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Frédéric Chopins Leben und Wirken im Miniaturformat.
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EAN: 9783861840787
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High Heels Pinko Chopin Decollete AI 23-24 BLKS1 102034 A190 Schwarz
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EAN: 8057769203625
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Fréderic Chopin’s stay with George Sand on Mallorca in the winter 1838/1839 was ill-fated. Yet Chopin still managed to finish his “Préludes” there which he had begun to compose in Paris. Today’s interpreter not only has to deal with numerous variant readings but also with corrupt performance traditions. The “Préludes” are the first edition to be completed in our comprehensive Chopin revisions; the editor has taken the latest scholarly findings into account and in the musical text brings to light “established” variants as well as others which are to be found in the sources. And there is another first here, too: the printed volume contains a shorter critical report – the extensive version with all the details can be downloaded.
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EAN: 9790201808826
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Time and again, Chopin succeeded in giving different piano music genres their own individual characters, whether etudes, preludes, waltzes, scherzi or nocturnes. The Irishman John Field had already composed over 20 nocturnes, which presumably greatly influenced Chopin. The latter continued to develop the light, song-like piano writing and created works whose dreamy, longing atmosphere came to embody Chopin’s music. Our volume contains the works that were published during Chopin’s lifetime as well as ones which were only published posthumously, including the famous Lento con gran espressione in c sharp minor – in two authentic versions.
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EAN: 9790201891859
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Chopin composed his piano concertos around 1829/30, which means that to a certain extent they are the climax and conclusion of his student years in Warsaw. Both works are early masterpieces with which Chopin celebrated great triumphs on his first concert tours abroad, and to this day the popularity of these piano concertos has remained unbroken. The Concerto in f minor - the first to be written - was not published until 1836, when Chopin was already firmly established in Paris. Compared with the e-minor concerto the source material is profuse: along with first editions and student copies, the edition has also made use of what might be called a “half autograph”; in which the orchestral parts stem from an unknown scribal hand, while the piano solo part is written by the composer himself. The piano reduction also makes use of contemporary sources: this is an edition that offers Urtext quality at the highest level.
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EAN: 9790201804200
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Frédéric Chopin (1810-1849) und Franz Liszt (1811-1886) kannten sich seit den 1830er Jahren, als beide in Paris einem illustren Freundeskreis u. a. mit Balzac, Musset, Heine und Delacroix angehörten. Seine grosse Liebe George Sand lernte Chopin in Liszts Pariser Wohnung kennen. Das 1851 entstandene Buch über Chopin gilt als Liszts bedeutendste literarische Leistung und ist sowohl Biografie als auch Auseinandersetzung mit dessen Werk, nicht zuletzt aber eine sprachgewaltige, poetische Annäherung an das Genie seines Freundes. Auf persönlichen Wunsch von Liszt wurde das Werk 1880 von der Musikschriftstellerin La Mara (Ida Marie Lipsius) aus dem Französischen übersetzt. Nachdruck der 1880 in Leipzig erschienenen deutschen Erstausgabe.
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EAN: 9783862679539
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Chopin’s early works include a wealth of new stimuli for anyone wishing to take a closer look at the creative works of the Polish genius. Up to now the four Rondos have been missing from our catalogue; but now they are finally available in Henle Urtext. Although they have been unfairly neglected, there are real discoveries to be made. It is hard to imagine that Chopin was only 15 when his Opus 1, the Rondo in c minor, was first published. Likewise, his Rondo op. 5, which incorporates the exotic sounds of Polish folk music, and the brilliant work in C major op. 73 were also written during his time in Warsaw. Without a doubt the young composer, who was the darling of the Warsaw salons, wrote these works as showpieces for himself. Here, and also with the Rondo op. 16, his mark is unmistakable.Our Urtext edition is also available as an affordable study score.
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EAN: 9790201808840
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Diese Ausgabe wurde von Jan Ekier, dem Herausgeber der polnischen National-Ausgabe der Werke Chopins herausgegeben. Ekier war in seiner Heimat sowohl als Wissenschaftler als auch als Solist und Pädagoge tätig. Solch künstlerische Vielfalt prägte seine Editionsarbeit und kommt der Idee der Wiener Urtext Edition, eine "Urtextausgabe für die Praxis" zu sein, in idealem Mass entgegen. In Ekiers wissenschaftlichen Arbeiten schlägt sich die profunde Kenntnis von Musik und Überlieferung seines Landsmannes Chopin nieder und macht nicht nur seine Vorworte und Anmerkungen zur Interpretation, sondern selbst noch die Kritischen Anmerkungen über deren eigentlichen Zweck hinaus überaus lesenswert. Schwierigkeitsgrad: 4-5
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EAN: 9783850550581
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Mazurkas, nocturnes, waltzes and polonaises constitute the core of Chopin’s expressive world. However, he also moved comfortably beyond such genre cycles, and pieces of this sort are brought together in this “Klavierstücke” book, in which we find lesser-known works (two Variation cycles, three Ecossaises) from Chopin’s earlier creative period along with rousing dance movements (Bolero and Tarantelle) and, to finish, the orchestrally conceived Allegro de concert. This forms the introduction to a sequence of three great individual works from Chopin’s middle and later creative periods: the Fantasie op. 49, the Berceuse op. 57, and the Barcarolle op. 60 – the finest Chopin, available in Henle paperback, cloth-bound, and study editions.
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EAN: 9790201803197
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Hardly unexpectedly for a genre created by Franz Schubert, Chopin’s four Impromptus have a strongly improvisatory character, while still overflowing with fleet-footed lightness, as well as with dignity and tastefulness. This applies above all to the first three pieces of this volume, opp. 29, 36 and 51. Whereas the first was written in 1837, the other two were composed during Chopin’s relationship with the authoress George Sand, at her country seat of Nohant: op. 36 in 1839, op. 51 three years later. The opus number of the Fantaisie Impromptu, op. 66, is misleading, since the piece had already been written in 1834 as the first of the four works. Chopin had apparently not envisioned its printing, and it was issued only after his death, thanks to the efforts of his friend Julian Fontana.The print diverges so strongly from the – fortunately – extant autograph, however, that both versions are reproduced in the Henle Urtext edition.
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EAN: 9790201802367
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With Frédéric Chopin’s Fantaisie-Impromptu in c-sharp minor, G. Henle Verlag presents a further Urtext separate issue from among the most popular works of this central composer of romantic piano music. This ear-worm is “romantic” in the best sense: stormy, iridescent cascades produced by refined rhythms surround the hymn-like melody of the middle section. It is hardly surprising that Chopin fans easily end up rhapsodizing! What is surprising, however, is that the piece, still so popular today, is untitled in the source materials, and was not published until after the composer’s death. Moreover, there exist two versions; we print them both in our individual Urtext edition, which makes it easier to compare them with one another.
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EAN: 9790201813202
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The “Polonaise-Fantaisie” is among Chopin’s last great piano works, and is a testament to his mastery and maturity. The out-of-the-ordinary title betrays the fact that Chopin was uncertain about which genre to assign it to. While the typical rhythm and noble character of the Polonaise repeatedly shine through the notes, the Polonaise-Fantaisie is characterized above all by a great freedom in its thematic and formal aspects. The work brushes against a great variety of keys, moods and motifs, and leads into a grandiose closing apotheosis as if at the end of a long journey.
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EAN: 9790201813165
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Not every listener will immediately realize that this piece, which begins in the style of a dream-like nocturne with one of Chopin’s most enchanting melodic ideas, originated as a piano etude. But upon closer examination (and, above all, while playing it), the piece proves to be a subtle legato study in which the right hand consistently plays both the melody and the accompaniment in the middle voice. With the “con bravura” furioso outburst in the middle section (if not earlier), it becomes clear that advanced technical competence is required here. Those who are not ready to tackle the complete volume of Chopin Etudes (HN 124) will be well served by this separate Urtext edition.
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EAN: 9790201806563
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Chopin wrote three piano sonatas. The first, op. 4 in c minor (HN 942), is not as well known as its siblings, but permits interesting glimpses inside the young composer’s workshop. The Sonata in b flat minor, op. 35, became known not least through the most famous funeral march in all of music history, while its mystifyingly brisk and secretive unison finale still astonishes today’s hearers. The late Sonata in B minor maintains the immense musical level of opus 35 and, in spite of all its drama, also offers many moments of repose, for example in the dreamy slow movement, where one is transported by the music’s cantabile character. Both sonatas belong at the summit of the virtuoso piano repertoire.
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EAN: 9790201892894
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In 1836 Chopin introduced the term "ballad" into piano music with the publication of his Ballad op. 23, although up to then it had only been used in literature and in vocal music. Indeed, all four of Chopin’s ballads have the character of a dramatic story: the musical thread is spun with increasing tension throughout the work, reaching a powerful climax at the end. Following the "Préludes", we have now thoroughly re-evaluated this edition and revised it to include the latest scholarly findings. The most significant ones are documented in the printed critical apparatus; the detailed version can be downloaded from the Internet.
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EAN: 9790201898629
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Next to the polonaises and the waltzes, the mazurkas are the third dance form which Chopin cultivated in his music. They constitute the largest of these three groups, boasting nearly 60 pieces. Chopin made use of the mazurka genre from his childhood until the last years of his life. They testify not only to Chopin’s love for his native Poland, but also to the depth of the composer’s feeling for the mentality of his people. He took inspiration from the various types of mazurka found in different regions of Poland, but sublimated them into absolute music of the greatest elegance, refined harmonies and rhythmic power.
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EAN: 9790201802886
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When Chopin left with George Sand for his oft-cited winter sojourn on Mallorca in autumn 1838, he also took his second ballade with him, which was not yet finished. Chopin’s health and other unfavourable circumstances had interfered with his work on the composition; he only completed it in winter 1839. (We have a facsimile of the wonderful autograph; HN 3212.) The printing process was also delayed – not least because of the composer’s considerable financial demands. Following his emigration from Warsaw and his full acceptance into Parisian musical circles, Chopin was apparently aware of the value of his music. We now present this work dedicated to Robert Schumann in an affordable single edition, taken from the recently revised edition of the “Ballades”. Read more about this edition in the Henle Blog.
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EAN: 9790201809366
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Chopin composed several works for cello, influenced by his friend the famous cellist Auguste Franchomme; the Grand Duo Concertant, an opera paraphrase on Meyerbeer’s “Robert le Diable;” is among them. Franchomme personally participated in the elaboration of the cello part. The early Polonaise op. 3 with slow introduction was written by Chopin for the cello-playing Polish Prince Radziwill;. Chopin cleverly underlays the cantabile melodies of the cello with fireworks of pianistic brilliance. A dazzling, energy-laden early masterpiece !
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EAN: 9790201807881
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The polonaise made its first appearances in stylized dance music in the late 16th century. With his own polonaises, Chopin also declared his allegiance to his native Poland. In a way, the genre had fascinated him since his childhood. His earliest printed work was a Polonaise (KK IIa no. 1 in g minor), which he had written at the age of seven. The first three posthumously published Polonaises op. 71 as well as KK IVa nos. 1–3; 5 and 8 are juvenilia from the Warsaw years. The mature works begin with the seven great Polonaises op. 26 nos. 1 and 2, op. 40 nos. 1 and 2, op. 44 and 53, and, above all, the Polonaise-Fantaisie op. 61 of 1845/46, Chopin’s last great piano work. With their mixture of festiveness and refinement, of power and suppleness, of heroic pathos and graceful charm, they all testify to the inimitable artistry of this great composer.
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EAN: 9790201802183
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Der Ausgabe liegt ein Faksimile des Autographs bei. Ausser einem bibliophilen Genuss bietet sich dadurch die Möglichkeit, die Eigenschrift des Komponisten in allen Einzelheiten zu studieren. Subtilste Nuancen, die nur in der Notenschrift, niemals aber im Notendruck dargestellt werden können, können somit die typographischen Grenzen eines gedruckten Notenbildes sinnvoll erweitern und der interpretatorischen Auseinandersetzung mit dem Werk noch differenziertere Anregungen vermitteln. Schwierigkeitsgrad: 5
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EAN: 9783850556262