franz wohlfahrt 60 studies op Classement 2024

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Piano concerto no 2 op 60 - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...

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henle g nter franz schubert

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In 1828, the last year of his life, Franz Schubert composed three sonatas for piano which are generally described as the culmination of his lifelong occupation with the piano sonata genre. Schubert’s role as successor to classical-era composers is clearly evident in them, while at the same time his very own, deeply personal tone resounds here. Our carefully revised edition of this frequently performed B flat major Sonata is based on the autograph and first edition. Once again, Schubert here seems to have gathered up all his powers of introspection and tranquillity. Above all, the calm theme of the first movement captivates through its dreamlike expression. While it does not pose technical-virtuosic problems for the player, itis highly demanding in terms of luminosity of tone and of subtlety of nuance.

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henle g nter franz schubert

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Franz Schubert transformed five song melodies from his rich output of Lieder into instrumental music. The song “The Trout” from 1817 served as a theme for the variations in his Quintet D. 667 for piano, violin, viola, violoncello and double bass, one of chamber music’s most popular works. The piece’s sunny mood – it sounds much more cheerful than Schubert’s other chamber music – comes across like an echo of the felicitous summer months of 1819. The then twenty-two-year-old Schubert passed these in convivial company at Steyr in Upper Austria, and subsequently set to work composing. The present Urtext edition largely follows the Viennese first edition, which likely reproduces the original version of the now lost autograph. In addition, it takes into account the only manuscript source of this work, a copy by Schubert’s friend Albert Stadler. Musicians everywhere will appreciate the optimally-placed page turns in the individual parts!

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henle g nter franz schubert

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Franz Schubert transformed five song melodies from his rich output of Lieder into instrumental music. The song “The Trout” from 1817 served as a theme for the variations in his Quintet D. 667 for piano, violin, viola, violoncello and double bass, one of chamber music’s most popular works. The piece’s sunny mood – it sounds much more cheerful than Schubert’s other chamber music – comes across like an echo of the felicitous summer months of 1819. The then twenty-two-year-old Schubert passed these in convivial company at Steyr in Upper Austria, and subsequently set to work composing. The present Urtext edition largely follows the Viennese first edition, which likely reproduces the original version of the now lost autograph. In addition, it takes into account the only manuscript source of this work, a copy by Schubert’s friend Albert Stadler. Musicians everywhere will appreciate the optimally-placed page turns in the individual parts!

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EAN: 9790201894638

henle g nter franz schubert

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Schubert occupied himself intensively with the sonata form in 1818/19. The results, to put it like this, led to the creation of this piano sonata in A major, probably in summer 1819, thus at about the same time as the Trout Quintet. Not surprisingly, it exudes a serene spring feeling. One of Schubert’s major sonatas, the work imposes considerable technical demands on the performer, but can still be mastered by non-professional pianists.

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henle g nter franz schubert

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In his collections of Impromptus and Moments musicaux, Franz Schubert impressively showed at the end of his life how a lyrical, songlike form can be rendered on the piano. In spite of their simplicity, his popular Impromptus op. 90, for example, prove themselves to be consummate works of art, and number among the most beloved pieces of Romantic piano music. The third Impromptu of op. 90, an Andante in G-flat major, is a mysterious reverie in pianissimo. A peaceful melody hovers over a murmuring accompaniment of eighth-note triplets, while the harmonies change very gently. This Urtext edition provides the work as a separate edition in the original key. To make it easier to play, other editions often transpose it into G major, which, however, diminishes the distinctive colour of this piece.

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henle g nter franz schubert

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Schubert only took ten days to write his String Quartet in G major, one of his truly monumental chamber music works. With its almost symphonic dimensions, this late quartet is reminiscent of his great String Quintet in C major. As divulged in a letter, Schubert actually wanted to “pave the way for the large symphony” with this quartet and several other chamber music works that he composed around the same time. Written in 1826, the quartet was not performed in public during the composer’s lifetime; and it was only published long after his death. Our Urtext edition with its accompanying study edition is therefore based on the surviving autograph.

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henle g nter franz schubert

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Just as in his “Trout” Quintet (D 667), “Wanderer” Fantasy (D 760), and string quartet “Death and the Maiden” (D 810), in the flute variations on “Trockne Blumen” (D 802) Franz Schubert employs one of his songs as the thematic basis of an instrumental composition. “Trockne Blumen” (Dried Flowers) is the eighteenth song from the cycle “Die schöne Müllerin” (D 795), composed in autumn 1823. In January 1824, before publication of all of the Müller songs that summer, the Theme and Variations in E minor for flute and piano were written, prefaced by a weighty introductory section. The work remains Schubert’s single and singular virtuoso composition for flautists: tremendously difficult for the flute to play, and, incidentally, sometimes very tricky for the piano to “accompany.” Schubert’s much-reworked autograph manuscript is the sole authoritative source for our Urtext, as it demonstrably served as the engraver’s copy for the posthumously published first edition. One of the variations he crossed out entirely – the Henle Urtext edition reproduces it, more for informational purposes than for performance, in the appendix.

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henle g nter franz schubert

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Franz Schubert’s Piano Sonata op. 143 in a minor was composed in 1823 after his large “Wanderer Fantasy”. With its formal cohesion and mature originality, this a-minor Sonata initiated a new phase in Schubert’s sonata oeuvre. The composer dispensed here with all pianistic brilliance. At the same time, a wealth of colour and of sonorities triumphs in such a manner that the work numbers among Schubert’s most frequently played sonatas. For this Urtext edition, we had at our disposal the composer’s autograph as the authoritative source; the posthumous first edition was consulted only by way of comparison.

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henle g nter franz schubert

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In his collections of Impromptus and Moments musicaux, Franz Schubert impressively showed at the end of his life how a lyrical, songlike form can be rendered on the piano. In spite of their simplicity, his popular Impromptus op. 90, for example, prove themselves to be consummate works of art, and number among the most beloved pieces of Romantic piano music. The first Impromptu in c minor from op. 90, which we present here as a separate edition, virtually fantasises over a single, incessantly recurring melody. Its march-like character is sometimes particularly emphasised, sometimes lyrically obscured. With its grim majesty and enchanting fluctuations between major and minor as it roams harmonic expanses, this music lets pianists immerse themselves in Schubert’s world of sound. This Henle Urtext provides a well-founded, accurate musical text for these pieces.

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henle g nter franz schubert

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At the end of his short life Franz Schubert impressively illustrated, in his collections of “Impromptus” and “Moments musicaux”; how lyrical-songlike form could be rendered on the piano. The Impromptu in A flat major op. 90 no. 4 numbers among the most popular pieces in the piano repertoire. The player using our Urtext edition can revel in the purling downward arpeggios and delight in the expressive power of the lyrical and expressive c sharp minor Trio.

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henle liszt franz wenn die

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La Bayerische Staatsbibliothek de Munich a fait une découverte exceptionnelle en 2007, qui constitue littéralement une petite sensation: il a été mis au jour en effet un lied de Liszt, jusque-là inconnu, pour voix (soprano) et piano, mis par écrit par le compositeur lui-même. La composition, du meilleur Liszt, date de 1843 et est dédiée au baron munichois Franz von Pocci. C'était là une raison amplement suffisante pour les Éditions Henle de présenter ce manuscrit sous la forme d'un fac-similé d'excellente qualité, offrant qui plus est la transcription de la musique dans un texte moderne ainsi que des informations détaillées sur les circonstances fascinantes de la genèse de l'oeuvre. Un pur régal pour celui qui connaît et aime Franz Liszt.

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henle g nter franz schubert

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As their title suggests, Franz Schubert’s “Moment musicaux” are quite short pieces – shorter than his “Impromptus”. Six pieces in various moods and of moderate difficulty are collected under the opus number 94 and edited with our customary Urtext quality. It is impressive how, for example in the first “Moment” in C major, Schubert the sovereign harmonist touches different tonal areas within a single movement. Melancholic and blissful melodies like those in the second “Moment” create almost magical moments. In contrast, whimsical merriment sparkles in other “Moments” – for example, in the very popular third piece in f minor. The group of six ends with a plaintive Song without Words in A flat major.

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henle g nter franz schubert

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Schubert composed the Wandererfantasie in November 1822. Though generally designated as a year of crisis, an entire series of Schubert’s important works were created precisely at this time, when the Wandererfantasie, for example, but also the Symphony in B minor, the “Unfinished;” began to cast their spells on music lovers all over the world. There were several precursors, in particular the fantasias of Carl Philipp Emanuel Bach and Mozart. Nevertheless, Schubert continued to develop the genre in this masterpiece. He combined the principle of the fantasia with that of the sonata cycle, by dividing the whole into four large sections (movements) that flow seamlessly into one another, whereby he derived the thematic material from a core which – not surprisingly – consisted of measures borrowed from the song Der Wanderer in the second movement. This work was one of the few instrumental works of Schubert’s to have appeared in print during his lifetime, and was already receiving encomiums from the critics back in its day. It still ranks today among the most often played yet technically and musically highly challenging works of this composer. Read more about this edition in the Henle Blog.

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EAN: 9790201802824

henle g nter franz schubert

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The quartet in a minor is one of the chamber music works with which Schubert wanted to “pave the way to the great symphony” in spring 1824. At the same time he was paving his way to a wider audience, as the “Rosamunde” Quartet was the first and only string quartet that was not only publicly performed in Schubert’s lifetime but also published in parts. It is fortunate for us that this was the case because the autograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies, as the parts exhibit some inaccuracies regarding the articulation and dynamics. They have had to be carefully resolved, something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert’s incidental music to the play Rosamunde, which can be heard at the beginning of the Andante. Quite a few people might, however, be reminded of the Impromptu in B flat major op. post. 142 no. 3, in which Schubert later once again took up the beautiful melody. Read more about this edition in the Henle Blog.

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EAN: 9790201898490

henle g nter franz schubert

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Schubert at the piano, his inexhaustible wealth of dance melodies, his friends gathered around him, dancing, amusing themselves – making music was an important aspect in the lives of Schubert and his friends. The term Schubertiade invented for this kind of get-together is now solidly established.Of his more than 300 dance pieces for piano, no fewer than eight collections with altogether 177 single pieces were printed during his lifetime, including these 16 Deutsche Tänze and two Ecossaisen from 1823/24.

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EAN: 9790201801797



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