fantasy pieces op 88 Classement 2024

henle g nter robert schumann

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Schumann began writing chamber music rather late on in his life. In 1842 he then wrote six substantial works, including his first piano trio, which he only published in 1850 under the title Four Fantasy Pieces op. 88. In the meantime he had already composed the Trios in d minor op. 63 (1847) and F major op. 80 (1847/49). When he was in Dusseldorf, in 1851, he wrote the g minor Trio op. 110. Together with the trios by Mendelssohn and Brahms, Schumann’s four compositions are the most important works for this genre written in the 19th century.

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EAN: 9790201809168

regis 12 pieces op 40

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12 pieces op. 40 - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...

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import variations and fugue in

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Variations and fugue in b flat/fantasy in c op 17 - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...

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stabilo farbstifte 10 pieces multicolor

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Fineliner STABILO® point 88® Nature Colors 10er Etui Typbezeichnung der Mine: Faserspeicher Ausführung Spitze: metallgefasste Spitze, 0,4 mm, geeignet für Schablone Art der Schreibflüssigkeit: Tinte auf Wasserbasis, hellgelb, hellorange, papaya, curry, senf, khaki, warmes grau, nude, moosgrün, limettengrün, lichtbeständig gegeben Kann einige Tage offen liegen bleiben, ohne einzutrocknen Mit ventilierter Kappe Ausführung der Griffzone: Kunststoff Farbe der Kappe: in Schreibfarbe Farbe des Schaftes: orange mit weissen Kantenstreifen Ausführung des Inhalts mit Packung: Kartonetui mit 10 Stiften. - Modellname: Farbstifte - Marketingfarbe: Multicolor - Produktgröße: 10 pieces - Marke: STABILO

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le temps de livrer: STABILO - Farbstifte, 10 pieces, Multicolor
EAN: 4006381596282

edel chamber symphonies five pieces

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Gaggini, Marco - Kammersinfonie Nr. 1 E-dur Op. 9 Gaggini, Marco - Stuecke Fuer Orchester Op. 16 Nr. Nr. 1 Vorgefuehle Nr. 2 Vergangenes Nr. 3 Farben Nr. 4 Peripetie Nr. 5 Das Obligate Rezitativ Gaggini, Marco - Kammersinfonie Nr. 2 Es-moll Op. 1. Adagio 2. Con Fuoco

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henle g nter alexandre guilmant

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Alexandre Guilmant was one of the greatest representatives of the French Romantic organ school, and composed almost exclusively for his instrument. A rare exception is this “Morceau symphonique”; written in 1902 for the Paris Conservatoire’s annual trombone class competition. The charming piece soon found its way into the repertoire – as did Saint-Saëns’s “Cavatine” (HN 1119) – and is today among the essential standard works of trombone literature. The “Morceau symphonique” is here offered in its first-ever Urtext edition, based on the autograph and the first edition. We also offer here a particularly special treat – the sight-reading piece that Guilmant wrote for the same competition.

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EAN: 9790201810904

henle g nter anton reicha

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Reicha published a total of 24 wind quintets for the “classical” scoring of flute, oboe, clarinet, horn and bassoon; op. 88 no. 2 is one of the best-loved and most played. “If it were possible to surpass Haydn in the composition of quartets and quintets, Reicha would have succeeded with these quintets”; thus raved the “Allgemeine Musikalische Zeitung” on a performance of Reicha’s quintets, “it seems to me that it is impossible to unite more correctness and clarity with more inventiveness and originality.” This work exudes inspiration and spirit from every note. In addition to the parts, we have also produced a handy study edition of the score.

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EAN: 9790201808284

henle g nter peter iljitsch

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Peter Ilyich Tchaikovsky numbers among the most frequently performed composers in the concert halls of the world. He had already composed two symphonies, three operas, the fantasy-overture “Romeo and Juliet” and a string quartet when he wrote his enchanting “Six Pieces for Piano” op. 19 in 1873. Each of the pieces is dedicated to one of his friends or to pianists close to him, and was individually tailored to their respective technical abilities. This Henle Urtext edition offers a preface that discusses in detail the genesis and the source situation of these piano pieces. They offer a good opportunity to get to know and love this popular Russian composer away from his best-known works.

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EAN: 9790201806860

henle g nter carl nielsen

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Carl Nielsen’s Fantasy Pieces for Oboe and Piano were composed in 1889/90. Having just gained a position as a violinist in the Royal Danish Orchestra, Nielsen had already experienced success with his String Suite op. 1 both as a composer and as a conductor. Several sketches and autographs bear witness to his intensive work on these contrasting pieces for oboe, which were to appear in 1890 as his Opus 2. The two movements, Romance and Humoreske, are dedicated to the oboist Olivo Krause who played in the royal orchestra. His beautiful tone and virtuosic technique probably played no small part in the fact that these miniatures by the “young; talented composer” took the public and critics by storm at their first performance in March 1891.

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EAN: 9790201811314

henle g nter robert schumann

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In 1849 Schumann turned to a new genre: works for piano and an accompanying instrument. The first work he composed were the Fantasy Pieces for Piano and Clarinet op. 73, immediately followed by the Adagio and Allegro op. 70. Clara played the new work together with the horn player E. Julius Schlitterlau, writing afterwards in her diary: "The piece is splendid, fresh and passionate, just as I like it!" Even Schumann himself was impressed with his new composition. He particularly drew the publisher Kistner’s attentionto the "brilliant allegro", whose solo part is indeed so virtuosic that opus 70 is one of the showpieces for horn players even today.

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EAN: 9790201810232

henle g nter camille saint

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This highly virtuosic concert piece, composed in 1863, is one of the works that Saint-Saëns wrote especially for his friend Pablo de Sarasate. The great violin virtuosos of the 19th century delighted their audiences with it – first the dedicatee himself, then later, most notably, Eugène Ysaÿe. “It’s a kind of fantasy waltz in the Spanish manner, enchanting in its effect”; wrote a music critic back in 1876. Today, this work is in the repertoire of all the great violinists. The Henle Urtext edition is the first-ever critical edition of this work. The solo part has been annotated by Augustin Hadelich.

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EAN: 9790201812380

henle g nter robert schumann

Découvrir conseils, opinions et fonctionnalités sur henle g nter robert schumann vendu 23.4 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Henle, Günter et est vendu par Orellfuessli.ch

In 1849 Schumann endowed three wind instruments with chamber music works: the clarinet with the “Three Fantasy Pieces” op. 73, the horn with the “Adagio and Allegro” op. 70 and the oboe with the present “Three Romances” op. 94. However, the “Three Romances” for oboe also appeared on the market at that time with a solo part for violin or clarinet. Violinists are certainly very happy that G. Henle Publishers have followed this idea of an alternative scoring. The manuscript, which Robert presented to his wife Clara as a Christmas gift in 1849, has not been preserved. However, it was possible to consult autograph drafts for our Urtext edition, which helped rectify many of the incongruities of the 1851 first edition.

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EAN: 9790201808161

henle g nter franz schubert

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Franz Schubert’s Piano Sonata op. 143 in a minor was composed in 1823 after his large “Wanderer Fantasy”. With its formal cohesion and mature originality, this a-minor Sonata initiated a new phase in Schubert’s sonata oeuvre. The composer dispensed here with all pianistic brilliance. At the same time, a wealth of colour and of sonorities triumphs in such a manner that the work numbers among Schubert’s most frequently played sonatas. For this Urtext edition, we had at our disposal the composer’s autograph as the authoritative source; the posthumous first edition was consulted only by way of comparison.

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EAN: 9790201806235

henle g nter johann nepomuk

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Hummels “Potpourri” for Viola and Orchestra op. 94 is part of every viola player’s core repertoire, especially in its shortened version, the “Fantasy”. Sprinkled with quotes from operas by Mozart and Rossini and framed by spirited, newly composed passages, the “Potpourri” fills a gap in the small repertoire of the classical-early romantic period. Tabea Zimmermann has drawn upon her extensive experience in providing fingerings and bowings for the solo part. And it goes without saying that the “Fantasy” version can also be played using our edition. Read more about this edition in the Henle Blog.

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EAN: 9790201808383

henle g nter ludwig van

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The fantasy played a relatively small role in the piano music of Viennese Classicism. Beethoven’s sole contribution is perfectly suited to its genre designation in that the work, written in 1809, provides “a faithful portrayal of the way he used to improvise” (to use the words of Beethoven’s student Carl Czerny). Meandering through keys and tempos, the piece presents a variety of different musical ideas that only relatively late in the piece flow into a self-contained Allegretto in B major and reveal its real goal to be a set of variations. This section could hardly be more distant from the gloomy g minor opening. The challenging work is now available as a separate Henle Urtext publication.

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EAN: 9790201813066

henle g nter robert schumann

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Gloomy premonitions plagued Schumann whilst he was working on his latest composition in 1839. The news that his brother Eduard was dying had deeply shaken him. “Writing a ‘Corpse Fantasy’ since Monday;” he wrote in his diary on 31 March. While he was preparing the composition for publication three-quarters of a year later, he chose the title “Night Pieces” with reference to E. T. A. Hoffmann. However, Schumann probably did not want the work to be perceived as being so nocturnal and dark, because he associated with it the desire that it should “pleasantly remind” one of his brother, who had in the meantime died. We are now publishing it in a newly revised version by Ernst Herttrich reflecting the latest in scholarly research.

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EAN: 9790201801049

henle g nter ludwig van

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Combining a piano concerto and a cantata in one work is an undertaking that requires true mastery. Ludwig van Beethoven succeeded in this with his “Fantasy for piano, chorus and orchestra” in C minor op. 80, composed in 1808. Since the melody of the “Ode to Joy” from the finale of his Ninth Symphony can be heard here “in ovo”; the Choral Fantasy is also referred to as the “Little Ninth”. This score edition of the work is supplemented in our handy study edition by “Meeresstille und glückliche Fahrt” (“Calm Sea and Prosperous Voyage”) op. 112 and other short works for chorus and orchestra (opp. 118, 121b, 122, WoO 95). This edition, in the quality one expects of an Urtext, offers the full musical text of the Beethoven Complete Edition.

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EAN: 9790201895468

henle g nter robert schumann

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Schumann’s great C-major Fantasy, op. 17, was originally intended to be published as a “Sonata for Beethoven” entitled “Ruins; Trophies, Palms. Grand Sonata.“ Although he eventually abandoned this plan, he maintained the Fantasy’s mighty design. Writing to his fiancée Clara Wieck in March 1838, he called the first movement “perhaps the most impassioned music I have ever written.” Accordingly, it marks a point of culmination in his piano music, forming an exemplary combination of passion, delicacy, and virtuosity – a demanding, highly romantic work for ambitious pianists! Our volume presents a thorough revision of the musical text as well as an informative preface and text-critical commentary. Further information Read more about this edition in the Henle Blog.

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EAN: 9790201802763

henle g nter pablo sarasate

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The 19th century was a heyday for arrangements of all kinds. So it was natural that the composer and violin virtuoso Sarasate should turn to this genre to expand his repertoire. He composed numerous fantasies on successful operas of the time, but pride of place undoubtedly belongs to his Carmen Fantasy. For this arrangement, composed in 1881, Sarasate deliberately chose those numbers that most clearly convey the Spanish atmosphere of the opera. Besides a version for violin and piano, Sarasate also wrote one with orchestral accompaniment. Both have since then delighted audiences and critics alike. This Henle Urtext edition is the first-ever critical edition of the work, and takes the sources for both versions into account. The solo part has been annotated by Augustin Hadelich. Read more about this edition in the Henle Blog.

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EAN: 9790201812441

henle g nter franz schubert

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Just as in his “Trout” Quintet (D 667), “Wanderer” Fantasy (D 760), and string quartet “Death and the Maiden” (D 810), in the flute variations on “Trockne Blumen” (D 802) Franz Schubert employs one of his songs as the thematic basis of an instrumental composition. “Trockne Blumen” (Dried Flowers) is the eighteenth song from the cycle “Die schöne Müllerin” (D 795), composed in autumn 1823. In January 1824, before publication of all of the Müller songs that summer, the Theme and Variations in E minor for flute and piano were written, prefaced by a weighty introductory section. The work remains Schubert’s single and singular virtuoso composition for flautists: tremendously difficult for the flute to play, and, incidentally, sometimes very tricky for the piano to “accompany.” Schubert’s much-reworked autograph manuscript is the sole authoritative source for our Urtext, as it demonstrably served as the engraver’s copy for the posthumously published first edition. One of the variations he crossed out entirely – the Henle Urtext edition reproduces it, more for informational purposes than for performance, in the appendix.

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EAN: 9790201804743



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