposal. After the premiere of Brahms’s second cello sonata, cellist Robert Hausmann had requested a concert piece; while the renowned violinist Joseph Joachim was Brahms’s friend and had premiered his Violin Concerto, among other things. After the dark-hued Fourth Symphony this concerto comes across as strikingly optimistic and conciliatory. We now offer the score, also published as part of our New Complete Edition, in a convenient study edition.
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EAN: 9790201898520
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Following the publication of the 16 Waltzes for piano four hands, Brahms’ publisher succeeded in persuading the composer to do a version for piano solo. After initially hesitating, Brahms suggested two versions, one for “clever hands and one – perhaps for the more beautiful ones”. Both versions were published in 1867. The simplified one, which Brahms also called the “version for children”; not only thins out some of the full chords but also transposes complicated keys. Thus no. 6 is no longer in C sharp major but in the easier key of C major instead. G. Henle Publishers is now issuing this simplified version of the popular op. 39 based on the revised musical text of the new Brahms Complete Edition.
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EAN: 9790201812878
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In order to also promote the circulation of his works outside the concert hall, Johannes Brahms made piano arrangements of many of his orchestral works. As the composer, he was able to take greater liberties than any other arranger would have been able to take. And it is precisely due to Brahms’ creative ideas in the piano scoring that his arrangements have enjoyed renewed interest in the music world over the past decades. With our Urtext edition of the Symphonies Nos. 3 and 4, based on the musical text in the Johannes Brahms Complete Edition, our catalogue now contains all four symphonies in the authentic piano arrangements made by the composer. Once again, Andreas Groethuysen has kindly provided the fingerings.
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EAN: 9790201811994
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Johannes Brahms’ summer sojourn in 1893 in Bad Ischl was productive. Alongside the pieces op. 118, he also wrote his last cycle of piano pieces, opus 119. The composer wrote to Clara Schumann of the opening work, saying that it was teeming with dissonances and that: “every measure and every note must sound like a ritardando, as if one wanted to suck the melancholy out of each single one, with lust and pleasure out of the aforementioned dissonances!” Yet opus 119 contains something for every mood: No. 3 surprises with its lively and light C major, and the cycle is completed with the defiant rhapsody in E flat major. Our revised edition, based on the Brahms Complete Edition, is an invitation to pianists to rediscover Brahms’ complex cosmos.
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EAN: 9790201812502
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Brahms’ Third Piano Quartet stands out for the extremely involved and complex history of its genesis. A very first version of certain sections – still in c sharp minor – had been written in 1855/56, but neither the composer nor his friends were genuinely happy with this version. In 1869 Brahms reprised his work , but still found no satisfying solution. It was not until 1874/75 that he brought the final version to paper, replacing two movements of the original version with new ones. While the “tragic” key of c minor points to the truly dark, passionate character of the work, the composer actually singled out the mood of suffering of the quartet himself in several letters.
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EAN: 9790201802855
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Johannes Brahms’s piano sonatas were among the 20-year-old composer’s first publications. They were written in 1852–53; with the slow movement of this C major Sonata, which uses the song “Verstohlen geht der Mond auf”; bearing the earliest date, April 1852. With this passionate and highly virtuosic Sonata, Brahms introduced himself to the great of the musical world of his day, including the Schumanns in Düsseldorf. Clara Schumann wrote afterwards that “... the whole is full of exuberant fantasy, intimacy of expression and mastery of form”. Brahms’s op. 1 now appears in a separate Henle Urtext edition, revised using the musical text of the Brahms Complete Edition. The sonatas op. 2 and op. 5 will follow.
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EAN: 9790201812885
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Brahms‘ first piano works deal with the classical form of the sonata. The Scherzo op. 4 belongs to this context inasmuch as it can be considered as an independent sonata movement. However, with the melody of the Old German Minnelied “Verstohlen geht der Mond auf” used for the slow movement of the first sonata, and the lines from a poem by Sternau that preface the second movement of the Sonata op. 5, Brahms also proclaims his allegiance to Romanticism. The push-and-pull between Classicism and Romanticism then becomes clearly audible in the opp. 1, 2, 4 and 5. – In contrast, the Ballades op. 10, written just barely a year after the Sonata op.5, are thorougly romantic piano pieces. The best known is certainly no. 1, based on the Scottish ballad Edward from Herder’s “Stimmen der Völker.”
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EAN: 9790201800387
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Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: “... a second one will sound different”. Nevertheless, a good 20 years elapsed before that second concerto finally took form, and only in 1881 was he able to announce: “I wanted to tell you that I have written a very small piano concerto with a tiny little delicate Scherzo”. Our piano reduction of this anything-but-little symphonic concerto presents the solo part as it appears in the respective, recently published volume of the Brahms Complete Edition (HN 6020). Lars Vogt has succeeded in taming the opulent piano writing with his fingerings. The refined arrangement of the complex orchestral part for the accompanying second piano stems from Johannes Umbreit.
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EAN: 9790201812311
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Johannes Brahms presumably wrote the Fantasies op. 116 at the same time as the Intermezzi op. 117 in the summer of 1892 in Bad Ischl. His sojourn in the Salzkammergut obviously inspired Brahms to write music for solo piano, as a year later he worked on other cycles when he was there. Amongst these late melancholy piano pieces, op. 116 is in particular characterised by opposites. Four “dreamy” – according to Clara Schumann – intermezzi are juxtaposed with three “deeply passionate” capricci. Seven pieces in true Brahms’ style, which are also accessible to non-virtuosos due to their medium level of difficulty. Our revision contains the musical text of the new Brahms Complete Edition.
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EAN: 9790201812168
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Brahms mainly composed the eight Piano Pieces op. 76 in summer 1878 in the summer resort of Pörtschach at Lake Wörth. Theodor Billroth, a close friend, was enthusiastic about the new works: “These are magnificent pieces, beautiful and interesting to play. They lie so well under the hand for those who are a little used to Schumann’s and Chopin’s technique that it is a pleasure to practise them.” As the volume “Piano Pieces” was published in 2011 as part of the Johannes Brahms Complete Edition (HN 6014), we are now replacing the previous volume HN 118 with this new one, presenting these “magnificent pieces” in the musical text of the Complete Edition, accompanied by revealing commentaries detailing their genesis and publication.
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EAN: 9790201811840
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Brahms began his career as a pianist. His contribution to the piano music of the 19th century is significant in two respects: following Schubert and Schumann he cultivated the small, lyrical form, while as Beethoven’s successor he admitted large forms such as the piano sonata and variation cycle. His two variation cycles op. 21, published in 1862, place great demands on the performer. In the first cycle, on a lyrical theme in D major, the technique of figurative and contrapuntal alterations is highly developed. The “Variations on a Hungarian Song” should be a refreshing challenge for the advanced pianist, owing to their metrical features and their virtuoso temperament. We were able to engage Canadian musicologist Margit L. McCorkle as the editor. Together with her husband she also compiled the “Thematic-Bibliographic Catalogue” of Brahms’s works.
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EAN: 9790201804392