amanda maier meets johannes brahms Classement 2024

urlicht amanda maier meets johannes

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Amanda Maier Meets Johannes Brahms Œuvres pour violon et piano - CD album - Musique CD, Vinyl : tous les albums pop, rock, variété, rap, R'n'B, classique, jazz, metal, electro ...

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henle g nter johannes brahms

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“No opus number” is what Brahms gave his astonished publisher to understand, when he offered him the Hungarian Dances for publication in 1869. He placed a great deal of importance on the fact that he had merely “set” popular Hungarian melodies and not composed new works as such. As true as this reservation is, it did not affect the success of these works. The Hungarian Dances are today without a doubt amongst Brahms’ best-known compositions. Brahms himself made an arrangement of the dances 1–10; originally for piano four hands, for solo piano. We are now publishing a revised version of these impressive pieces with the up-to-date text in the new Brahms Complete Edition. Rolf Koenen’s fingerings provide the best possible help for mastering these complex works.

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EAN: 9790201805603

henle g nter johannes brahms

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Piano trios belong among the great genres of Classical chamber music, and Brahms , too, turned his attention to this genre early on. He wrote his opus 8 in fall and winter 1853/54, thus at the age of 20. The two other piano trios were created 28 years later, namely op. 87 in C major, and 32 years later, op. 101 in c minor. Brahms was working on another Trio, in E flat major, at the same time that he was working on the C major Trio; however, it seems to have been destroyed. He returned to his first piano trio in 1889 and revised it so thoroughly that he wrote to Clara Schumann: “I have re-written my B major trio.” The Henle Urtext edition reproduces the second version of the Trio op. 8 (published in 1891) first, then follows this up with a reprint of the first version in its Appendix.

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severus verlag johannes brahms eine

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„Als ich, bald nach Brahms' Tode, mich entschloss, ein solches weitausschauendes Werk in Angriff zu nehmen, war ich mir der ausserordentlichen Schwierigkeiten meines Vorhabens wohl bewusst. Bei dem eigentümlichen Charakter des in jeder Beziehung grossartigen Menschen und Künstlers, der von Jugend auf eine starke Abneigung vor der Öffentlichkeit hatte und gewöhnt war, seine Musik für sich sprechen zu lassen, stand zu erwarten, dass die Quellen zur Geschichte seines Lebens nur spärlich fliessen würden, wenn sie nicht gar von ihm selbst verschüttet worden waren. In seinen letzten Jahren steigerte sich die Scheu vor der geschäftigen Neugier zudringlicher Kundschafter und Beobachter bis zum heftigen Widerwillen, und er traf Anstalten, von Dokumenten alles zu beseitigen oder zu vernichten, was ihn persönlich anging. Die Aussichten für den Biographen waren also nicht gerade ermutigend.“ Johannes Brahms‘ enger Vertrauter Max Kalbeck veröffentlicht kurz nach dessen Tod eine umfangreiche Biographie über den Künstler, deren musikhistorischer Wert bis heute unschätzbar ist. Der Leser erhält intime Einblicke in das Leben und Schaffen des Hamburger Komponisten, wie sie nur ein Freund gewähren kann. Ganz wie das Original erscheint die Biographie im SEVERUS Verlag neu in vier Bänden, wobei jeder Band zwei Halbbände enthält. Die Biographie ist sowohl als hochwertiges Hardcover mit Schutzumschlag und Lesebändchen, wie auch als praktisches Paperback erhältlich.

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EAN: 9783863476106

henle g nter johannes brahms

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In order to also promote the circulation of his works outside the concert hall, Johannes Brahms made piano arrangements of many of his orchestral works. As the composer, he was able to take greater liberties than any other arranger would have been able to take. And it is precisely due to Brahms’ creative ideas in the piano scoring that his arrangements have enjoyed renewed interest in the music world over the past decades. With our Urtext edition of the Symphonies Nos. 3 and 4, based on the musical text in the Johannes Brahms Complete Edition, our catalogue now contains all four symphonies in the authentic piano arrangements made by the composer. Once again, Andreas Groethuysen has kindly provided the fingerings.

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EAN: 9790201811994

henle g nter johannes brahms

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The genesis of the Fourth Symphony possibly goes back to the 1870s when Brahms was studying the Bach Cantata “Nach dir, Herr, verlanget mich”; whose chaconne theme forms the nucleus of the finale. Around 29 August 1885 Brahms wrote to Hans von Bülow from Mürzzuschlag in Styria: “However I have a few entr’actes – which together form what one would usually call a symphony. […] I am afraid […]; it takes after the climate in this region – the cherries do not ripen here.” Yet we are by no means speaking of “sour” cherries here. The work is today a part of the canon of classical-romantic symphonies. Our handy and inexpensive priced study edition is based on the musical text in the Johannes Brahms Complete Edition (HN 6015).

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EAN: 9790201898568

grin die rezeptionsgeschichte

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Studienarbeit aus dem Jahr 2006 im Fachbereich Musikwissenschaft, Note: 1,0, Albert-Ludwigs-Universität Freiburg (Musikwissenschaftliches Seminar), Veranstaltung: Hölderlin in Vertonungen, 27 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Das Schicksalslied op. 54 von Johannes Brahms gehört zwar zu den heute noch meistgespielten Chororchesterwerken Brahms', aber gleichzeitig hat wohl keines so widersprüchliche Reaktionen und anhaltende Diskussionen hervorgerufen. Brahms vertonte zwischen 1868 und 1871 das Gedicht »Schicksalslied« aus dem Roman Hyperion von Friedrich Hölderlin. Dieses Gedicht schildert in extremen Farben die Gegensätzlichkeit göttlicher und menschlicher Existenzen. Grund für die Kritik an Brahms' Komposition war seine Entscheidung, dem Werk, das musikalisch die Gegensatzstruktur des Gedichts nachzeichnet, ein instrumentales Nachspiel anzufügen, das die Einleitung aufgreift und damit thematisch der Götterwelt zugeordnet werden muss. Dieses Nachspiel stellte für Kritiker seit Erscheinen der Komposition ein Beispiel misslungener oder wenigstens zweifelhafter Textvertonung dar, in der der Komponist seine Kompetenzen durch eine unzulässige Erweiterung der Textaussage überschritten habe. Gleichzeitig gab es jedoch auch immer Stimmen, die Brahms' Vertonung - aus unterschiedlichen Gründen - für besonders gelungen hielten. Ziel dieser Arbeit ist es, einen Überblick über die Rezeptionsgeschichte dieses Werkes zu geben, wobei das Hauptaugenmerk auf Äusserungen gerichtet sein soll, die sich auf das Nachspiel beziehen.

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EAN: 9783640386376

henle g nter johannes brahms

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The Scherzo op. 4 was written in 1851 – Brahms was not even 20 years old – and was a kind of calling card with which the young composer and pianist introduced himself to influential musicians. He also played the Scherzo to the Schumanns several times in 1853, and thus might have inspired his older colleague to write the famous article “Neue Bahnen” (New Ways). In it, Schumann praised “single piano pieces, some of them turbulent in spirit while graceful in form”. We are publishing the work that has until now only been available in the volume HN 38 in a single edition. It has recently been revised following the musical text of the new Brahms Complete Edition and now also contains new fingerings by Andreas Boyde.

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EAN: 9790201805696

henle g nter johannes brahms

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Johannes Brahms’ summer sojourn in 1893 in Bad Ischl was productive. Alongside the pieces op. 118, he also wrote his last cycle of piano pieces, opus 119. The composer wrote to Clara Schumann of the opening work, saying that it was teeming with dissonances and that: “every measure and every note must sound like a ritardando, as if one wanted to suck the melancholy out of each single one, with lust and pleasure out of the aforementioned dissonances!” Yet opus 119 contains something for every mood: No. 3 surprises with its lively and light C major, and the cycle is completed with the defiant rhapsody in E flat major. Our revised edition, based on the Brahms Complete Edition, is an invitation to pianists to rediscover Brahms’ complex cosmos.

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EAN: 9790201812502

henle g nter johannes brahms

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The Sextet in B-flat major was already judged to be “one of the most beautiful works by this young composer” after its initial performances in early 1861. It was popular with both public and press, and has retained this status to the present day. The publisher Simrock was so impressed by it that he accepted Brahms’s suggestion that he should publish a score of it alongside the individual parts – something that was by no means usual at the time. The numerous differences between these two first editions of 1861 continue to present problems to Brahms researchers today. Brahms specialist Katrin Eich has already taken on the task of editing the work for the Brahms Complete Edition, and this new Urtext edition provides the best possible musical text for performance. Naturally, it is available in both score and parts.

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EAN: 9790201810829

henle g nter johannes brahms

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Brahms struggled for years with composition of his First Symphony -- the feeling of impotence in the face of Beethoven’s works seemed overwhelming. He wrote to his friend, the conductor Hermann Levi: “I will never compose a symphony! You have no idea how the likes of me feels when he always hears such a giant (Beethoven) marching behind him.” But in October 1876 Brahms finally did complete it, and the first – acclaimed – performances of his First Symphony immediately took place in Karlsruhe, Mannheim, Munich, and Vienna. We herewith offer the score of this work, published within the framework of our New Collected Edition, as a convenient study score. In his preface to this Urtext edition in small format, our editor – Brahms expert Robert Pascall – presents interesting information about the work’s genesis and publishing history.

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EAN: 9790201898513

henle g nter johannes brahms

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Brahms began his career as a pianist. His contribution to the piano music of the 19th century is significant in two respects: following Schubert and Schumann he cultivated the small, lyrical form, while as Beethoven’s successor he admitted large forms such as the piano sonata and variation cycle. His two variation cycles op. 21, published in 1862, place great demands on the performer. In the first cycle, on a lyrical theme in D major, the technique of figurative and contrapuntal alterations is highly developed. The “Variations on a Hungarian Song” should be a refreshing challenge for the advanced pianist, owing to their metrical features and their virtuoso temperament. We were able to engage Canadian musicologist Margit L. McCorkle as the editor. Together with her husband she also compiled the “Thematic-Bibliographic Catalogue” of Brahms’s works.

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henle g nter johannes brahms

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The Sonata in G major owes its epithet “Rain Song Sonata” to two melodies from Brahms’ “Rain Songs” op. 59 nos. 3 and 4 which are quoted at the beginning of the last movement. An ornamental leaf with the first 24 bars of the “Adagio” was recently re-discovered and has been reproduced as a facsimile in this edition. It shows the connection between the work and Clara Schumann and her youngest son. Felix, Brahms’ godson and a talented violinist, was seriously ill and died before the work was completed. In a letter of dedication on the reverse of the leaf, Brahms expresses his deepest sympathy and his best wishes. This single edition from the volume containing all of Brahms’ violin sonatas (HN 194) contains a preface by Wolfgang Sandberger, illuminating the genesis of the “Felix Sonata”.

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henle g nter johannes brahms

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Following the publication of the 16 Waltzes for piano four hands, Brahms’ publisher succeeded in persuading the composer to do a version for piano solo. After initially hesitating, Brahms suggested two versions, one for “clever hands and one – perhaps for the more beautiful ones”. Both versions were published in 1867. The simplified one, which Brahms also called the “version for children”; not only thins out some of the full chords but also transposes complicated keys. Thus no. 6 is no longer in C sharp major but in the easier key of C major instead. G. Henle Publishers is now issuing this simplified version of the popular op. 39 based on the revised musical text of the new Brahms Complete Edition.

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EAN: 9790201812878

henle g nter johannes brahms

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The cellist Robert Hausmann had actually requested a cello concerto - but Brahms paired the cello with a violin in his "Double Concerto". The unusual work has already been available as part of the new Brahms Complete Edition for several years. Using Brahms’ original piano reduction, Johannes Umbreit has produced a playable piano setting that optimally renders the colourfulness of the score. The fingerings and bowings for the string parts have been supplied by the experienced soloists Frank Peter Zimmermann and Heinrich Schiff. The orchestral parts, based on the Complete Edition, are available from Breitkopf & Härtel (PB/OB 16104).

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EAN: 9790201807157

henle g nter johannes brahms

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Brahms had already composed over 20 string quartets (he confessed to a friend that he had burnt all of that “stuff”) before he finally presented his Opus 51 to the public. In the end only three surviving works managed to withstand his high self-criticism. We are now publishing the two passionate dark Quartets op. 51 separately from the rather more lively Opus 67, about which a reviewer of the time wrote, “This time Brahms seems to have taken it upon himself to walk along a sunny path through a meadow”. The basis for this edition is the volume in the New Complete Edition of Brahms’ works, published in 2004 by Henle, for which previously missing sources in a Swiss bequest were consulted for the first time.

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EAN: 9790201800417

henle g nter johannes brahms

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Brahms hesitated for a long time over writing a solo concerto for an instrument whose technique he was not very familiar with. Therefore in 1877/78 his Concerto for violin and orchestra op. 77 came into being in close collaboration with his friend Joseph Joachim, who also contributed a cadenza for it. The work was quickly received with enthusiasm by Brahms’s contemporaries, and today is still considered a central piece in the repertoire, so an Urtext edition in a convenient small format is useful for study purposes. It is based on the musical text of the New Brahms Complete Edition, and likewise contains the cadenza by Joachim in two different variants, first in the original form, and second, in a very interesting, condensed variant that Brahms made later with the violinist Marie Soldat.

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EAN: 9790201898544

henle g nter johannes brahms

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Johannes Brahms’s Piano Quintet is not only one of the mightiest works in its genre but a climax in his chamber music œuvre. This new volume adopts the definitive text from the New Complete Edition of Brahms’s Works.

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EAN: 9790201802510

henle g nter johannes brahms

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Piano trios belong among the great genres of Classical chamber music, and Brahms, too, turned his attention to this genre early on. He wrote his opus 8 in fall and winter 1853/54, thus at the age of 20. The two other piano trios were created 28 years later, namely op. 87 in C major, and 32 years later, op. 101 in c minor. Brahms was working on another Trio, in E flat major, at the same time that he was working on the C major Trio; however, it seems to have been destroyed. He returned to his first piano trio in 1889 and revised it so thoroughly that he wrote to Clara Schumann: “I have re-written my B major trio.” The Henle Urtext edition reproduces the second version of the Trio op. 8 (published in 1891) first, then follows this up with a reprint of the first version in its Appendix.

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EAN: 9790201802459

henle g nter johannes brahms

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Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: “... a second one will sound different”. Nevertheless, a good 20 years elapsed before that second concerto finally took form, and only in 1881 was he able to announce: “I wanted to tell you that I have written a very small piano concerto with a tiny little delicate Scherzo”. Our piano reduction of this anything-but-little symphonic concerto presents the solo part as it appears in the respective, recently published volume of the Brahms Complete Edition (HN 6020). Lars Vogt has succeeded in taming the opulent piano writing with his fingerings. The refined arrangement of the complex orchestral part for the accompanying second piano stems from Johannes Umbreit.

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EAN: 9790201812311



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