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Debussy composed this cycle, and other masterful late works, in the summer of 1915. He had withdrawn to a country house near Dieppe with his family and composed with fevered concentration. The self-critical composer was very proud of his Études: “I confess that I am pleased to have created a work which – false vanity aside – will occupy a special niche. In point of technique these Études will usefully prepare pianists for a better understanding of the fact that the portals of music can only be opened with formidable hands.” Debussy’s Études are today a milestone along the path of those desirous of becoming concert pianists. Read more about this edition in the Henle Blog.
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Debussy’s piano cycles and more substantial single pieces are listed as single editions in our catalogue. A further twelve, mostly shorter pieces have been collected in this little volume. The pieces in this edition cover the whole of the composer’s creative life – from the Danse bohémienne by the 18-year-old youth and the demanding, dense D’un cahier d’esquisses (From a sketchbook) to the Élégie that was published in 1916. The volume provides players with an introduction to Debussy’s piano works that is not too difficult, but it also includes pieces for more advanced players. Thus it is warmly recommended for piano teachers.
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In 1913, three years after publication of the Préludes I, another collection of twelve Préludes appeared. The pieces are longer and make use of a very wide register, which is why Debussy mainly notated them on three staves. As with the first volume of Préludes the programmatic additions only appeared at the end of each piece. The cycle closes with the virtuosic and brilliant Feux d’artifice; fireworks of pianistic bravura in the true sense of the word. The piano writing and title of no. 11, Les tièrces alternées, already hints at the twelve Études of 1915 (HN 390) with which Debussy was to end his piano œuvre.
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EAN: 9790201803845
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This single edition – it is number 10 in the first volume of the Préludes (HN 383) of 1910 – shows the extent of Debussy’s imagination as he conjures up the old city of Ys that has sunk into the sea. Debussy enjoyed playing this piece himself and also left behind a recording on piano roll. This gives important insights into his tempi. The term prélude, reminiscent of Chopin, makes clear the return to traditional forms, which the now established composer was slowly embracing once again. The programmatic title, as with all of the Préludes, is only given at the end of the piece, thus underlining its passing significance.
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EAN: 9790201806433
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To mark the 150th anniversary of Debussy’s birth in 2012, we are proud to present a tribute to his piano solo works in three volumes, available as a paperbound or a clothbound edition. As a publishing house whose main focus is on piano music, it was important for us to give a special place to the works of Claude Debussy, the innovator of piano style. Thus since the early 1980s we have steadily been publishing single editions of all of Debussy’s important works for the piano. Our editor Ernst-Günter Heinemann has worked closely with the French Debussy scholar François Lesure to present Debussy’s elaborate music in high quality Urtext editions. Beginning with the "Danse bohémienne" from 1880, all of the single works from our catalogue have been drawn together in these three volumes, arranged according to their date of composition. And as a little "encore" we have included the Prélude to the cantata "La Damoiselle élue" in volume I. Each of the three volumes contains true highlights for the piano. But the short and lesser known works also offer a glimpse at the modern classical composer Debussy from a different angle. In addition each volume contains a helpful glossary with all of Debussy’s often very vivid performance instructions translated into English and German.
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EAN: 9790201811963
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Originally written for the final year clarinet examination at the Paris Conservatoire, Debussy’s “Première Rhapsodie” has quickly become a bestseller of the clarinet repertoire, being a highly impressionistic work that plays marvellously with the timbral possibilities of the clarinet. Its success was so pervasive that Debussy later arranged the piano accompaniment for orchestra, and in this form the rhapsody is today to be heard all around the world. Our edition also contains as a “lollipop” the popular “Petite pièce”; an original work of under forty bars that was in fact devised as a sight-reading test.
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The cycle with three movements, composed at the end of 1907 and published at the beginning of the next year, contains a singular innovation: Debussy notated the highly differentiated piano part that goes into the extreme registers on three staves. The first movement (Cloches à travers les feuilles) is reminiscent of a deathknell, the second (Et la lune descend sur le temple qui fut) conjures up far-off India or also China; and as for the third movement (Poissons d’or) Debussy was inspired by an enamel painting of goldfish in his study. The dedicatee of the third movement, Ricardo Viñes, gave the first performance of the cycle.
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EAN: 9790201803890
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Debussy’s early piano piece Tarentelle styrienne was published by Choudens in 1891. In 1903 the composer had it reissued under the new title Danse, with a few small revisions, by Fromont, with whom he worked a great deal at the time. He probably did not like the original title for this showpiece. Although Styriennes (Styrian dances) were fashionable in salon music, one tends to think of dances such as the Ländler, rather than the tarantella of southern Italy. Following Debussy’s death in 1918, Maurice Ravel was asked to develop the Danse into a version for orchestra, and it was first performed in 1923.
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EAN: 9790201804019
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Um in die Traumwelt des französischen Impressionismus einzutauchen, braucht man kein Virtuose am Klavier zu sein. Mit Debussy fällt der Einstieg besonders leicht, da er es versteht, auch mit einfachen technischen Mitteln meisterhafte Miniaturen voller poetischer Tiefe zu schaffen. Clair de lune ist hierfür das wohl bekannteste, aber bei weitem nicht das einzige Beispiel, wie unsere Auswahl belegt. Und wer sich erfolgreich durch den Band gespielt hat, kann mit dem abschliessenden La Cathédrale engloutie schon ein veritables Konzertstück zum Vortrag bringen.
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Whose ears are not instantly filled with the dreamy flute solo when Debussy’s "Prélude à l’après-midi d’un faune" is mentioned? Very few people know that before he wrote the orchestral score Debussy made a version for two pianos. Both versions should be seen as being independent, and they differ in some details. The differences are revealed in our edition, as are Debussy’s entries concerning the work in his copy of the score. The volume also contains the Spanish impression "Lindaraja" and the three pieces "En blanc et noir", in which Debussy addresses the horrors of World War I. Andreas Groethuysen, one half of the famous piano duo Tal & Groethuysen, provided the fingerings. Yaara Tal: "Zurück vom Ring!" – Betrachtungen zu Claude Debussys drei Capricen "En blanc et noir" für zwei Klaviere und deren Bezug zu Richard Wagners Ring des Nibelungen Essay (in German) available free-of-charge: Download [2,9 MB] Appendix to the essay available free-of-charge: Download [6,2 MB]
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EAN: 9790201810034
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The middle work in the three late chamber music sonatas was composed in spring 1915, directly after the cello sonata (HN 633). The innovative combination of sounds – a wind instrument, a stringed instrument, and a plucked instrument – greatly contributes to the impression of restrained melancholy. Debussy himself confirmed it, saying: “It is terribly sad. And I do not know whether one should laugh or cry about it? Perhaps both at the same time?” On another occasion he emphasised the similarities with his own compositional style of the 1890s, remarking of the sonata: “It reminds me of a very old Claude Debussy – the one of the Nocturnes”.
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- Debussy und Poe: Eine Dokumentation von Juan Allende-Blin - La Chute de la maison Usher. Livret de Claude Debussy d'après »The Fall of the House of Usher« d'Edgar Allan Poe - Jean Pierre Faye: Musique de l'open air zwischen drei Sprachen - Juan Allende-Blin: Claude Debussy. Scharnier zweier Jahrhunderte - Dieter Schnebel: Sirènes oder der Versuch einer sinnlichen Musik Zu Debussys frühen Orchesterwerken - Markus Spies: »Jeux« - Hans Rudolf Zeller: Von den Sirenen zu »...La sérénade interrompue« - Arthur Hoérée: »Images oubliées« - Heinz-Klaus Metzger: »Khamma« - Rainer Riehn: Verzeichnis der Werke Claude Debussys - Rainer Riehn: Verzeichnis der von Debussy eingespielten Aufnahmen - François Lesure: Auswahlbibliographie
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Slow waltzes enjoyed a special vogue in Parisian salons of the early twentieth century, leading Debussy – with a twinkle in his eye – to produce his piano waltz “La plus que lente” (“The Slower-than-Slow”). Parisian publisher Durand brought Debussy’s piano waltz, issued in July 1910, to a wider public by publishing it that same year as a supplement to Le Figaro, as well as in arrangements (by others) for violin and piano and for piano, 4-hands. Debussy himself produced a version for orchestra, and in 1913 he even – at a rather faster tempo – recorded it on a piano roll for the Welte-Mignon company. This work, headed “molto rubato con morbidezza” (with suppleness), is now available as a separate Henle Urtext. A preface, extended from those in the anthology volumes HN 1194 and HN 404, will stimulate curiosity about this charming miniature waltz.
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EAN: 9790201813189
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Dieses Buch ist keine blosse Biographie, sondern vielmehr eine Darstellung des Lebens und des Werkes einer Dichterpersönlichkeit und dessen sozialen Kontextes. Als Claude Debussys Weggefährten werden Komponisten, Dichter und Maler, die sein kompositorisches Schaffen beeinflussen, ebenso behandelt wie die politische und gesellschaftliche Situation um die Wende vom 19. zum 20. Jahrhundert. Künstlerische Neuorientierung und industrieller Aufschwung sind dabei nur zwei Themen, welchen die Musik, die Dichtung und die Malerei gleichermassen beeinflussten. Durch die Wahl einer Sprache, die dem Leser diesen komplexen geschichtlichen Zeitabschnitt nahe bringt, und das Offenlegen von Querverbindungen wurde ein Werk geschaffen, das den Zugang zur französischen Musik dieser Zeit spannend und leicht verständlich zugleich gestaltet.
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EAN: 9783921518618
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To mark the 150th anniversary of Debussy’s birth in 2012, we are proud to present a tribute to his piano solo works in three volumes, available as a paperbound or a clothbound edition. As a publishing house whose main focus is on piano music, it was important for us to give a special place to the works of Claude Debussy, the innovator of piano style. Thus since the early 1980s we have steadily been publishing single editions of all of Debussy’s important works for the piano. Our editor Ernst-Günter Heinemann has worked closely with the French Debussy scholar François Lesure to present Debussy’s elaborate music in high quality Urtext editions. Beginning with the "Danse bohémienne" from 1880, all of the single works from our catalogue have been drawn together in these three volumes, arranged according to their date of composition. And as a little "encore" we have included the Prélude to the cantata "La Damoiselle élue" in volume I. Each of the three volumes contains true highlights for the piano. But the short and lesser known works also offer a glimpse at the modern classical composer Debussy from a different angle. In addition each volume contains a helpful glossary with all of Debussy’s often very vivid performance instructions translated into English and German.
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EAN: 9790201811970
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In autumn 1891 Debussy’s early piano piece, Ballade slave, was published by Choudens. When he had it re-engraved by Fromont in a slightly revised form in 1903, he deleted the word slave. Thus the title pointed more markedly to the work’s narrative character. Yet one can detect a certain Russian influence, stemming from the time he spent with Nadeshda von Meck – Debussy was at times her house pianist. Even echoes of Balakirev can be heard. The occasionally unconventional tonal approach already heralds the Debussy of the important cycle Pour le Piano, published in 1901.
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Around 1900 Debussy composed 12 short pieces for two flutes, two harps and celesta as incidental music for the Chansons de Bilitis (recitation of ancient Greek poems by the courtesan Bilitis) by Pierre Louÿs. Although it was performed, the work was not published during Debussy’s lifetime. The composer highly valued the work and returned to it in 1914, choosing six of the old pieces and reworking them into an important new cycle for piano four hands. At the same time he also completed a version for piano solo (HN 402). Debussy succeeded to transform the delicate incidental music into a colourful, sonorous piano setting in both versions.
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EAN: 9790201804088
Découvrir conseils, opinions et fonctionnalités sur henle g nter claude debussy vendu 19.4 € , ce produit est placé dans la catégorie Bücher & Zeitschriften, fabriqué par Henle, Günter et est vendu par Orellfuessli.ch
This “little Suite” was published in 1908 and was dedicated to the composer’s then three-year old daughter: “To my beloved little Chouchou with the tender excuses of her father for what follows below”. The first movement, Doctor Gradus ad Parnassum, alludes to a study by Muzio Clementi. The titles of nos. 2 to 6 can be traced back to Debussy’s love of everything English. Although the music addresses childish fantasy, at the least a talented amateur is required to perform it. The well-known number 6, Golliwogg’s Cakewalk, is in ragtime style and shows Debussy’s easy-going approach to popular trends in music. Children’s Corner was immediately extremely successful and has been arranged for various groups of instruments.
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EAN: 9790201803821